Peter Debruge
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For 420 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 1.2 points higher than other critics. (0-100 point scale)

Peter Debruge's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Django Unchained
Lowest review score: 0 Deuce Bigalow: European Gigolo
Score distribution:
  1. Negative: 77 out of 420
420 movie reviews
    • 81 Metascore
    • 100 Peter Debruge
    Putting the "intelligence" in MI6, Skyfall reps a smart, savvy and incredibly satisfying addition to the 007 oeuvre, one that places Judi Dench's M at the center of the action.
    • 72 Metascore
    • 100 Peter Debruge
    With plenty to appeal to boys and girls, old and young, Walt Disney Animation Studios has a high-scoring hit on its hands in this brilliantly conceived, gorgeously executed toon, earning bonus points for backing nostalgia with genuine emotion.
    • 81 Metascore
    • 100 Peter Debruge
    An immensely satisfying taste of antebellum empowerment packaged as spaghetti-Western homage... A bloody hilarious (and hilariously bloody) Christmas counter-programmer.
    • 97 Metascore
    • 100 Peter Debruge
    Though the film brims with memorable characters, the show ultimately belongs to Ejiofor, who upholds the character’s dignity throughout.
    • 75 Metascore
    • 100 Peter Debruge
    Not just one of the great racing movies of all time, but a virtuoso feat of filmmaking in its own right, elevated by two of the year’s most compelling performances.
    • 84 Metascore
    • 100 Peter Debruge
    The film manages to educate without ever feeling didactic, and to entertain in the face of what would, to any other character, seem like a grim life sentence.
    • 91 Metascore
    • 100 Peter Debruge
    This is the director’s most accessible and naturalistic film, using everyday characters to test how well modern-day Russia is maintaining the social contract with its citizens.
    • 99 Metascore
    • 100 Peter Debruge
    As in “Water Lilies” and “Tomboy” before this, Sciamma pushes past superficial anthropological study to deliver a vital, nonjudgmental character study.
    • 89 Metascore
    • 100 Peter Debruge
    A triumph on every creative level, from casting to execution.
    • 93 Metascore
    • 100 Peter Debruge
    The film is a master class in comic timing, employing pacing and repetition with the skill of a practiced concert pianist.
    • 78 Metascore
    • 100 Peter Debruge
    With My Flesh and Blood, Karsh finds a worthy subject in the constant day-to-day challenges facing a truly extraordinary family.
    • 67 Metascore
    • 100 Peter Debruge
    Garden State gets it. Not since "The Graduate" has a movie nailed the beautiful terror of standing on the brink of adulthood with such satisfying precision.
    • 82 Metascore
    • 100 Peter Debruge
    Delivers a polished and well-researched look at America 's largest corporate bankruptcy with a laser-sharp focus on the personalities, practices, and fates of the top executives behind the Enron meltdown.
    • 76 Metascore
    • 100 Peter Debruge
    Brothers takes a scenario as old as Genesis – two jealous siblings spar over the affections of the same woman – and renders it fresh and immediate, by virtue of the warm, almost maternal, generosity director Susanne Bier shows her characters.
    • 76 Metascore
    • 100 Peter Debruge
    Every so often, a movie blindsides you, leaving you feeling different, enlightened, possibly even improved. Me and You and Everyone We Know is such a movie.
    • 77 Metascore
    • 100 Peter Debruge
    Three Burials is beautiful, authentic and brutally observant of human nature. With real Tex-Mex backdrops instead of the usual Monument Valley vistas and characters too complex to withstand simple white-hat/black-hat reductionism, Three Burials is a visionary portrait of the New West. This is the terrain of Eastwood and Peckinpah, saddled with the concerns of 21st-century life.
    • 94 Metascore
    • 90 Peter Debruge
    Considering Haneke's confrontational past, this poignantly acted, uncommonly tender two-hander makes a doubly powerful statement about man's capacity for dignity and sensitivity when confronted with the inevitable cruelty of nature.
    • 95 Metascore
    • 90 Peter Debruge
    Far more ambitious than "The Hurt Locker," yet nowhere near so tripwire-tense, this procedure-driven, decade-spanning docudrama nevertheless rivets for most of its running time.
    • 81 Metascore
    • 90 Peter Debruge
    While Leon’s script can’t help but be episodic as the characters scheme their way out of one scrape after another, their shenanigans are compulsively watchable, brimming with enough details to make this modest film grow large in the memory.
    • 78 Metascore
    • 90 Peter Debruge
    The beauty of the footage is undeniable, and the aimlessness never overstays its welcome as the film documents that strange stretch in our lives when nothing seems to matter more than the present moment, suspended in a sort of idle immortality.
    • 82 Metascore
    • 90 Peter Debruge
    This compelling human drama finds fresh energy in the inspirational-teacher genre, constantly revealing new layers to its characters.
    • 71 Metascore
    • 90 Peter Debruge
    Assembled from three years’ worth of visits to one of the world’s most volatile hot zones, the format of Stolen Seas is as every bit as exciting as its content, raising beguiling questions about how the team managed to acquire the footage so stunningly interwoven by editor Garret Price.
    • 76 Metascore
    • 90 Peter Debruge
    The result is just about the most fun you can have while learning, partly because it strips away any tangents beyond the task at hand, offering a lean, 80-minute account of how this crazy guy erected his own Everest and then proceeded to climb it.
    • 75 Metascore
    • 90 Peter Debruge
    [Francis] Lawrence and his team have calibrated the entire experience for maximum engagement. And while its pleasures can’t touch the thrill of seeing the Death Star destroyed — not yet, at least — the film runs circles around George Lucas’ ability to weave complex political ideas into the very fabric of B-movie excitement.
    • 44 Metascore
    • 90 Peter Debruge
    The circumstances may be contrived, but the characters feel refreshingly genuine.
    • 79 Metascore
    • 90 Peter Debruge
    At this finely tooled tragedy’s core towers Emilie Dequenne, no longer the feral young thing seen in 1999′s “Rosetta,” but a trapped animal pushed to devastating extremes.
    • 87 Metascore
    • 90 Peter Debruge
    Chazelle proves an exceptional builder of scenes, crafting loaded, need-to-succeed moments that grab our attention and hold it tight.
    • 100 Metascore
    • 90 Peter Debruge
    With Boyhood, Linklater has created an uncanny time capsule, inviting auds to relive their own upbringing through a series of artificial memories pressed like flowers between the pages of a family photo album.
    • 83 Metascore
    • 90 Peter Debruge
    Love Is Strange never feels anything less than authentic, like a true story shared by close friends.
    • 68 Metascore
    • 90 Peter Debruge
    Despite the staggering range of material Watermark manages to present — Burtynsky’s five-year undertaking is certainly the most encompassing survey any one artist has ever dedicated to the subject — it’s still just the tip of the metaphorical iceberg.

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