Peter Hartlaub

Select another critic »
For 435 reviews, this critic has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 6 points lower than other critics. (0-100 point scale)

Peter Hartlaub's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 The Conjuring
Lowest review score: 0 Silent Hill
Score distribution:
435 movie reviews
    • 36 Metascore
    • 50 Peter Hartlaub
    The predictable script feels as if it were filmed right off the cocktail napkin it was jotted on, but at least the movie has an "Ocean's 11" sequel's worth of good actors, including Alfred Molina, Jeremy Irons and Jean Reno.
    • 65 Metascore
    • 50 Peter Hartlaub
    The film often stumbles in translation, trying to define too many characters in too little time.
    • 53 Metascore
    • 50 Peter Hartlaub
    The script is weak, but everyone on the technical side of "Soul Surfer" is a pro. The scenes in the water flow together nicely, and the action is always coherent. Robb's scenes without an arm look seamless throughout the movie.
    • 56 Metascore
    • 50 Peter Hartlaub
    Think “Lord of the Flies,” without all the jerks.
    • 37 Metascore
    • 50 Peter Hartlaub
    The film does thoroughly succeed in one important regard: offering a coherent, viewer-friendly account of the life of Jesus Christ.
    • 59 Metascore
    • 50 Peter Hartlaub
    The final message is a strong one: Even when the starting forward is one of the best high school players ever, basketball is still a team sport.
    • 45 Metascore
    • 50 Peter Hartlaub
    The high school comedy/drama morphs into a slasher movie, then morphs into a time-traveling/body-switching/world's-about-to-end science fiction story. Everyone on the set must have been chugging Mountain Dew between takes. I suspect that the editor was hooked up to an IV of the beverage.
    • 57 Metascore
    • 50 Peter Hartlaub
    Hawke is half-assed throughout, showing passion only when he's screaming like a little girl when something scary happens. The visuals have a dingy, unfocused quality, especially in the muddy visual-effects-enhanced backdrops. And some of the plot turns are awful. The vampire "cure" is so stupid, you'll want to walk out of the theater, even if you normally like this kind of movie.
    • 33 Metascore
    • 50 Peter Hartlaub
    There are fun distractions, but it's easy to focus on the flaws.
    • 22 Metascore
    • 50 Peter Hartlaub
    Not only less than horrible, but actually occasionally enjoyable.
    • 36 Metascore
    • 50 Peter Hartlaub
    A relatively harmless movie that becomes killing-a-mockingbird sinful for what it does to its leads.
    • 40 Metascore
    • 50 Peter Hartlaub
    If Insidious 2 exists solely because Insidious 1 made a ton of money, then at least credit Wan for making quality control a priority.
    • 51 Metascore
    • 50 Peter Hartlaub
    A strange film, because it seems designed specifically for extremely old moviegoers to see with their great-great-grandchildren.
    • 45 Metascore
    • 50 Peter Hartlaub
    Despite a decent cast of mostly British voice actors and better-than-average computer animation, the movie seems rushed at 76 minutes and is only marginally funny.
    • 60 Metascore
    • 50 Peter Hartlaub
    Although the film’s content falls squarely within the PG rating, it provides about 20 percent more visual terror than you’re probably expecting. Plus, the presence of a scary clown should automatically trigger a special MPAA rating. (PG-C?) Take your 5-year-old knowing that he may be visiting your bed every night between now and Halloween.
    • 58 Metascore
    • 50 Peter Hartlaub
    Less a story than a series of complicated slapstick bits.
    • 39 Metascore
    • 50 Peter Hartlaub
    Airplane buffs are going to have a particularly good time; each of the planes seems to have an obscure real-life counterpart. And pop-culture junkies will appreciate a few sly nods as well.
    • 62 Metascore
    • 50 Peter Hartlaub
    The story is painfully simplistic, and it becomes quickly apparent that the narrative is a crude cement to hold together the carnage.
    • 53 Metascore
    • 50 Peter Hartlaub
    As the film meanders, the powerful moments barely outnumber the ridiculous. And another excellent performance from McAdams isn't quite good enough to mask the distractions.
    • 51 Metascore
    • 50 Peter Hartlaub
    Isn't quite as boring as it sounds, thanks to writer/director Steve Conrad's strong script and decent performances by John C. Reilly and Seann William Scott.
    • 62 Metascore
    • 50 Peter Hartlaub
    It's a weighty and visually interesting movie that unfortunately doesn't have a strong message beyond its overwhelming bleakness.
    • 47 Metascore
    • 50 Peter Hartlaub
    This film is too scary for very young children, while older fans are likely to focus on the film not faring well in comparison to the elder Miyazaki's recent work.
    • 43 Metascore
    • 50 Peter Hartlaub
    If Stanley Kubrick filmed an orgy like the one in this film, "Eyes Wide Shut" might have been halfway tolerable.
    • 39 Metascore
    • 50 Peter Hartlaub
    There are plenty of bad films to get riled up about in the summer. Percy Jackson: Sea of Monsters isn't one of them. This is harmless tween-centric fun.
    • 47 Metascore
    • 50 Peter Hartlaub
    Filmgoers looking for copious amounts of mindless violence won't be disappointed.
    • 53 Metascore
    • 50 Peter Hartlaub
    Legend of the Guardians sounds as if it were scripted by a team of 11-year-old boys, with too much plot for its 91-minute running time, a script that steals liberally from "Star Wars" and some occasionally eye-roll-worthy weirdness.
    • 32 Metascore
    • 50 Peter Hartlaub
    Isn't a terrible addition to the teen coming-of-age party movie catalog. It just feels dated.
    • 29 Metascore
    • 50 Peter Hartlaub
    A lot more enjoyable if you can leave your cognitive skills at the door.
    • 62 Metascore
    • 50 Peter Hartlaub
    At its best, the movie is a collection of entertaining memories from a group of gutsy women.
    • 42 Metascore
    • 50 Peter Hartlaub
    The core fan base of this English sword battle drama will pay for the boundary-pushing blood and gore. Why bore them with things like plot and context and production values?

Top Trailers