Peter Debruge
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For 421 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 1.3 points higher than other critics. (0-100 point scale)

Peter Debruge's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 12 Years a Slave
Lowest review score: 0 Pretty Persuasion
Score distribution:
  1. Negative: 77 out of 421
421 movie reviews
    • 21 Metascore
    • 30 Peter Debruge
    Though much of the script borders on unbearable, compounded by “Juno” composer Mateo Messina’s tell-you-how-to-feel score, writer Daniel Taplitz manages to sneak in some poignant self-help aphorisms here and there.
    • 19 Metascore
    • 30 Peter Debruge
    At the very least, Kite could have given Jackson some scenery to chew.
    • 51 Metascore
    • 30 Peter Debruge
    21 Years: Richard Linklater makes for a disappointingly hollow hagiography: gushy, superficial and strangely overdue — arriving significantly later than its title prescribes.
    • 36 Metascore
    • 25 Peter Debruge
    Downright awful.
    • 30 Metascore
    • 25 Peter Debruge
    Diesel valiantly but unsuccessfully tries to raise this inane bit of Mr. Mommery above its afternoon-special standing.
    • 44 Metascore
    • 25 Peter Debruge
    For a horror movie to work, it has to be ABOUT something.
    • 35 Metascore
    • 25 Peter Debruge
    Stealth is basically the kind of movie a 13-year-old boy given an infinite budget and creative freedom might cook up between Xbox games.
    • 40 Metascore
    • 25 Peter Debruge
    Swedish director Mikael Håfström's Derailed makes "Fatal Attraction" look positively subtle, while mustering none of the nuance or moral complexity (not to mention the sexual chemistry) of "Unfaithful."
    • 44 Metascore
    • 25 Peter Debruge
    What is most beguiling about The Libertine is that it allows Wilmot to self-destruct without ever giving us cause to care or relate.
    • 47 Metascore
    • 25 Peter Debruge
    Janeane Garofalo is all wrong as the giraffe, whom the animators contort into all manner of weird positions so she can share the frame with pint-size love interest Benny the squirrel (Jim Belushi).
    • 42 Metascore
    • 25 Peter Debruge
    Loud, sophomoric and stunningly crude.
    • 46 Metascore
    • 25 Peter Debruge
    Sober, this kind of material is an acquired taste at best and downright unbearable in stretches. And yet, the movie has the makings of an instant cult classic, sure to grow funnier among its devoted fans with each successive viewing.
    • 45 Metascore
    • 25 Peter Debruge
    The hyper-stylized violence, for instance, isn't nearly as senseless as the narrative bits in between. And the ''twist'' employs the same sleight-of-hand as "The Usual Suspects."
    • 40 Metascore
    • 25 Peter Debruge
    Illegal Tender is the sort of crime movie in which nothing, not one detail, has been observed from real life; it's composed entirely of fantasies and falsehoods lifted from bad movies and hip-hop videos.
    • 27 Metascore
    • 25 Peter Debruge
    Berry is giving a performance much too earnest to have been intentionally campy, setting herself up as a veritable shoo-in for this year's "Worst Actress" Razzie. Me-ouch!
    • 22 Metascore
    • 25 Peter Debruge
    Kranks is the type of grim holiday movie that reminds you of all that is noxious and insincere about the Christmas season and then chases it down with a sickly-sweet reversal
    • 44 Metascore
    • 25 Peter Debruge
    Movies in which the same person serves as writer, director, and star should carry a special warning for audiences, even if that individual happens to be an actor as endearing as Luke Wilson.
    • 30 Metascore
    • 20 Peter Debruge
    The cross-dressing "Madea" star seems out of his depth playing the hard-boiled detective made famous by Morgan Freeman in "Along Came a Spider" and "Kiss the Girls." Even action helmer Rob Cohen ("The Fast and the Furious," "XXX") seems to be off his game here.
    • 39 Metascore
    • 20 Peter Debruge
    As Scandi directors go, Niels Arden Oplev couldn’t be hotter. After putting his stamp on “The Girl With the Dragon Tattoo,” the Dane has what appears to be his pick of projects. So why follow it up with such revenge-fantasy dreck as Dead Man Down, a derivative collection of brazen plot holes and latenight-cable cliches into which he drags “Dragon” star Noomi Rapace?
    • 58 Metascore
    • 20 Peter Debruge
    If nonchalance were an Olympic sport, Max would be a gold medalist, and watching Somebody Up There Likes Me is about as much fun as being a spectator at that event might sound.
    • 60 Metascore
    • 20 Peter Debruge
    This sloppy, button-pushing black comedy reveals a crew desperately in need of counseling — less in anger management than in the fundamentals of screenwriting, camerawork and structure.
    • 47 Metascore
    • 20 Peter Debruge
    A partly authentic, partly scripted behind-the-scenes featurette that never quite conveys the star’s “high/curious” interest in all things taboo.
    • 34 Metascore
    • 20 Peter Debruge
    It’s worse than tacky, trivializing depression for a handful of easy laughs and pop-psychology platitudes.
    • 23 Metascore
    • 0 Peter Debruge
    The way I see it, anyone who's made up his mind to see Deuce Bigalow: European Gigolo deserves everything they've got coming to them, and with any luck, they might even enjoy the movie's willfully offensive gutter humor.
    • 45 Metascore
    • 0 Peter Debruge
    There's enough estrogen gone awry in this bitchy teen comedy to make "Mean Girls" look like a Disney after-school special.
    • 37 Metascore
    • 0 Peter Debruge
    A devastating disappointment. Badly acted, amateurishly directed and woefully unfunny.

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