For 99 reviews, this critic has graded:
  • 47% higher than the average critic
  • 6% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 6.7 points lower than other critics. (0-100 point scale)

Peter Debruge's Scores

  • Movies
Average review score: 52
Highest review score: 88 Grizzly Man
Lowest review score: 0 Deuce Bigalow: European Gigolo
Score distribution:
  1. Positive: 38 out of 99
  2. Negative: 32 out of 99
99 movie reviews
    • 70 Metascore
    • 50 Peter Debruge
    The truth is, Jet Li has gotten soft in his old age. While fans of the "Once Upon a Time in China" star will be pleased to learn that at least half of Fearless is action, what they may not realize is just how mushy everything else is.
    • 44 Metascore
    • 50 Peter Debruge
    In post-"Wedding Crashers" Hollywood, the entire exercise feels dated (just as the comedy's PG-13 rating -- this in spite of a recurring rape joke -- makes it feel neutered).
    • 36 Metascore
    • 50 Peter Debruge
    Coolidge knows he's not making "Death of a Salesman" here (he names the store managers Glen Gary and Glen Ross in tribute to David Mamet's elegy to the American Dream), but he's got the same eye for detail that made "Office Space" great. What he lacks is Arthur Miller's (or even Mike Judge's) sense for character.
    • 68 Metascore
    • 50 Peter Debruge
    Whereas E.B. White's beloved novel introduced kids to the cycle of life, tenderly broaching the tricky subject of mortality, this latest movie version plays like just another piece of vegetarian agitprop.
    • 59 Metascore
    • 50 Peter Debruge
    By suggesting that the man's life was as riotously funny as his plays, writer-director Laurent Tirard leaves us wishing he'd opted to do a straightforward adaptation instead.
    • 54 Metascore
    • 50 Peter Debruge
    If nothing else, You I Love delivers a brisk and spirited little taste of contemporary Russian culture through the eyes of three spontaneous, unpredictable and oddly charming characters.
    • 39 Metascore
    • 50 Peter Debruge
    This inventive family movie sets up the most delightful premise, then squanders it on the kind of yawn-inducing CG adventure you might expect from one of those long, plot-heavy cut scenes that slow down video games.
    • 31 Metascore
    • 38 Peter Debruge
    What's missing is some faith in the audience's intelligence and, more importantly, the jokes.
    • 26 Metascore
    • 38 Peter Debruge
    For anyone who digs hardcore motorcycle racing, Supercross delivers enough engine-revving, dirt-spewing motorcross action to satisfy even the most intense adrenaline craving.
    • 30 Metascore
    • 38 Peter Debruge
    Have you ever noticed how it's always the worst horror movies that go really far out of their way to lay the groundwork for a sequel?
    • 30 Metascore
    • 38 Peter Debruge
    The movie is a clumsy and uninspired mess, which is not to say that it's not funny.
    • 40 Metascore
    • 38 Peter Debruge
    The explanation for all this mayhem eludes me, and even a lame last-minute twist isn't enough to cover the fact that Jigsaw ain't as clever as the movie thinks he is.
    • 48 Metascore
    • 38 Peter Debruge
    Kids will love it. It feels fresh and original and mildly subversive, but it's all a cover for the filmmakers not having the patience or confidence to put together a real story with a beginning, middle and end.
    • 46 Metascore
    • 38 Peter Debruge
    Instead of watching a professional actor pretending to be intellectually disabled, we're watching a jackass pretending to be a dimwit pretending to be intellectually disabled.
    • 40 Metascore
    • 38 Peter Debruge
    Amounts to Chicken Soup for the Soul-style torture -- unless you like that kind of thing.
    • 37 Metascore
    • 38 Peter Debruge
    Something about the sequel, Garfield: A Tail of Two Kitties, doesn't seem nearly as obnoxious as the original.
    • 37 Metascore
    • 38 Peter Debruge
    With an exciting way out, the audience would have gladly overlooked all the loose ends from earlier in the movie. But the way Hall plays it, he undermines the early style and intelligence of his all-black action movie, taking audiences for the wrong kind of ride in the end.
    • 52 Metascore
    • 38 Peter Debruge
    The movie is basically a love story between a man and his elephant, and if viewed as such, it's not nearly as ridiculous as the movie it first appears to be.
    • 37 Metascore
    • 38 Peter Debruge
    Flowers' ''style'' suffers from attention deficit disorder, leaving just enough vital information for you to follow the convoluted plot. But just when one story gets rolling, he's off and chasing another.
    • 49 Metascore
    • 38 Peter Debruge
    For an inaugural effort, Open Season ain't bad, but the studio shows far more promise with its gee-whiz visuals than it does in the story department.
    • 35 Metascore
    • 38 Peter Debruge
    The movie itself frustrates by guarding the secret of Walsch's newfound spirituality.
    • 28 Metascore
    • 38 Peter Debruge
    Unfortunately, this dimwit concept barely has enough spark to power a single strand of Christmas lights, much less rival the classic-by-comparison "National Lampoon's Christmas Vacation" in side-splitting Yuletide snafus.
    • 31 Metascore
    • 38 Peter Debruge
    For all of 10 minutes, Gray Matters looks like it might have accomplished the impossible: uncovering a romantic-comedy scenario audiences haven't seen a million times before.
    • 61 Metascore
    • 38 Peter Debruge
    The characters, starting with Lewis himself, are downright obnoxious. Not counting those singing frogs or the time-traveling T. rex (with its big head and little arms), only Lewis' sad-sack roommate ''Goob'' is remotely sympathetic.
    • 70 Metascore
    • 38 Peter Debruge
    In Year of the Dog, director Mike White willfully violates one of the great unwritten rules of Hollywood screenwriting: Kill as many human characters as you want, just spare the dog.
    • 59 Metascore
    • 38 Peter Debruge
    Like Russia's answer to "The Matrix" and "Lord of the Ring"s trilogies, Day Watch offers the second chapter in an epic battle between the forces of Light and Dark, the result of which is a gaping gray area where nothing much makes sense.
    • 44 Metascore
    • 38 Peter Debruge
    If "Casino Royale" and "The Bourne Ultimatum" represent the new breed of 21st century action, then Rush Hour 3 is Stone Age stuff. The movie aims for irreverent, but delivers irrelevant instead. Let's hope the Rush Hour series stalls here.
    • 61 Metascore
    • 38 Peter Debruge
    There's nothing so artistic about it as to attract the same art-house crowd that braved subtitles to discover "Nine Queens," and yet, it's professional enough that Spanish speakers will be glad to have a heist movie on par with "Rush Hour 3" or "The Pacifier" made in their native tongue.
    • 44 Metascore
    • 38 Peter Debruge
    Amounts to little more than a downbeat soap opera as half a dozen squatters -- hustler, junkie, stripper, queer, fallen Madonna and skank, with a mentally challenged roomie thrown in for good measure -- try to hold their lives together in a grungy New York loft just days before Christmas. Think "Rent" without the music.
    • 36 Metascore
    • 25 Peter Debruge
    Downright awful.