Paul Bradshaw

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For 39 reviews, this critic has graded:
  • 74% higher than the average critic
  • 2% same as the average critic
  • 24% lower than the average critic
On average, this critic grades 3.7 points higher than other critics. (0-100 point scale)

Paul Bradshaw's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 The Selfish Giant
Lowest review score: 40 Love, Rosie
Score distribution:
  1. Positive: 15 out of 39
  2. Negative: 0 out of 39
39 movie reviews
    • 52 Metascore
    • 60 Paul Bradshaw
    A sad, gloomy family drama dressed up as horror, Maggie proves that Schwarzenegger can act when he wants to – even if he still looks like he’d rather be blowing shit up.
    • 53 Metascore
    • 60 Paul Bradshaw
    With more whimsy than a Wes Anderson wedding – and a clunky third act that potholes the plot – Jeunet’s American comeback is beautiful, heart-warming and a bit of a mess.
    • 54 Metascore
    • 60 Paul Bradshaw
    As a comedy creation, David Brent is still a masterwork, and the film works best when the pathos hits as hard as the punchlines. But Life on the Road should probably be the leaving party we all thought had been thrown a few times already.
    • 46 Metascore
    • 60 Paul Bradshaw
    Just as daft as it sounds but not half as bad, this Alpine splatter-fest works surprisingly well thanks to the old-school FX, the creative death scenes, and a vein of self-awareness that never gets too smug.
    • 34 Metascore
    • 40 Paul Bradshaw
    Eckhart makes a decent Damon stand-in, but there’s nothing here than hasn’t been done (better) before.
    • 52 Metascore
    • 40 Paul Bradshaw
    An amazing story and an amazing cast don’t always make an amazing film. Too light for drama, not funny enough for comedy; it’s unlikely anyone will ever risk their lives for this.
    • 44 Metascore
    • 40 Paul Bradshaw
    Like a Richard Curtis movie with an Instagram filter, director Christian Ditter makes everything look pretty.
    • 39 Metascore
    • 40 Paul Bradshaw
    Previously known as "Mariah Mundi And The Midas Box," the retitling came with the straight-to-DVD release – presumably to help hide it from fans of G.P. Taylor’s original book.
    • 47 Metascore
    • 40 Paul Bradshaw
    When Abraham leaves the camera on Hiddleston and Olsen long enough to let them chew on their characters, the film offers flashes of something much more interesting: a handful of domestic scenes prove that the actors, not to mention Hank, would’ve been much better served by a ballsier script and braver direction.

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