Peter Hartlaub

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For 484 reviews, this critic has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 6.5 points lower than other critics. (0-100 point scale)

Peter Hartlaub's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Murderball
Lowest review score: 0 Venom
Score distribution:
484 movie reviews
    • 83 Metascore
    • 75 Peter Hartlaub
    A meditative state of a movie. While shorter-attention-spanned moviegoers should stick to "The Fighter," this is an interesting and enjoyable entry on the opposite side of the genre.
    • 55 Metascore
    • 75 Peter Hartlaub
    Comic gold for anyone who is currently stoned, has been stoned in the past or spends a lot of time around stoned people.
    • 60 Metascore
    • 75 Peter Hartlaub
    9
    Taking your very small child to this movie is only a slightly better idea than a trip to "The Final Destination." With that warning out of the way, this action adventure is a big treat for more mature animation and science-fiction fans and a triumph for the young director.
    • 66 Metascore
    • 75 Peter Hartlaub
    The best part about the movie is the way it shifts focus, starting as an observation of the animal and then subtly morphing to the point of view of Nénette, who passively experiences a jumble of voices that start to run together.
    • 38 Metascore
    • 75 Peter Hartlaub
    Eragon may not be a big Oscar contender, but in a movie season filled with blood diamonds, fascist soldiers and Idi Amin, it provides a much-needed afternoon of PG-rated family-friendly adventure.
    • 81 Metascore
    • 75 Peter Hartlaub
    The result is a warm and extremely thoughtful journey, with a deliberately bare-bones narrative.
    • 56 Metascore
    • 75 Peter Hartlaub
    Like Phil Lord and Christopher Miller’s stellar “The Lego Movie,” the filmmakers work with the confidence that if a joke fails, the one that follows a few seconds later will redeem the scene.
    • 66 Metascore
    • 75 Peter Hartlaub
    This is the "Godfather II" of tasteless prank films.
    • 35 Metascore
    • 75 Peter Hartlaub
    Hannibal Rising isn't a classic, but it's entertaining and a surprisingly fitting addition to the franchise.
    • 75 Metascore
    • 75 Peter Hartlaub
    A documentary that is often told in adages, riddles and poetry.
    • 65 Metascore
    • 75 Peter Hartlaub
    Entertaining and compelling.
    • 66 Metascore
    • 75 Peter Hartlaub
    The Good Dinosaur has an original concept, disarming emotional heft and features the most impressive visuals in animated cinema to date.
    • 64 Metascore
    • 75 Peter Hartlaub
    Berlin is still a subject very much worth exploring on film, and his observations as an aged man are even more fascinating than the statements he made as an artist in his prime.
    • 65 Metascore
    • 75 Peter Hartlaub
    This isn’t just a good horror film. It’s a good film, which just happens to fall in the horror genre.
    • 72 Metascore
    • 75 Peter Hartlaub
    Presents an almost fawning portrait of the doctor-turned-surfer.
    • 73 Metascore
    • 75 Peter Hartlaub
    The visual style and lethargic pace can be frustrating -- at least if you're sober -- but the animated tragedy is still a success.
    • 52 Metascore
    • 75 Peter Hartlaub
    Gridiron Gang gives you a lot more to think about during the ride home.
    • 84 Metascore
    • 75 Peter Hartlaub
    A return to rowdy form for Chappelle.
    • 74 Metascore
    • 75 Peter Hartlaub
    The documentary “Amy” left viewers feeling a little shame, as if the audience and society was an accessory in Winehouse’s death. Janis: Little Girl Blue is a more clinical treatment, with more complicated messages.
    • 61 Metascore
    • 75 Peter Hartlaub
    Even more ridiculous than it sounds.
    • 79 Metascore
    • 75 Peter Hartlaub
    The cinematography and direction are particularly compelling; the complicated sequences on the tight sets must have forced camera operators to play cinematic Twister in impossibly small corners.
    • 72 Metascore
    • 75 Peter Hartlaub
    Now in middle age, members of N.W.A. no longer believe all of the hype. They’re in an introspective space, to the great benefit of this film.
    • 58 Metascore
    • 75 Peter Hartlaub
    Deserves plenty of credit for exploring racial issues story in more realistic terms.
    • 51 Metascore
    • 75 Peter Hartlaub
    Succeeds as both education and amusement.
    • 50 Metascore
    • 75 Peter Hartlaub
    The screenplay is deceptively tight, even as the main characters seem to be buzzing aimlessly through the proceedings. Like the most successful films of the drug-hazed genre, this movie only appears to be going off the rails.
    • 36 Metascore
    • 75 Peter Hartlaub
    Clumsily directed yet entertainingly written by Oakland native Nnegest Likké, Phat Girlz is like "Rocky" with cellulite. Or maybe "Pretty Woman" without all the bony butts. It has a lot of heart and soul, but it's almost never mean-spirited.
    • 65 Metascore
    • 75 Peter Hartlaub
    There's no greater meaning to any of this, and the slapstick turns won't seem particularly ambitious to anyone who grew up on Bugs Bunny cartoons.
    • 87 Metascore
    • 75 Peter Hartlaub
    Very imaginative and can be enjoyed by audiences of all ages.
    • 76 Metascore
    • 75 Peter Hartlaub
    Bayona remains a director whose work should be anticipated, and A Monster Calls is a solid fantasy drama.
    • 74 Metascore
    • 75 Peter Hartlaub
    In the end, Sully is a broadly crowd-pleasing movie, at a time when we could use the straight-forward entertainment.

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