For 99 reviews, this critic has graded:
  • 47% higher than the average critic
  • 6% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 6.5 points lower than other critics. (0-100 point scale)

Peter Debruge's Scores

  • Movies
Average review score: 52
Highest review score: 88 Wallace & Gromit in The Curse of the Were-Rabbit
Lowest review score: 0 Another Gay Movie
Score distribution:
  1. Positive: 38 out of 99
  2. Negative: 32 out of 99
99 movie reviews
    • 87 Metascore
    • 88 Peter Debruge
    Herzog himself is one of the great lunatic directors of our century, a mad genius who repeatedly attempts to challenge nature and the gods in his own films.
    • 87 Metascore
    • 88 Peter Debruge
    The magic of the movies is never more evident than with stop-motion animation, and nobody does it better than Wallace and Gromit creator Nick Park.
    • 67 Metascore
    • 88 Peter Debruge
    A wild buckle-up-and-blast-off adventure that plunges every corner of kids' favorite subject.
    • 77 Metascore
    • 88 Peter Debruge
    In a year rich with animation options, Happy Feet stands head and shoulders above its competition.
    • 74 Metascore
    • 88 Peter Debruge
    Virtually everything Americans know about Ellis Island they've learned from the movies, and virtually all those movies were American. Golden Door offers the other side of the story, the one that ends at Ellis Island instead of beginning there.
    • 61 Metascore
    • 88 Peter Debruge
    Broken English takes 30 minutes to do what most romantic comedies manage with a simple montage. That's a good thing, by the way.
    • 61 Metascore
    • 75 Peter Debruge
    If there's one thing missing above all else from today's action movies, it's the lost art of the car chase.
    • 73 Metascore
    • 75 Peter Debruge
    It's like "Lock, Stock" as filtered through the mind of David Mamet, with Craig as the suave middleman holding it all together.
    • 74 Metascore
    • 75 Peter Debruge
    The result is an eye-opening social portrait in the tradition of "Paris Is Burning," the landmark 1990 documentary that introduced drag balls and ''vogueing'' to the mainstream, but it lacks the earlier film's structure and focus.
    • 79 Metascore
    • 75 Peter Debruge
    A haunting, poetic film, and yet it suffers two major failings. First, Murray provides too blank a slate for the audience to appreciate whatever insights a more expressive performance might have offered. Second, and far more troubling, is the way Jarmusch refuses to take his female characters seriously.
    • 45 Metascore
    • 75 Peter Debruge
    Valiant enlists a squad of loveable birdbrains to turn the classic fighter-pilot formula into an upbeat adventure film loaded with laughs.
    • 58 Metascore
    • 75 Peter Debruge
    With its predictable confrontations and tacky fantasy sequences, you feel writer/director Jane Anderson steering the material toward schmaltzy movie-of-the-week territory at every turn.
    • 72 Metascore
    • 75 Peter Debruge
    Kiss Kiss, Bang Bang is a movie obsessed more with the act of telling a story than the story itself, which explains why, when the movie's finally over, less than half the audience will have understood the finer points of the mystery.
    • 58 Metascore
    • 75 Peter Debruge
    The most extreme English-language studio release I've seen in years.
    • 73 Metascore
    • 75 Peter Debruge
    The Proposition leaves you shell-shocked.
    • 67 Metascore
    • 75 Peter Debruge
    Kids will eat it up, while solid voice work from William Shatner and Wanda Sykes should keep this borderline-feral toon from pushing adults over the edge.
    • 68 Metascore
    • 75 Peter Debruge
    Ultimately, what happens with the house is not only entertaining, but a marvel of what animation can accomplish in this day and age.
    • 74 Metascore
    • 75 Peter Debruge
    While you watch, be sure to scour the background for in-jokes, including cameos by Gromit and other DreamWorks characters, and rest assured that Flushed Away gets even funnier on second viewing.
    • 56 Metascore
    • 75 Peter Debruge
    Not since "To Live and Die in L.A" has there been such a raw, cynical vision of living and dying in L.A.
    • 70 Metascore
    • 75 Peter Debruge
    But as Western analogies go, Curse achieves an emotional fervor more in keeping with ancient Greek mythology than Elizabethan theater.
    • 74 Metascore
    • 75 Peter Debruge
    [Csupo's] take on Bridge to Terabithia doesn't pander or misrepresent, but instead illustrates the power of open-mindedness in both its forms: creativity and acceptance.
    • 53 Metascore
    • 75 Peter Debruge
    The movie's politics may miss their mark, but its thrills are dead-on.
    • 59 Metascore
    • 75 Peter Debruge
    On paper, it may sound like high-level calculus, but on screen, The Last Mimzy is perfectly charming. Like "Cocoon" for the elementary-school set, the box transforms Noah and Emma's lives.
    • 64 Metascore
    • 75 Peter Debruge
    Make no mistake, Arctic Tale is a stunning film, full of all the astonishing, even breathtaking nature photography we've come to expect from the folks at National Geographic.
    • 47 Metascore
    • 63 Peter Debruge
    Smile feels like one man's answer to movies increasingly overloaded with sex and violence.
    • 48 Metascore
    • 63 Peter Debruge
    With material like this, Samuel Fuller or David Lean might have fashioned an epic war movie for the ages, chock-full of hard-boiled characters and against-all-odds heroics. But in John Dahl's hands, The Great Raid never really lives up to its name, delivering everything you might expect from such a movie, but not an ounce more.
    • 56 Metascore
    • 63 Peter Debruge
    Baier's style is almost uncomfortably voyeuristic, amplified by the casting of a young, inexperienced actor (Pierre Chatagny) in a part that calls for hardcore sex.
    • 59 Metascore
    • 63 Peter Debruge
    This is, after all, "Mary Poppins" turned on its head.
    • 58 Metascore
    • 63 Peter Debruge
    Night Watch represents the best in Russian special effects, a collaboration between 42 different CGI specialty firms all working in the service of a single goal: to create the nation's most visually transgressive film.
    • 58 Metascore
    • 63 Peter Debruge
    Features the lamest story of any CG-animated feature to date.