For 2,245 reviews, this critic has graded:
  • 60% higher than the average critic
  • 2% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 5.3 points higher than other critics. (0-100 point scale)

Peter Travers' Scores

  • Movies
Average review score: 64
Highest review score: 100 Gangs of New York
Lowest review score: 0 Dragonfly
Score distribution:
2,245 movie reviews
    • 99 Metascore
    • 100 Peter Travers
    From the first sight of German soldiers goose-stepping past the Arc de Triomphe to a postscript that spells out the fate of characters whose moral confusion is all too real, Army of Shadows is a movie of its time -- and ours.
    • 98 Metascore
    • 100 Peter Travers
    Del Toro never coddles the audience. He means us to leave Pan's Labyrinth shaken to our souls. He succeeds.
    • 97 Metascore
    • 100 Peter Travers
    You just don't expect Hollywood to produce a masterwork so early in the new year. And it hasn't. This slice of celluloid dynamite comes from Romania, and what you see will floor you.
    • 97 Metascore
    • 100 Peter Travers
    Proving himself a world-class director, McQueen basically makes slaves of us all. It hurts to watch it. You won't be able to tuck this powder keg in the corner of your mind and forget it. What we have here is a blistering, brilliant, straight-up classic.
    • 96 Metascore
    • 88 Peter Travers
    What makes Ratatouille such a hilarious and heartfelt wonder is the way Bird contrives to let it sneak up on you.
    • 96 Metascore
    • 100 Peter Travers
    Sandra Bullock, in the performance of a lifetime, spends most of this wondrous wallop of a movie lost in space, alone where no one can hear her scream.
    • 95 Metascore
    • 100 Peter Travers
    Keep your eyes on Garfield - he's shatteringly good, the soul of a film that might otherwise be without one. The Social Network is the movie of the year. But Fincher and Sorkin triumph by taking it further. Lacing their scathing wit with an aching sadness, they define the dark irony of the past decade.
    • 95 Metascore
    • 100 Peter Travers
    Hang on tight. The knockout punch of the movie season is being delivered by Zero Dark Thirty.
    • 95 Metascore
    • 88 Peter Travers
    A Separation is a landmark film. No way will you be able to get it out of your head.
    • 94 Metascore
    • 100 Peter Travers
    Whatever a modern love story is, Before Midnight takes it to the next level. It's damn near perfect.
    • 94 Metascore
    • 100 Peter Travers
    Miyazaki is the Pied Piper -- see Spirited Away and you'll follow him anywhere.
    • 94 Metascore
    • 88 Peter Travers
    Here's the Iraq War movie for those who don't like Iraq War movies.
    • 94 Metascore
    • 100 Peter Travers
    You leave WALL-E with a feeling of the rarest kind: that you've just enjoyed a close encounter with an enduring classic.
    • 94 Metascore
    • 100 Peter Travers
    Pure movie bliss.
    • 94 Metascore
    • 88 Peter Travers
    This is a film in which ideas resonate as well as action. Gandalf’s words to Pippin about death have a muscular poetry.
    • 94 Metascore
    • 88 Peter Travers
    The movie crawls hypnotically into the skin of this global assassin and astonishes you with its brazenly violent and sexual audacity.
    • 94 Metascore
    • 88 Peter Travers
    These two glam stars of French cinema – Riva in 1959's "Hiroshima Mon Amour" and Trintignant in 1966's "A Man and a Woman" – give performances of breathtaking power and beauty. Prepare for an emotional wipeout.
    • 93 Metascore
    • 100 Peter Travers
    What makes it such a mesmerizing, wickedly witty entertainment is the revealing portrait it paints of an era in which everyone is presumed guilty where greed is concerned... It's an often chilly movie, but the chill cuts to the bone.
    • 93 Metascore
    • 100 Peter Travers
    Ang Lee, a world-class director working at the top of his elegant form, has done something thrilling. For all the leaping action, it's the film's spirit that soars.
    • 92 Metascore
    • 88 Peter Travers
    One thing's for sure about this raw provocation from the Coens: Like the music, the pain runs deep and true. You'll laugh till it hurts.
    • 92 Metascore
    • 90 Peter Travers
    A marvel of delicacy and humor.
    • 92 Metascore
    • 88 Peter Travers
    The movie will wipe you out. Schnabel's previous two films (Basquiat, Before Night Falls) also focused on artists. But this is his best film yet, a high-wire act of visual daring and unquenchable spirit.
    • 92 Metascore
    • 88 Peter Travers
    Fierce, funny and moving, The Class graduates with honors. It's unmissable.
    • 92 Metascore
    • 100 Peter Travers
    A fiercely poetic study of violence. Stunningly shot in black-and-white. [14 Dec 1989, p.23]
    • 92 Metascore
    • 100 Peter Travers
    In terms of excitement, imagination and rule-busting experimentation, it's a gusher.
    • 92 Metascore
    • 100 Peter Travers
    Fellowship is the real deal, a movie epic that pops your eyes out, piles on thrills and fun, and yet stays intimately attuned to character.
    • 92 Metascore
    • 88 Peter Travers
    A joy to behold.
    • 91 Metascore
    • 88 Peter Travers
    It's comic, touching and a visual knockout.
    • 91 Metascore
    • 88 Peter Travers
    One of the best and liveliest movies of the year - funny and touching in ways you can't predict.
    • 91 Metascore
    • 88 Peter Travers
    The result, with its flashing perspectives and stealthy wit, is unique and unforgettable.
    • 91 Metascore
    • 100 Peter Travers
    Unique and unforgettable.
    • 91 Metascore
    • 88 Peter Travers
    Get ready to be knocked for a loop.
    • 91 Metascore
    • 100 Peter Travers
    Joel and Ethan Coen's adaptation of Cormac McCarthy's 2005 novel is an indisputably great movie, at this point the year's very best.
    • 91 Metascore
    • 88 Peter Travers
    The Gatekeepers cuts deeper than any political thriller. It's a powerhouse.
    • 90 Metascore
    • 100 Peter Travers
    Rea and Davidson are incomparably good in an exceptional film that is by turns darkly funny and deeply affecting. Though Jordan's control sometimes falters, it's a small price to pay for his daring.
    • 90 Metascore
    • 100 Peter Travers
    A new crime classic.
    • 90 Metascore
    • 88 Peter Travers
    Winter's Bone is unforgettable. It means to shake you, and does.
    • 90 Metascore
    • 100 Peter Travers
    This is the untamed Apocalypse that Coppola envisioned in 1979 before money and mental pressures made him fear he had created something too long, too weird and too morally demanding for the masses.
    • 90 Metascore
    • 88 Peter Travers
    Her
    Jonze is a visionary whose lyrical, soulful meditation on relationships of the future cuts to the heart of the way we live now.
    • 90 Metascore
    • 88 Peter Travers
    Leave it to a g-rated cartoon to give the live-action epics a lesson in action, fun and bracing originality.
    • 90 Metascore
    • 90 Peter Travers
    The year's most beguilling and touching surprise. Bravo.
    • 90 Metascore
    • 90 Peter Travers
    The crazy-ass imagination at work in Being John Malkovich hits you like a blast of pure oxygen...this movie of constant astonishments will make you laugh hard and long.
    • 90 Metascore
    • 88 Peter Travers
    Bird has crafted a film -- one of the year's best -- that doesn't ring cartoonish, it rings true.
    • 90 Metascore
    • 100 Peter Travers
    If you haven't already sold your soul to rock & roll, Almost Famous should seal the deal.
    • 90 Metascore
    • 88 Peter Travers
    Not your typical biopic. But it is one of the best times you'll have at the movies this year.
    • 90 Metascore
    • 100 Peter Travers
    Gosford Park abounds in scenes to savor. It's a feast, and one of Altman's best.
    • 90 Metascore
    • 100 Peter Travers
    Far from being exploitive, the effect is inspiring: This is the best of us.
    • 90 Metascore
    • 88 Peter Travers
    It's a modern horror story that gets you where you live.
    • 90 Metascore
    • 88 Peter Travers
    For some, the silver linings in Russell’s movies represent a failure to embrace darkness. I see them as a humanist’s act of resistance. That’s why American Hustle ranks with the year’s best movies. It gets under your skin.
    • 90 Metascore
    • 88 Peter Travers
    The script, co-written by Antonioni and Peter Wollen, focuses on a TV journalist (a superb Jack Nicholson).
    • 89 Metascore
    • 88 Peter Travers
    Don't stall about seeing Sofia Coppola's altogether remarkable Lost in Translation. It's a class-act liftoff for the fall movie season. Bill Murray and Scarlett Johansson give performances that will be talked about for years.
    • 89 Metascore
    • 88 Peter Travers
    The acting is electric. By the end of this haunting, hypnotic film, you feel you have watched lives being lived, not just imagined.
    • 89 Metascore
    • 88 Peter Travers
    Von Donnersmarck has crafted the best kind of movie: one you can't get out of your head.
    • 89 Metascore
    • 88 Peter Travers
    Forget "Hero" -- that cult hit was just Zhang Yimou's warm-up for this martial-arts fireball that throws in a lyrical love story, head-spinning fights and dazzling surprises.
    • 89 Metascore
    • 100 Peter Travers
    You won't know what outrageous fun is until you see Borat. High-five!
    • 89 Metascore
    • 88 Peter Travers
    The Artist encapsulates everything we go to movies for: action, laughs, tears and a chance to get lost in another world. It just might leave you speechless. How can Oscar resist?
    • 89 Metascore
    • 88 Peter Travers
    Chases so many ideas that it threatens to spin out of control. But with our multiplexes stuffed with toxic Hollywood formula, it's a gift to find a ballsy movie that thinks it can do anything, and damn near does.
    • 89 Metascore
    • 100 Peter Travers
    Eastwood's direction here is a thing of beauty, blending the ferocity of the classic films of Akira Kurosawa (Seven Samurai) with the delicacy and unblinking gaze of Yasujiro Ozu (Tokyo Story).
    • 88 Metascore
    • 88 Peter Travers
    It's a magical, beguiling wonder.
    • 88 Metascore
    • 90 Peter Travers
    Let the unsettling secrets of this outrageously funny and steadily engrossing meditation on the life of two high school misfits after graduation catch you by surprise. It's that good.
    • 88 Metascore
    • 88 Peter Travers
    Capote is a movie that doesn't pull its punches. It's a knockout.
    • 88 Metascore
    • 88 Peter Travers
    Blue Is the Warmest Color sweeps you up on waves of humor, heartbreak and ravishing romance.
    • 88 Metascore
    • 100 Peter Travers
    Recoing gives a performance that won't soon be forgotten. Neither will Time Out. It's a great movie.
    • 88 Metascore
    • 90 Peter Travers
    Begins like an episode of "I Love Lucy" and ends with the impact of "Easy Rider."
    • 88 Metascore
    • 88 Peter Travers
    All the acting is first-rate -- Dukakis gives major dimensions to a supporting role. And Christie, a Sixties screen goddess in "Darling" and "Doctor Zhivago," shows that her spirit and grace are eternal. She's a beauty. So is the movie.
    • 88 Metascore
    • 90 Peter Travers
    It may sound silly, but Lord and Park conjure up a world of visual miracles.
    • 88 Metascore
    • 88 Peter Travers
    Two men alone create an epic landscape of feeling in one of the very best movies of the year.
    • 88 Metascore
    • 100 Peter Travers
    Up
    Up is a breathtaking ride into the realm of pure imagination.
    • 88 Metascore
    • 100 Peter Travers
    Cuaron's hot-blooded, haunting and wildly erotic film revels in the pleasures of the flesh without losing touch with thought and feeling.
    • 87 Metascore
    • 88 Peter Travers
    Renier and Francois give deeply affecting performances that help soften the film's harsh blows. But only in the compassionate eye of the Dardennes do these three children achieve a state of grace.
    • 87 Metascore
    • 88 Peter Travers
    His (Anderson) abiding love for a vanished past, real and imagined, is at the core of The Grand Budapest Hotel. The thrill comes in watching as this rare talent gives his movie wings.
    • 87 Metascore
    • 88 Peter Travers
    So fasten your seat belts for Gomorrah, just snubbed in the wussy Oscar race for Best Foreign Film (so you know it's dynamite).
    • 87 Metascore
    • 90 Peter Travers
    Incisively witty, provocative and acted to perfection, this sublime entertainment is a career peak for producer Ismail Merchant, director James Ivory and screenwriter Ruth Prawer Jhabvala.
    • 87 Metascore
    • 88 Peter Travers
    Redford, who can play intelligence, wit and nuance to a camera like nobody's business, holds us in his grip. It's a master class in acting.
    • 87 Metascore
    • 88 Peter Travers
    This unique and devastating look at the Holocaust is drawn from the autobiographical novel of 2002 Nobel Prize winner Imre Kertesz.
    • 87 Metascore
    • 88 Peter Travers
    It will knock you for a loop like no other movie this year.
    • 87 Metascore
    • 88 Peter Travers
    As Joe blurs the line between reality and the supernatural, his haunting and hypnotic film exerts a hold you don't want to break. It's a beauty.
    • 87 Metascore
    • 100 Peter Travers
    Ang Lee's unmissable and unforgettable Brokeback Mountain hits you like a shot in the heart. It's a landmark film and a triumph for Heath Ledger and Jake Gyllenhaal.
    • 87 Metascore
    • 88 Peter Travers
    What an exhilarating gift to watch Harry and Company go out in a blaze of glory and amazing grace.
    • 87 Metascore
    • 88 Peter Travers
    The result is a film that defies description. I'd call it some kind of miracle.
    • 87 Metascore
    • 88 Peter Travers
    It's original, outrageous and murderous fun.
    • 87 Metascore
    • 88 Peter Travers
    Herzog conducts his own expedition into knowing the unknowable -- the true task of any filmmaker. Herzog makes it an art.
    • 87 Metascore
    • 90 Peter Travers
    Pedro Almodovar's transfixing tragicomedy -- the best foreign movie of the year -- is also the best showcase for actresses in ages.
    • 87 Metascore
    • 88 Peter Travers
    Moneyball is one of the best and most viscerally exciting films of the year.
    • 86 Metascore
    • 88 Peter Travers
    The result, glitches and all, is a great American movie.
    • 86 Metascore
    • 100 Peter Travers
    A movie of prodigious power and feeling that is also high-spirited, hilarious and scorchingly erotic.
    • 86 Metascore
    • 88 Peter Travers
    This documentary succeeds triumphantly on so many levels that its full impact doesn't hit you until you have time to register its aftershocks.
    • 86 Metascore
    • 88 Peter Travers
    Just try to take your eyes off Dern. In his finest two hours onscreen, he gives a performance worth cheering. There's not an ounce of bullshit in it. Same goes for the movie.
    • 86 Metascore
    • 88 Peter Travers
    Brimming with humor and heartbreak, Slumdog Millionaire meets at the border of art and commerce and lets one flow into the other as if that were the natural order of things.
    • 86 Metascore
    • 100 Peter Travers
    To Die For, sparked by a volcanically sexy and richly comic performance by Kidman that deserves to make her an Oscar favorite, is prime social satire and outrageous fun.
    • 86 Metascore
    • 88 Peter Travers
    The knockout punch comes from Eastwood. His stripped-down performance -- as powerful as anything he's ever done -- has a rugged, haunting beauty. The same goes for the movie.
    • 86 Metascore
    • 90 Peter Travers
    Lynch takes us on a journey of shattering understatement -- a remarkable accomplishment.
    • 86 Metascore
    • 88 Peter Travers
    The actors are to die for. Bening and Moore nail every nuance of a relationship going adrift. And Ruffalo is dynamite as a man keeping himself at a distance. Kids makes its own special magic. It's irresistible
    • 86 Metascore
    • 90 Peter Travers
    An uncommonly good movie - a thriller that transcends thrills to become a heartfelt and heart-stopping personal drama.
    • 86 Metascore
    • 88 Peter Travers
    Just so we're straight, Ben Affleck doesn't merely direct Argo, he directs the hell out of it, nailing the quickening pace, the wayward humor, the nerve-frying suspense.
    • 86 Metascore
    • 90 Peter Travers
    It's a role of fierce demands, and Rampling meets them all. In a summer of crass, Rampling is a true class act.
    • 86 Metascore
    • 100 Peter Travers
    The actors are outstanding, illuminating four different views of loneliness. But it's Camara's tour-de-force performance that anchors the film, that shocks and unnerves us.
    • 86 Metascore
    • 100 Peter Travers
    Written, directed, acted, shot, edited and scored with a bracing vibrancy that restores your faith in film as an art form, The Master is nirvana for movie lovers. Anderson mixes sounds and images into a dark, dazzling music that is all his own.
    • 86 Metascore
    • 100 Peter Travers
    A new American crime classic from the legendary Martin Scorsese, whose talent shines here on its highest beams.
    • 86 Metascore
    • 88 Peter Travers
    Miyazaki works marvels. Sit back and behold.