Peter Stack, San Francisco Chronicle
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For 267 reviews, this critic has graded:
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62% higher than the average critic
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5% same as the average critic
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33% lower than the average critic
On average, this critic grades 6.8 points higher than other critics.
(0-100 point scale)
Peter Stack's Scores
- Movies
| Average review score: | 66 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 153 out of 267
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Mixed: 85 out of 267
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Negative: 29 out of 267
267
movie reviews
- By critic score
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Peter Stack 100
Burns has created an endearing gathering of people we all know, and every one of them is so much fun that leaving the theater at the end elicits a touch of regret. -
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Peter Stack 100
A vital, sexy and touching movie that goes to the heart of what human caring is all about. -
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Peter Stack 100
Intelligence and beauty -- and teasing romance -- shape Mansfield Park into a gorgeous, enchanting experience. -
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Peter Stack 100
So wonderfully odd, even spiritual, that audiences won't be able to do anything but smile. -
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Peter Stack 100
French director Claude Berri's exquisite, methodical Lucie Aubrac is a romantic thriller so tightly drawn it almost leaves one breathless. -
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Peter Stack 100
One of the great portraits of artists fighting, even with murderous rage, to reach the sublime. -
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Peter Stack 100
The pieces of the drama are put forth like the shapes of the five fingers of a hand, and finally they find a kind of awkward unity that was predictable from the start. And yet, the gesture of it all is utterly captivating, the way a dream would be if it ever really came true. [27 Feb 1987, Daily Datebook, p.74] -
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Peter Stack 100
Beautiful in both its brevity and its vision of contemporary Indian culture, the film abounds in easygoing humor. -
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Peter Stack 100
Robert Redford's exceptionally handsome and provocative Quiz Show manages a trick that few films even dare try -- to take a hard look at personal and public moral issues and still provide dazzling entertainment. -
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Peter Stack 100
The all-time great talking-pig movie, a lovely, intelligent gem of G-rated entertainment that is also rib-tickling funny. -
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Peter Stack 100
A poetry of love, longing and affirmation bleeds through the music of Cuba, and some of the best sounds the island ever created are captured with embracing humanity. -
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Peter Stack 100
An inspiring translation of biblical grandeur, turning the story of one of history's greatest heroes into an entertaining, visually dazzling cartoon. -
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Peter Stack 100
A joyous, hilarious send-up of rock star pretensions and an enchanting celebration of "girl power" in pop culture. -
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Peter Stack 100
I laughed so hard, my eyes watered. I laughed so loud, I lost track of whether anyone else was laughing. I laughed so much, I ached afterwards. [29 July 1988, Daily Notebook, p.E1] -
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Peter Stack 100
An unforgettable, poetic romance from Italy whose disarming humor, blushing encounters and bittersweet flavors are certain to set off a groundswell of smiles, tears and regret. -
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Peter Stack 100
A mesmerizing film that is the most stunning, tempestuous love story in a decade or two of movie making. -
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Peter Stack 100
Friedkin has said the new, expanded version of his film has a more spiritual tone. But it's still a shocker. -
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Peter Stack 100
A crime gem that is darkly funny even when it's chilling -- and certain to become a classic. -
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Peter Stack 100
The balance between action and mysticism in The Empire Strikes Back provides fascinating energy. It's as if the kids are given one set of delights, the bravado of battles and elaborate warships zooming through exotic space, and adults are given another, a layered explanation of what it all means in the grand scheme of things. [Special Edition] -
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Peter Stack 100
Heart and tenderness are rare in cartoon movies. But in an age of frenetic children's fare, the new animated adventure The Iron Giant dares to show a lot of both, and it comes up a winner. -
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Peter Stack 100
What is astonishing about this movie is how all the elements are so deftly mixed - the technology of real sets and people interwoven with the cartoon world, and yet Zemeckis hardly sacrifices a beat in laying out a curlicuing '40s-style thriller. [22 June 1988] -