Peter Debruge
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For 462 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 1.2 points higher than other critics. (0-100 point scale)

Peter Debruge's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Brothers
Lowest review score: 0 Deuce Bigalow: European Gigolo
Score distribution:
  1. Negative: 79 out of 462
462 movie reviews
    • 74 Metascore
    • 75 Peter Debruge
    [Csupo's] take on Bridge to Terabithia doesn't pander or misrepresent, but instead illustrates the power of open-mindedness in both its forms: creativity and acceptance.
    • 53 Metascore
    • 75 Peter Debruge
    The movie's politics may miss their mark, but its thrills are dead-on.
    • 59 Metascore
    • 75 Peter Debruge
    On paper, it may sound like high-level calculus, but on screen, The Last Mimzy is perfectly charming. Like "Cocoon" for the elementary-school set, the box transforms Noah and Emma's lives.
    • 64 Metascore
    • 75 Peter Debruge
    Make no mistake, Arctic Tale is a stunning film, full of all the astonishing, even breathtaking nature photography we've come to expect from the folks at National Geographic.
    • 63 Metascore
    • 75 Peter Debruge
    What isn't fair is the film's R rating, which makes this charming coming-of-age tale virtually inaccessible to the audience sure to cherish it most.
    • 54 Metascore
    • 75 Peter Debruge
    Lee’s use of split-screens and dynamic transitions makes the process of actively interpreting his monstrous vision a fresh and unrivaled experience.
    • 48 Metascore
    • 75 Peter Debruge
    It's the details that make Dummy such a winner. By way of comparison, consider last summer's "My Big Fat Greek Wedding," in which each actor put a heartfelt spin on his or her one-joke character (the father who believes that Windex cures everything). Well, here's an entire movie built on nuggets like that.
    • 70 Metascore
    • 75 Peter Debruge
    Although director Eytan Fox focuses on Yossi and Jagger's specific situation, he also casts a critical eye on the responsibility military service puts on all young people who are still in the process of discovering themselves.
    • 69 Metascore
    • 75 Peter Debruge
    With the careful timing and nuance of a master actor, Sharif turns a two-dimensional sketch into the film's most absorbing character.
    • 47 Metascore
    • 75 Peter Debruge
    Films like this have a way of finding their own devoted fan base, and Gypsy 83 deserves to be discovered not only by Goth and gay crowds, but by anyone who runs screaming from all things average.
    • 66 Metascore
    • 75 Peter Debruge
    Mean Girls depicts the kind of traumatic high school experience that might await spoiled rich girls who grow up in two-parent households with designer clothes and Escalades.
    • 75 Metascore
    • 75 Peter Debruge
    The humor is so satisfying in its moment-to-moment pleasures that it's almost unsportsmanlike to criticize the bigger picture.
    • 49 Metascore
    • 75 Peter Debruge
    Kids deserve an adventure movie like this, one that might inspire them to become junior inventors and ignite their interest in the world's many wonders.
    • 74 Metascore
    • 75 Peter Debruge
    Exceptionally strong performances from the entire cast draw you into the movie's deliberately provocative world, a "Lord of the Flies"–like realm where parents are noticeably absent.
    • 47 Metascore
    • 75 Peter Debruge
    This is Gere’s movie, and Sarandon and Lopez graciously let him dance away with it.
    • 55 Metascore
    • 75 Peter Debruge
    Director Dylan Kidd sneaks some pretty profound observations about love and life by us.
    • 73 Metascore
    • 75 Peter Debruge
    Ray
    Delivers platinum performances, especially Sharon Warren as Ray's tough-lovin' mother, Kerry Washington as his lily-tempered wife, and Regina King as his spitfire mistress.
    • 62 Metascore
    • 75 Peter Debruge
    An astounding achievement in production design, an original creation so completely in tune with the books' macabre sensibilities that even the movie's (arguably) happy ending can't diminish its satisfying sense of schadenfreude.
    • 48 Metascore
    • 75 Peter Debruge
    Doesn't always work -- like its title, the movie straddles two separate worlds, landing squarely in the dreaded realm of "dramedy" -- but it's a noble effort.
    • 71 Metascore
    • 75 Peter Debruge
    As science gives way to science fiction, the movie loses its way, squandering time that might better be spent exploring the ocean's floor, where these alien life forms already among us must be seen to be believed.
    • 62 Metascore
    • 75 Peter Debruge
    Slick, well-acted, and smarter than it has to be.
    • 57 Metascore
    • 75 Peter Debruge
    It's a brisk and lively getaway with genuine personality.
    • 55 Metascore
    • 75 Peter Debruge
    Features some of the best fight and chase footage you'll see all summer.
    • 79 Metascore
    • 75 Peter Debruge
    If anything, it's the degree to which the animals differ from us that makes March of the Penguins so fascinating.
    • 52 Metascore
    • 75 Peter Debruge
    Even as Dark Water's horror-movie component flounders, a different, arguably better kind of thriller emerges.
    • 68 Metascore
    • 75 Peter Debruge
    A definite crowd-pleaser, Hustle & Flow has all the makings of a massive cultural phenomenon - if only audiences can get past the whole pimp thing.
    • 46 Metascore
    • 75 Peter Debruge
    Plays like a modern-day inversion of "Inherit the Wind," highlighting an astonishing shift in the American legal system over the last 80 years.
    • 62 Metascore
    • 75 Peter Debruge
    Where "Elizabethtown" pretends to have the meaning of life, Shopgirl hones in on a few telling details, then allows audiences to fill in the rest.
    • 54 Metascore
    • 75 Peter Debruge
    Marshall's Memoirs achieves something few other high-profile literary adaptations do: Rather than simply inspiring us to hunt down the source material, it actually stands alone as a film, rich in drama and star-crossed romance.
    • 86 Metascore
    • 70 Peter Debruge
    The result looks as much like a Natural History Museum diorama as it sounds: a respectful but waxy re-creation that feels somehow awe-inspiring yet chillingly lifeless to behold, the great exception being Jones' alternately blistering and sage turn as Stevens.

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