Peter Debruge
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For 460 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 1.2 points higher than other critics. (0-100 point scale)

Peter Debruge's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Brothers
Lowest review score: 0 Deuce Bigalow: European Gigolo
Score distribution:
  1. Negative: 79 out of 460
460 movie reviews
    • 62 Metascore
    • 60 Peter Debruge
    It cuts to the heart of the self-doubt, fear and prejudice associated with modern homosexuality.
    • 39 Metascore
    • 60 Peter Debruge
    While more coherent than much of Anderson’s recent work, the film proves less successful at combining destruction and damsel-in-distress storytelling within the same frame, serving up blurry images of Milo trying to rescue Cassia while the city crumbles around them.
    • 66 Metascore
    • 60 Peter Debruge
    Jeremy Lovering’s tense debut might have worked better had it left more to the imagination. Still, crisp camerawork and amplified sound yield paranoia aplenty.
    • 40 Metascore
    • 60 Peter Debruge
    Director D.J. Caruso offers a practical solution to the issue of adolescent bullying, as its two young protags respond to a case of vicious hazing not with despair or retaliation, but through teamwork and character-building.
    • 51 Metascore
    • 50 Peter Debruge
    The film is a snarl of contradictions, starting with the discrepancy between Mann’s obsessive demand for realism and the consistently implausible screenplay.
    • 43 Metascore
    • 50 Peter Debruge
    This is precisely the type of moviegoing experience engineered for those who still get a laugh when the Baha Men hit "Who Let the Dogs Out?" accompanies a doggie mayhem montage.
    • 33 Metascore
    • 50 Peter Debruge
    While this Kid isn't up to "Spy Kids" standards, the good news is the film hews closer to the high-concept kids' movies of the 1980s than to all that Disney Channel goo that's been repackaged for the big screen lately.
    • 56 Metascore
    • 50 Peter Debruge
    The entire movie rides on Paul Kaye's performance.
    • 31 Metascore
    • 50 Peter Debruge
    Imagine what someone like Danny DeVito might have done with the material, taking it in that darker "War of the Roses" direction instead of languishing in this sunny, not-nearly-sinister-enough "Legally Blonde" territory.
    • 46 Metascore
    • 50 Peter Debruge
    A filmmaker like John Sayles ("Sunshine State") who shares Hiaasen's issue-conscious outlook might have framed the lesson a bit more eloquently. But Shriner blows it.
    • 48 Metascore
    • 50 Peter Debruge
    If you were hoping to find another "Nemo," you're likely to be let down by this insincere and borderline unpleasant alternative.
    • 37 Metascore
    • 50 Peter Debruge
    Visually, “Walking With Dinosaurs” dazzles with its combination of Animal Logic-animated CG creatures...and beautiful practical backgrounds... Less dazzling is the constant stream of jokey banter, which thwarts the pic’s educational potential and caps its target age awfully low.
    • 45 Metascore
    • 50 Peter Debruge
    Unlike this summer's compulsively watchable "Hustle & Flow," Get Rich or Die Tryin' captures none of the thrill of finding your voice, recording a demo or landing a concert.
    • 54 Metascore
    • 50 Peter Debruge
    If nothing else, You I Love delivers a brisk and spirited little taste of contemporary Russian culture through the eyes of three spontaneous, unpredictable and oddly charming characters.
    • 64 Metascore
    • 50 Peter Debruge
    Though colorfully embellished with authentic detail and logistically complex to bring to the screen, Ayer’s script is bland at the most basic story level, undermined by cardboard characterizations and a stirring yet transparently silly climactic showdown.
    • 45 Metascore
    • 50 Peter Debruge
    Though no one would accuse The Bronze of not being funny, it somehow manages not to be funny often enough.
    • 37 Metascore
    • 50 Peter Debruge
    Basically the first movie all over again, with plenty more of the bridge-jumping, rocket-launching action that audiences loved about the original.
    • 48 Metascore
    • 50 Peter Debruge
    Strong on texture but taxingly light on narrative.
    • 58 Metascore
    • 50 Peter Debruge
    It would seem Towne is too much in love with the book to recognize its fundamental limitations as a film.
    • 47 Metascore
    • 50 Peter Debruge
    There's a lot to be said for a movie that isn't after instant fame, but only wants to make audiences feel good.
    • 47 Metascore
    • 50 Peter Debruge
    One of the great pleasures of the original Love Bug comes in watching all the live-action stunts, and CG just isn't the same.
    • 61 Metascore
    • 50 Peter Debruge
    Their movie is cold, and I mean that not as a weather pun, but in the sense that it's impossible to warm up to a character who sees the awful things happening around him strictly in terms of how they affect him.
    • 47 Metascore
    • 50 Peter Debruge
    This is superficial entertainment to say the least. But if you're looking for laughs, then Just Friends is just fine.
    • 47 Metascore
    • 50 Peter Debruge
    From its opening scene, the film feels desaturated and airless, as if the intrusion of energy or color might upset the characters’ delicate task of healing.
    • 62 Metascore
    • 50 Peter Debruge
    In angling for suspense, this low-budget stunt relies a bit too heavily on our suspension of disbelief.
    • 49 Metascore
    • 50 Peter Debruge
    American audiences have seen Ju-On. And The Grudge just goes to show why remaking it is such a frivolous idea: What's the use in wasting so much energy if the filmmakers aren't going to fix what was wrong with the movie in the first place?
    • 69 Metascore
    • 50 Peter Debruge
    Almost certain to polarize audiences, this bit of emotional agitprop plays like a watered-down "Short Cuts" or "Magnolia" with a shrill, one-note message: We're all a little bit racist.
    • 42 Metascore
    • 50 Peter Debruge
    Borderline reprehensible, High Tension is a living nightmare, but then, why else would you see it?
    • 48 Metascore
    • 50 Peter Debruge
    One of those slow-baked Southern character studies about taking an old flat tire of a man and finding some way to love him anyway.
    • 68 Metascore
    • 50 Peter Debruge
    Whereas E.B. White's beloved novel introduced kids to the cycle of life, tenderly broaching the tricky subject of mortality, this latest movie version plays like just another piece of vegetarian agitprop.

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