Peter Debruge
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For 462 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 1.2 points higher than other critics. (0-100 point scale)

Peter Debruge's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Rush
Lowest review score: 0 Deuce Bigalow: European Gigolo
Score distribution:
  1. Negative: 79 out of 462
462 movie reviews
    • 42 Metascore
    • 40 Peter Debruge
    Firth and Blunt make a strange couple, and Ariola a musicvideo helmer making his feature debut, should have devoted more time to making the chemistry work than to sustaining the melancholy mood.
    • 71 Metascore
    • 40 Peter Debruge
    Relative to the major brands, the intimate, handcrafted approach should yield more flavor. Instead, Drinking Buddies offers mostly froth.
    • 28 Metascore
    • 40 Peter Debruge
    The film isn’t so much funny as it is merely amusing — a laundry list of inappropriate and potentially embarrassing moments that strive mightily, but never quite manage to land the laugh.
    • 33 Metascore
    • 40 Peter Debruge
    Plop plop. Fizz fizz. Oh, what a missed opportunity it is! In the well-cast but seldom funny satire And Now a Word From Our Sponsor.
    • 63 Metascore
    • 40 Peter Debruge
    Apart from its general knock against ageism in Hollywood, The Congress doesn’t have much insight to offer on the subject.
    • 37 Metascore
    • 40 Peter Debruge
    Extravagant but exhausting...this over-the-top oater delivers all the energy and spectacle audiences have come to expect from a Jerry Bruckheimer production, but sucks out the fun in the process,
    • 47 Metascore
    • 40 Peter Debruge
    As first features go, A Teacher demonstrates a willingness to provoke, but doesn’t seem to understand the minimum expectations most audiences place on films in terms of both incident and characterization.
    • 37 Metascore
    • 40 Peter Debruge
    Decently acted despite screenplay shortcomings.
    • 37 Metascore
    • 40 Peter Debruge
    One dead giveaway that the comedy isn’t working is the film’s score, which overcompensates throughout by attempting to bolster every second with bouncy energy.
    • 35 Metascore
    • 40 Peter Debruge
    Cody shows promise as a director, paving over the bumpy patches with clever song choices, but needs to mix things up if she hopes to continue.
    • 55 Metascore
    • 40 Peter Debruge
    As the years go by and the kids grow — perhaps the only real benefit of Winterbottom’s approach — time begins to run together, making it all too easy for the mind to wander.
    • 54 Metascore
    • 40 Peter Debruge
    It is, in short, everything you’d expect from a crowd-sourced documentary, designed to celebrate its subject, while mostly just validating the aesthetic taste of its backers.
    • 60 Metascore
    • 40 Peter Debruge
    This off-putting pic requires open minds and iron nerves.
    • 28 Metascore
    • 40 Peter Debruge
    As impressive as these visual elements prove to be, the film struggles to grab and maintain audiences’ interest, whether or not they know the underlying legend by heart.
    • 37 Metascore
    • 40 Peter Debruge
    The critters look cute, but behave less so, while the competing-heists concept never quite takes off.
    • 57 Metascore
    • 40 Peter Debruge
    The film amounts to a lousy sort of magic show, schematically pulling strings to prove its own points.
    • 70 Metascore
    • 40 Peter Debruge
    Happy Christmas desperately needs some real jokes, rather than settling for the bemused chuckles that accompany its banal observations into human nature.
    • 62 Metascore
    • 40 Peter Debruge
    As horror scenarios go, Puenzo’s setup takes the most heavy-handed approach possible.
    • 53 Metascore
    • 40 Peter Debruge
    Far too many of the shorts prove instantly forgettable.
    • 47 Metascore
    • 40 Peter Debruge
    Evaluated on the concept’s own terms, the script clearly could have used another do-over or two before Israelite and his cast took the plunge.
    • 40 Metascore
    • 40 Peter Debruge
    While the Wachowskis have always put their greatest emphasis on aesthetics, they allow the visual impulse to get the best of them here, investing so much attention in creating unique fashions, technology, architecture and design that they’ve blinded themselves to the huge logical gaps in their own story.
    • 41 Metascore
    • 40 Peter Debruge
    Part serial-killer thriller, part old-school anti-Soviet propaganda, Child 44 plays like a curious relic of an earlier Cold War mindset, when Western audiences took comfort that they were living on the right side of the Iron Curtain, and relied on movies to remind them as much.
    • 42 Metascore
    • 40 Peter Debruge
    Though the sequel features far more footage of the giant beasts, including a spectacular nighttime scene in which one of the bioluminescent creatures ejects phosphorescent spores into the desert sky, the story remains stubbornly focused on relatively uninteresting human concerns.
    • 31 Metascore
    • 38 Peter Debruge
    What's missing is some faith in the audience's intelligence and, more importantly, the jokes.
    • 26 Metascore
    • 38 Peter Debruge
    For anyone who digs hardcore motorcycle racing, Supercross delivers enough engine-revving, dirt-spewing motorcross action to satisfy even the most intense adrenaline craving.
    • 30 Metascore
    • 38 Peter Debruge
    Have you ever noticed how it's always the worst horror movies that go really far out of their way to lay the groundwork for a sequel?
    • 30 Metascore
    • 38 Peter Debruge
    The movie is a clumsy and uninspired mess, which is not to say that it's not funny.
    • 40 Metascore
    • 38 Peter Debruge
    The explanation for all this mayhem eludes me, and even a lame last-minute twist isn't enough to cover the fact that Jigsaw ain't as clever as the movie thinks he is.
    • 48 Metascore
    • 38 Peter Debruge
    Kids will love it. It feels fresh and original and mildly subversive, but it's all a cover for the filmmakers not having the patience or confidence to put together a real story with a beginning, middle and end.
    • 46 Metascore
    • 38 Peter Debruge
    Instead of watching a professional actor pretending to be intellectually disabled, we're watching a jackass pretending to be a dimwit pretending to be intellectually disabled.

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