Peter Hartlaub
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For 418 reviews, this critic has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 5.4 points lower than other critics. (0-100 point scale)

Peter Hartlaub's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 The Other Dream Team
Lowest review score: 0 Venom
Score distribution:
418 movie reviews
    • 46 Metascore
    • 50 Peter Hartlaub
    Basically torture porn.
    • 37 Metascore
    • 50 Peter Hartlaub
    Despite the fact that the movie covers some new cinematic territory, much of the humor feels recycled, mostly from the "Seinfeld" episodes "The Boyfriend" (the one where Jerry has a man crush on Keith Hernandez) and "The Outing."
    • 63 Metascore
    • 50 Peter Hartlaub
    The picture eventually collapses under the weight of its own gimmickry, but it's still an entertaining distraction for cerebral horror fans who want an appetizer before the B-horror feast that is "Diary of the Dead."
    • 47 Metascore
    • 50 Peter Hartlaub
    Filmgoers looking for copious amounts of mindless violence won't be disappointed.
    • 72 Metascore
    • 50 Peter Hartlaub
    Difficult to watch, and the film is sabotaged by an impossibly naive lead character and the repetitive auditions that become gratuitously depressing.
    • 68 Metascore
    • 50 Peter Hartlaub
    Ponderous, repetitive and lacking a single rousing action sequence.
    • 78 Metascore
    • 50 Peter Hartlaub
    There's little illumination.
    • 46 Metascore
    • 50 Peter Hartlaub
    Despite some solid acting, the film is lacking in surprises. For all the suffering that these characters endure, there's very little payoff.
    • 54 Metascore
    • 50 Peter Hartlaub
    Has a few charming moments and a scene or two with legitimate hilarity, but mostly it's just mediocre.
    • 35 Metascore
    • 50 Peter Hartlaub
    Not a spectacular movie, but the action scenes are well shot, there's no shortage of R-rated gore and the plot moves along quickly enough to mask the fact that the whole endeavor is completely ridiculous.
    • 41 Metascore
    • 50 Peter Hartlaub
    The second half of the film is much funnier and warmer than the first, but the movie is still difficult to recommend.
    • 57 Metascore
    • 50 Peter Hartlaub
    The performances are the best part of this uneven film.
    • 62 Metascore
    • 50 Peter Hartlaub
    As the camera follows four campers in a Portland, Ore., rock school for girls, the result is less a journey than a collage of random thoughts, circumstances and events. There's plenty of telling, but not enough showing.
    • 57 Metascore
    • 50 Peter Hartlaub
    Feels a bit too much like six hours of movie packed into 113 minutes - imagine if New Line had made Peter Jackson cram the entirety of "Lord of the Rings" into one film.
    • 49 Metascore
    • 50 Peter Hartlaub
    The movie is too lethargic for its own good, and many of the events and minor characters don't quite ring true.
    • 22 Metascore
    • 50 Peter Hartlaub
    Not only less than horrible, but actually occasionally enjoyable.
    • 51 Metascore
    • 50 Peter Hartlaub
    Isn't quite as boring as it sounds, thanks to writer/director Steve Conrad's strong script and decent performances by John C. Reilly and Seann William Scott.
    • 61 Metascore
    • 50 Peter Hartlaub
    Has beautiful scenery and some enjoyable moments but leaves the viewer feeling the need to find the book to get the rest of the story.
    • 66 Metascore
    • 50 Peter Hartlaub
    Most audience members will probably want more.
    • 35 Metascore
    • 50 Peter Hartlaub
    Looks fantastic, but the film suffers from the TV-to-feature transition.
    • 55 Metascore
    • 50 Peter Hartlaub
    Screenwriters Karen McCullah Lutz and Kirsten Smith may not have any original ideas, but they write some good lines and have a great actress to deliver them.
    • 40 Metascore
    • 50 Peter Hartlaub
    In style and tone, Igor seems more like a short from the adult-oriented "Spike & Mike's Festival of Animation."
    • 36 Metascore
    • 50 Peter Hartlaub
    A relatively harmless movie that becomes killing-a-mockingbird sinful for what it does to its leads.
    • 57 Metascore
    • 50 Peter Hartlaub
    Unfortunately, the writing has become so bad that it becomes impossible to keep your head in the game - even as your toes continue to tap to the beat.
    • 53 Metascore
    • 50 Peter Hartlaub
    As the film meanders, the powerful moments barely outnumber the ridiculous. And another excellent performance from McAdams isn't quite good enough to mask the distractions.
    • 51 Metascore
    • 50 Peter Hartlaub
    Has a made-for-television style.
    • 43 Metascore
    • 50 Peter Hartlaub
    If Stanley Kubrick filmed an orgy like the one in this film, "Eyes Wide Shut" might have been halfway tolerable.
    • 29 Metascore
    • 50 Peter Hartlaub
    Zellweger takes an otherwise passable mainstream comedy and all but ruins it with her lack of effort.
    • 36 Metascore
    • 50 Peter Hartlaub
    The predictable script feels as if it were filmed right off the cocktail napkin it was jotted on, but at least the movie has an "Ocean's 11" sequel's worth of good actors, including Alfred Molina, Jeremy Irons and Jean Reno.
    • 32 Metascore
    • 50 Peter Hartlaub
    It's hard to deny that the first two-thirds of G.I. Joe is an enjoyable film, especially when graded on the curve of lowered expectations. Compared to other big-budget movies out this summer, it's pretty mediocre.

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