Peter Travers
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For 2,409 reviews, this critic has graded:
  • 60% higher than the average critic
  • 2% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 4.9 points higher than other critics. (0-100 point scale)

Peter Travers' Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Twelve Monkeys
Lowest review score: 0 The Texas Chainsaw Massacre: The Beginning
Score distribution:
2,409 movie reviews
    • 41 Metascore
    • 50 Peter Travers
    McConaughey, despite alarmingly orange makeup, does justice to the role, a hard-drinking, shipwreck- hunting senator's son with a 007 way with the ladies.
    • 41 Metascore
    • 50 Peter Travers
    Even the great ones hit snags. With The Limits of Control, Jim Jarmsuch gets tangled up in his own deadpan.
    • 41 Metascore
    • 80 Peter Travers
    This comedy is packed with p---- jokes, the cruder the better.
    • Rolling Stone
    • 41 Metascore
    • 70 Peter Travers
    It's Vincent D'Onofrio as Pooh-Bear, a drug lord who's snorted so much meth his nose had to be replaced by a plastic one, who kicks ass.
    • Rolling Stone
    • 41 Metascore
    • 75 Peter Travers
    The film is for horny pups of all ages who relish the memory of reading stroke books under the covers with a flashlight. Verhoeven has spent $49 million to reproduce that dirty little thrill on the big screen.
    • 41 Metascore
    • 25 Peter Travers
    An appallingly clumsy and stupid take on drugs, kidnapping and suicide in suburbia.
    • 41 Metascore
    • 38 Peter Travers
    Blomkamp and his wife and co-writer, Terri Tatchell, stack the deck. Instead of awe, we get "E.T." - aww.
    • 41 Metascore
    • 25 Peter Travers
    Purists, be warned: This scare-flick quickie has as much relation to the 1953 Vincent Price classic with the same title as Paris Hilton does to acting.
    • 40 Metascore
    • 30 Peter Travers
    The self-congratulatory histrionics of Williams, lower lip trembling as he triumphs over torture in the name of the human spirit, represents a trend in Hollywood to make accessible melodrama out of unspeakable tragedy.
    • Rolling Stone
    • 40 Metascore
    • 50 Peter Travers
    Just a "Rambo" rehash.
    • 40 Metascore
    • 60 Peter Travers
    The script hits rough patches, especially when Phoebe and Wolf get it on, but the sisters cut to the heart.
    • 40 Metascore
    • 25 Peter Travers
    This movie made my ears hurt. Raymond Chandler, Dashiell Hammett and James Ellroy could have turned this pulp into insinuating jazz. What's here is a cartoonish bore.
    • 40 Metascore
    • 38 Peter Travers
    By the end, Vantage Point is such a unholy mess of drooling sentiment and sloppy loose ends that you’ll hate yourself for being suckered in.
    • 40 Metascore
    • 40 Peter Travers
    It's refried comic beans that smell stale and smack of desperation.
    • 40 Metascore
    • 25 Peter Travers
    I don't know what to make of Act of Valor. It's like reviewing a recruiting poster.
    • 40 Metascore
    • 50 Peter Travers
    The strapping Owen as a guy who can't handle himself and cutie-pie Aniston as a witchy woman? I don't think so. Talk about derailed.
    • 40 Metascore
    • 30 Peter Travers
    There's a strong movie in this life, but writer-director Leon Ichaso ("Sugar Hill") hasn't found it.
    • 40 Metascore
    • 75 Peter Travers
    Phantom, still running on Broadway after sixteen years, is a rapturous spectacle. And the movie, directed full throttle by Joel Schumacher, goes the show one better.
    • 40 Metascore
    • 30 Peter Travers
    Judd is slumming again in ths lame suspense yarn that could barely pass as a TV quickie without the bankable names of Judd, Tommy Lee Jones and director Bruce Beresford.
    • Rolling Stone
    • 40 Metascore
    • 25 Peter Travers
    The brooding RPatz doesn’t bite. But his movie does.
    • 40 Metascore
    • 25 Peter Travers
    We also learn that five of his books, written in secret, will be published between 2015 and 2020. Can't wait to read them. Can't wait to forget this movie.
    • 40 Metascore
    • 40 Peter Travers
    Director Mike Barber springs a twist ending that makes you sit up and stifle those yawns.
    • Rolling Stone
    • 40 Metascore
    • 25 Peter Travers
    This spark-free film has no place to go on their resumes except under the heading of "Cringing Embarrassment."
    • 40 Metascore
    • 10 Peter Travers
    Crass manipulation can clean up at the box office, so do your part: Nail this flick as a bottom feeder and pay the bad word forward to three others.
    • Rolling Stone
    • 40 Metascore
    • 25 Peter Travers
    This kind of pandering FX padding, unnurtured by humor or heart, is what shifts Jupiter Ascending from a shambles to a fiasco. In an effort to win back audiences by lowering their standards and their daring, the Wachowskis wind up where you never expected to find them creatively: on the ropes.
    • 40 Metascore
    • 25 Peter Travers
    It could have been crazy-good trash.
    • 40 Metascore
    • 50 Peter Travers
    May be only loosely true, but it is thoroughly Hollywood.
    • 40 Metascore
    • 40 Peter Travers
    Potter gets the period details right, but the film itself has long since flown off the rails, miring good intentions in rank soap opera.
    • 40 Metascore
    • 25 Peter Travers
    The shopworn script by Pablo F. Fenjves, who ghost-wrote the unpublished O.J. Simpson book, If I Did It: The Confessions of the Killer, gets no help from director Asger Leth (Ghosts of Cite Soleil).
    • 40 Metascore
    • 70 Peter Travers
    Tarsem uses the dramatically shallow plot to create a dream world densely packed with images of beauty and terror that cling to the memory even if you don't want them to.
    • Rolling Stone
    • 40 Metascore
    • 50 Peter Travers
    The chance for delicious satire melts away quickly in Butter, a spoof without oomph.
    • 40 Metascore
    • 50 Peter Travers
    It's all a jumble and, worse, a damned impersonal one.
    • 39 Metascore
    • 25 Peter Travers
    Hal claims that a Lantern's only enemy is fear itself. The thought of a sequel to this shamelessly soulless Hollywood product scares me plenty.
    • 39 Metascore
    • 20 Peter Travers
    A romantic thriller of more than usual ineptitude.
    • 39 Metascore
    • 50 Peter Travers
    Admirers of Irving's sprawling tome are sure to find Birch a botch.
    • 39 Metascore
    • 50 Peter Travers
    No matter Bateman and Reynolds make The Change-Up seem a lot better than it is. Each earns a star in my review. The movie would be literally nothing without them.
    • 39 Metascore
    • 25 Peter Travers
    The film is a sham, with good actors going for the paycheck and using beards and heavy makeup to hide their shame.
    • 39 Metascore
    • 63 Peter Travers
    The Green Hornet doesn't suck. But don't expect it to hang together either, what with the clashing tones and melting logic.
    • 39 Metascore
    • 25 Peter Travers
    It's not just hard to believe any of this, it's impossible. And director Jon Turteltaub (Phenomenom) directs with robotic cheerlessness.
    • 39 Metascore
    • 38 Peter Travers
    There's nothing to distract you from a plot so tired there are tire tracks from other racing movies all over it.
    • 39 Metascore
    • 12 Peter Travers
    This is crap as we know it, a 113 minute package of romcom suck.
    • 39 Metascore
    • 25 Peter Travers
    The Gunman degenerates into dreary setups for guns and gore. Penn merits more. So do we.
    • 39 Metascore
    • 25 Peter Travers
    Murphy looks comatose delivering the played-out poopy jokes.
    • 39 Metascore
    • 50 Peter Travers
    Too limp to deliver.
    • Rolling Stone
    • 39 Metascore
    • 50 Peter Travers
    It's love with tragic complications, and director Luis Mandoki drags the torture out for two-plus hours.
    • 39 Metascore
    • 25 Peter Travers
    Alexander breaks the key rule that makes movies move: Show, don't tell.
    • 39 Metascore
    • 20 Peter Travers
    So what's not to like? There's the bad CGI, the choppy pacing, the comically intense acting, the repetition, the dullness and mostly the idiot plot about how there's only one male dragon and everything will be fine if they kill the Big Dick. Wha? Somebody get a hose and put this Fire out.
    • 39 Metascore
    • 25 Peter Travers
    Is it the worst of the seven screen Sparks so far? Nope. My vote still goes to 2009's "The Last Song" with Miley Cyrus mothering those unhatched turtle eggs. But it's still pretty damn insufferable.
    • 38 Metascore
    • 25 Peter Travers
    A movie utterly devoid of wit , excitement and any reason for being.
    • 38 Metascore
    • 50 Peter Travers
    Chainsaw is produced by Michael Bay (Bad Boys I and II), which explains its soullessness. But nothing explains the flaw in this bad boy: How can a movie scare you when you’ve seen it all before?
    • 38 Metascore
    • 25 Peter Travers
    If you can buy the pillow-lipped Angelina Jolie as a psychic FBI agent in Montreal to hunt a serial killer, then you can swallow the other implausibilities in this retread thriller.
    • 38 Metascore
    • 0 Peter Travers
    Bad Boys II has everything. Everything loud, dumb, violent, sexist, racist, misogynistic and homophobic that producer Jerry Bruckheimer and director Michael Bay can think of puking up onscreen.
    • 38 Metascore
    • 75 Peter Travers
    Francis Coppola's revision of his 1983 film of S.E. Hinton's best seller The Outsiders is funny, touching and revelatory, with twenty-two minutes of added footage and a new soundtrack featuring Elvis Presley. [Review of re-release]
    • 38 Metascore
    • 50 Peter Travers
    There's no arguing that Cuba Gooding Jr. is trying to do right by the mentally disabled James Robert Kennedy.
    • 38 Metascore
    • 50 Peter Travers
    Confessions is no more than a painless time-waster. But the beguiling Fisher is well worth the investment.
    • 38 Metascore
    • 25 Peter Travers
    It's hard to deny that The Rite is guilty of sins against its audience.
    • 38 Metascore
    • 40 Peter Travers
    The "Citizen Kane" of flatulence.
    • Rolling Stone
    • 38 Metascore
    • 25 Peter Travers
    They are all victims of a script of such colossal banality and gross stupidity that smiles freeze on their faces, leaving them looking trapped and desperate, much like the audience.
    • 38 Metascore
    • 25 Peter Travers
    Despite Joan Cusack, whose comic spark earns the film its only star, Raising Helen is like tumbling into chick-flick hell.
    • 38 Metascore
    • 38 Peter Travers
    If you laughed at Tim Story's first "Think," based on Steve Harvey's bestselling advice book for women, you'll probably ride along for this jacked-up, Vegas-set sequel in which dudes and dolls offer sexist approaches to throwing a bachelor party.
    • 38 Metascore
    • 40 Peter Travers
    This black-comic assault on family entertainment is going to set a lot of teeth on edge -- If only his (De Vito's) material were better this time.
    • 38 Metascore
    • 50 Peter Travers
    I don't like this movie. I don't like how it walks, talks, struts and sells itself. I find it contrived, tortured, humorless, infuriating and interminable. And yet if you care anything about film and the creative drive that still exists in the people who make them, then Third Person needs to be seen.
    • 38 Metascore
    • 25 Peter Travers
    Preacher Reitman won't be satisfied till we stomp our smartphones. LOL. WTF.
    • 38 Metascore
    • 63 Peter Travers
    Kramer takes on a hot, unwieldy topic in Crossing Over -- the dream that immigrants have of U.S. citizenship and the nightmare of achieving it, especially with shortcuts. I'm sure Kramer will be picked to pieces for trying something while Hollywood crap climbs the box office ladder. There are all kinds of nightmares.
    • 38 Metascore
    • 30 Peter Travers
    Even a search party would be hard-pressed to find a spark between Harrison Ford and Kristin Scott Thomas in Pollack's latest tear-jerker.
    • Rolling Stone
    • 38 Metascore
    • 20 Peter Travers
    Where's Sandler in all this? Lost in gimmicks that smack of desperation. Damn it.
    • Rolling Stone
    • 38 Metascore
    • 25 Peter Travers
    Stupefyingly stupid thriller.
    • 37 Metascore
    • 38 Peter Travers
    Working from a script by the gifted Christopher Hampton (Dangerous Liaisons, Atonement), who seems to have traded his wit for a paycheck, Fontaine manages the trick of making sex joyless. Like porn. Then she tops that by draining her film of variety, longing and feminist insight. Like farce. Ouch.
    • 37 Metascore
    • 60 Peter Travers
    It bristles with the brute force he brought to 1986's underrated "52 Pick-Up."
    • Rolling Stone
    • 37 Metascore
    • 25 Peter Travers
    There’s not a real or spontaneous minute in it.
    • 37 Metascore
    • 25 Peter Travers
    You know a sequel isn't working when, ten minutes into the movie, a voice inside your head starts screaming, "Please make it stop!"
    • 37 Metascore
    • 38 Peter Travers
    Propaganda is a bitch to act. And this misguided movie leaves Hudgens buried in it.
    • 37 Metascore
    • 0 Peter Travers
    In a year of craptaculars, The Tourist deserves burial at the bottom of the 2010 dung heap. It offers talented people trapped in creative inertia. A microscope and a search party could not discover any trace of chemistry between Johnny Depp and Angelina Jolie.
    • 37 Metascore
    • 40 Peter Travers
    Lawrence forgoes his knack for verbal comedy and replaces it with crude nonstop mugging.
    • 37 Metascore
    • 25 Peter Travers
    This feeble followup to 2010's godawful "Clash of the Titans" sucketh the mighty big one.
    • 37 Metascore
    • 25 Peter Travers
    Here they're just putting "Pirates of the Caribbean" in a saddle and pretending we won't notice.
    • 37 Metascore
    • 25 Peter Travers
    It's Carell who projects the movie's only sense of mischief. But it's too little and too late.
    • 37 Metascore
    • 25 Peter Travers
    Some bad movies should carry a leper's bell to warn off ticket buyers. Such a contagion is Charlie St. Cloud, a load of mawkish swill starring Zac Efron (bereft of the talent he showed in "Me and Orson Welles").
    • 37 Metascore
    • 50 Peter Travers
    The film collapses because Lee can't sew these vignettes into a seamless tapestry. He's more interested in getting even than he is in getting it right.
    • 37 Metascore
    • 40 Peter Travers
    The motor of the plot, involving nuclear terrorism, not only knocked Bad Company out of last year's release schedule due to 9/11 sensitivity, it stops Rock and Hopkins from sustaining a comic rapport. The waste is criminal.
    • 37 Metascore
    • 25 Peter Travers
    No comedy this year can beat this dud for mealy-mouthed hypocrisy.
    • 37 Metascore
    • 38 Peter Travers
    Overthought, overwrought and thuddingly underwhelming, this high-profile misfire makes a congealed gumbo out of Robert Penn Warren's Pulitzer-winning 1946 novel and the Oscar-winning 1949 movie that followed it, sinking a classy cast in the goo.
    • 37 Metascore
    • 50 Peter Travers
    The sequel, also directed by Harold Ramis, is painfully padded.
    • 37 Metascore
    • 63 Peter Travers
    "GoodFellas" Oscar winner Pesci, who hasn't appeared onscreen in a major role since 1998's "Lethal Weapon 4," is a dynamo of conflicting emotions. And Mirren, bawdy in ways that erase all memory of her award-winning role as Elizabeth II in "The Queen," is magnificent.
    • 37 Metascore
    • 25 Peter Travers
    It's sad to see risk-taking director Mike Figgis (Leaving Las Vegas, Hotel) do a generic thriller for a paycheck and then not even screw with the rules.
    • 37 Metascore
    • 50 Peter Travers
    Where "Drive" shrewdly mystifies, Only God Forgives stupefies. You can see its gears grinding. But I'll always hang on for a rare talent like Refn. Even when he stumbles, he leaves you eager to see what he's up to next.
    • 37 Metascore
    • 50 Peter Travers
    Turns into a bogus drivel courtesy of a sitcom monster.
    • Rolling Stone
    • 37 Metascore
    • 50 Peter Travers
    There is one high note. You can approach Speed Racer as the trippiest stonerfest since Stanley Kubrick took his space odyssey.
    • 37 Metascore
    • 25 Peter Travers
    Here's Madge one more time doing something for which she is eminently unsuited – directing.
    • 36 Metascore
    • 30 Peter Travers
    The kind of movie that TV stars do when they're on hiatus and trying to squeeze one in.
    • Rolling Stone
    • 36 Metascore
    • 30 Peter Travers
    It's sledgehammer whimsy, and it's not talking to me.
    • Rolling Stone
    • 36 Metascore
    • 25 Peter Travers
    Here's a comedy of punishing tedium that pretends to be hip when it's so five minutes ago.
    • 36 Metascore
    • 25 Peter Travers
    Gordon, who died shortly after the first Arthur, never had to see the luckless 1988 sequel that made his beloved characters seem like strangers. The new Arthur, insipid when it should be infectious, leaves the same deadly impression.
    • 36 Metascore
    • 25 Peter Travers
    Critics and audiences should unite to KO this loser.
    • 36 Metascore
    • 25 Peter Travers
    Guy flicks can be just as galling as the chick variety. Here's Exhibit A in how to lose an audience in ten minutes.
    • 36 Metascore
    • 30 Peter Travers
    Crossing "A Beautiful Mind" with "Sex Kittens Go to College," first-time director Stephen Gaghan (he wrote Traffic) causes a head-on collision.
    • 36 Metascore
    • 25 Peter Travers
    It's a little early for self-parody in the career of Vin Diesel. But he's a calamitous cliché in A Man Apart.
    • 36 Metascore
    • 0 Peter Travers
    Lethal Weapon 3 offers mediocrity wielded by experts. It's not a movie, it's a machine.
    • 36 Metascore
    • 25 Peter Travers
    I laughed once or twice during this flat and fatuous farce, mainly because director and co-writer Greg Coolidge lifted a lot of it from "Office Space."
    • 36 Metascore
    • 25 Peter Travers
    Stephen Rodrick's New York Times article about the making of The Canyons had humor, suspense and propulsion. They should have made that movie. What we have here is dead on arrival.
    • 36 Metascore
    • 38 Peter Travers
    There's no thrill in Gone because you can see every surprise coming. It lies there flapping like a dying fish. Skip it.
    • 36 Metascore
    • 30 Peter Travers
    Trash.
    • Rolling Stone
    • 36 Metascore
    • 25 Peter Travers
    Righteous Kill, a.k.a. The Al and Bob Show, is a cop flick with all the drama of "Law and Order: AARP." This movie defines drag-ass.
    • 36 Metascore
    • 50 Peter Travers
    You leave Lady thinking there are still voices in Shyamalan's head well worth a listen.
    • 36 Metascore
    • 38 Peter Travers
    The compensation comes in the three lead actors, all way too good for the material dished out by writer-director Tom Gormican.
    • 36 Metascore
    • 25 Peter Travers
    Audiences forced to endure the 109 coma-inducing minutes of Serena should bring an e-book or a soft pillow.
    • 36 Metascore
    • 25 Peter Travers
    Feels fake, forced and indigestible.
    • 36 Metascore
    • 25 Peter Travers
    The actors hit the jackpot, but only in terms of their paychecks. The audience gets a tension-free, tight-assed, "Casino" ripoff that leaves them thoroughly fleeced.
    • 36 Metascore
    • 50 Peter Travers
    Spade goes sweet and gooey. This is nucking futs.
    • 36 Metascore
    • 38 Peter Travers
    Then there's the movie itself, which should be crazy, stupid fun but settles for just stupid.
    • 36 Metascore
    • 38 Peter Travers
    The bad news isn’t that Carrey and Daniels got old, it's that the jokes did. The spirit is still willing in Peter and Bobby Farrelly, the original writer-directors, but the sagging flesh is weak from prolonged repetition.
    • 36 Metascore
    • 38 Peter Travers
    If you don't see where this is going, you've never seen a movie. Sorry it had to be this one.
    • 36 Metascore
    • 25 Peter Travers
    Martin is a gifted physical comic. He deserves an original role tailored to his own talents. Watching something this borrowed just makes me blue.
    • 36 Metascore
    • 12 Peter Travers
    The half-star rating goes to John Krasinski for heroically rising above this vile dung heap of a movie.
    • 36 Metascore
    • 63 Peter Travers
    The movie is full of possibilities. Frustratingly, only a few of them are realized.
    • 36 Metascore
    • 40 Peter Travers
    Cringingly earnest, totally unremarkable fable.
    • 36 Metascore
    • 40 Peter Travers
    Does he (Hartley) succeed? Not with a movie this plodding, peevish and gimmicky. Is it fun to watch him try? Me, I'll take failed ambition over hack efficiency any day.
    • 35 Metascore
    • 40 Peter Travers
    Branagh's take on the play comes right up to the edge of disaster but stubbornly refuses to leap in.
    • Rolling Stone
    • 35 Metascore
    • 25 Peter Travers
    Watching De Niro and Stallone piss all over their most iconic roles provides no pleasure. It made me feel – Sad. Sad. Sad.
    • 35 Metascore
    • 50 Peter Travers
    As sexist propaganda, the film is shameless.
    • 35 Metascore
    • 25 Peter Travers
    Talk about disappointing. Director Doug Liman exuded style and cool in "Swingers," "Go" and "The Bourne Identity." He lost his way in the star bloat of "Mr. and Mrs. Smith," and now his mojo is buried in this amped-up sci-fi chase flick.
    • 35 Metascore
    • 25 Peter Travers
    Following "Derailed," this comic turd makes it two strikes for Jennifer Aniston. She looks great, but her acting is board-stiff.
    • 35 Metascore
    • 25 Peter Travers
    The Expendables 3, trading on our affection for action stars of the past, has officially worn out its already shaky welcome.
    • 35 Metascore
    • 0 Peter Travers
    Transformers 2 has a shot at the title Worst Movie of the Decade.
    • 35 Metascore
    • 20 Peter Travers
    Get out your pooper-scoopers. Doo happens June 14th, warn the ads for Scooby-Doo. And they say there's no truth in Hollywood.
    • 35 Metascore
    • 75 Peter Travers
    The movie damn near lives up to that promise. Picture the Marx brothers and the Coen boys collaborating on a valentine spiked with mirth and malice.
    • 35 Metascore
    • 40 Peter Travers
    A product that will delight car junkies and drive cinephiles to swear off film until fall.
    • Rolling Stone
    • 35 Metascore
    • 38 Peter Travers
    The Host basically comes down to a vote for Team Jared or Team Ian. I voted myself into oblivion about half an hour in. Niccol, who once added mystery and suspense to the sci-fi of 1997's "Gattaca," is no match for the giant marshmallow that is The Host.
    • 35 Metascore
    • 25 Peter Travers
    Here's a shrieking bore of a horror flick.
    • 35 Metascore
    • 50 Peter Travers
    Certainly blunt, and since Anderson and Bach are veterans of the porn trade, there is no skimping on the sex.
    • 35 Metascore
    • 50 Peter Travers
    Then the aliens show up, chased by Morgan Freeman as a nut-job Army colonel, and the movie degenerates into a sorry, silly, gory, punishingly overlong creature feature.
    • 35 Metascore
    • 38 Peter Travers
    It's the Bay touch you feel in the way actors register as body count, characters go undeveloped, and sensation trumps feeling. A nightmare, indeed.
    • 35 Metascore
    • 50 Peter Travers
    Anselmo, basing his script on a true story, juggles more plots than a full season of "The O.C.," setting his cast adrift in a sea of soap-opera bubbles.
    • 35 Metascore
    • 25 Peter Travers
    The real evil in this flick isn't Blackheart (Wes Bentley), the devil's son, it's the soul-sucking devil of modern cinema: Hollywood formula.
    • 35 Metascore
    • 25 Peter Travers
    What I can’t figure out is how director Peter Hyams can remake a 1956 movie from the great Fritz Lang and not learn anything about suspense, pacing and storytelling in the process. This movie is beyond boring. You could stay warm for two hours by striking a match to the wooden acting.
    • 35 Metascore
    • 30 Peter Travers
    Something lazy, slow, shallow, stupid, amateurish, unfunny, unsuspenseful, uninformed, unspeakably dull and witlessly written, directed and acted (the special effects suck, too).
    • 34 Metascore
    • 30 Peter Travers
    What DePalma has never made is a dull movie. Until now.
    • Rolling Stone
    • 34 Metascore
    • 25 Peter Travers
    Never comes as close as spitting distance to a laugh.
    • 34 Metascore
    • 25 Peter Travers
    Film critics have been asked to say as little as possible about M. Night Shyamalan's new scare film about the perils of messing with Mother Nature. Fair enough. But I will say this: It's not happening.
    • 34 Metascore
    • 60 Peter Travers
    Big, loud and lurid, but no less entertaining for that.
    • 34 Metascore
    • 38 Peter Travers
    It's not easy hanging talents like Ferrell and Hart out to dry. But Get Hard gets the job done. It's one limp noodle.
    • 34 Metascore
    • 38 Peter Travers
    Jeez, did the "surprise" climax have to be this eye-rollingly stupid?
    • 34 Metascore
    • 25 Peter Travers
    Demolition Man is sleek and empty as well as brutal and pointless.
    • 34 Metascore
    • 25 Peter Travers
    There's something pernicious about a toxic mix of sitcom and snickering sex jokes getting packaged and effectively sold as wholesome fun for the family.
    • 34 Metascore
    • 40 Peter Travers
    Just isn't enough.
    • Rolling Stone
    • 34 Metascore
    • 50 Peter Travers
    Their (Travolta/Jackson) teamwork was classic. Basic breaks up the team. What's up with that?
    • 34 Metascore
    • 25 Peter Travers
    Call it "Apocalypto" for pussies -- a PG-13 rating, puh-leese! -- or prehistory for peabrains. Just don’t call it friendo. 10,000 B.C. will take your money, rob your time and hit your brain like a shot of Novacaine.
    • 34 Metascore
    • 25 Peter Travers
    Valentine's Day is a date movie from hell.
    • 34 Metascore
    • 0 Peter Travers
    I hate Safe Haven. It's a terrible thing to do to your Valentine.
    • 34 Metascore
    • 25 Peter Travers
    Breathlessly boring.
    • 33 Metascore
    • 25 Peter Travers
    Jonah is fated to ride alone. Don't make the mistake of keeping him company.
    • 33 Metascore
    • 10 Peter Travers
    Abort! Abort! It's that time of year when Hollywood releases movies it should never have made in the first place.
    • 33 Metascore
    • 50 Peter Travers
    Isn't much of a movie, but it's worth a look just to see screen legend Kirk Douglas, Michael's eighty-three-year-old father, kick ass.
    • Rolling Stone
    • 33 Metascore
    • 30 Peter Travers
    Slick-dick director Simon West, of "Con Air" and "The General's Daughter" infamy, continues to show no flair at all for blending action and character. Jolie and Lara deserved better. So did we.
    • 33 Metascore
    • 25 Peter Travers
    The shortage of wit and the excess of goo can be summed up in Sandler's line to these children of divorce: "I'm like the stink on your feet — I'll always be there."
    • 33 Metascore
    • 50 Peter Travers
    The film looks and feels authentic, but Duchovny has powered his undeniably personal journey with a counterfeit heart.
    • 33 Metascore
    • 25 Peter Travers
    A comedy so devoid of wit and point that not mentioning the other actors trapped in this rathole would be an act of charity.
    • 33 Metascore
    • 25 Peter Travers
    The movie that might have been goes down in flames.
    • 33 Metascore
    • 25 Peter Travers
    At one point, Black puts out a fire by pissing on it. It's my job as a critic to piss on this dumb excuse for a movie. Consider it done.
    • 33 Metascore
    • 38 Peter Travers
    Looks aren't everything. Case in point: Sucker Punch, a dazzling visual design that goes tone-deaf every time it opens its dumb mouth or makes claims to profundity.
    • 33 Metascore
    • 0 Peter Travers
    The only tragedy you'll face is paying good money to this swill.
    • 33 Metascore
    • 0 Peter Travers
    When a stage musical as beloved as Annie hits the big screen and falls ignominiously on its fat one, you might ask: WTF? For starters, updating the Depression-era tale to NYC 2014 is a really dumb idea. The strain of the shoehorning is evident in every scene.
    • 33 Metascore
    • 25 Peter Travers
    Result? It's not scary, just busy.
    • 33 Metascore
    • 40 Peter Travers
    An erotic thriller with flaws.
    • 33 Metascore
    • 40 Peter Travers
    Director Gary Fleder ("Don't Say a Word") pushes the same old cliches in "Blade Runner" packaging.
    • 33 Metascore
    • 25 Peter Travers
    It's the perfect Valentine's date night movie, but only with someone you hate.
    • 33 Metascore
    • 50 Peter Travers
    The only way to react is by bringing a barf bag or a strong sense of gallows humor.
    • 33 Metascore
    • 25 Peter Travers
    The young Smith has energy, but not the acting chops. And he's no miracle worker. The burden of carrying this dull, lifeless movie is just too much. And it's hell on an audience. It's not a good sign when you sit there thinking – Make. It. Stop.
    • 33 Metascore
    • 50 Peter Travers
    How special.
    • Rolling Stone
    • 33 Metascore
    • 0 Peter Travers
    There is no wrong time to flush this turd. The only bright spot comes during the outtakes over the final credits.
    • 33 Metascore
    • 30 Peter Travers
    Plods along in the Oscar-winning, yawn-inducing tradition of "Out of Africa," making me yearn for something less "National Geographic."
    • Rolling Stone
    • 33 Metascore
    • 40 Peter Travers
    Hit-and-mostly-miss.
    • 33 Metascore
    • 75 Peter Travers
    Among the recent spate of comic-book movies, from "Spider-Man" to the "X-Men," The Punisher is unique.
    • 32 Metascore
    • 0 Peter Travers
    The Bay-man has made the worst and most worthless Transformers movie yet. I know, hard to believe, right? How could any summer blockbuster be as dull, dumb and soul-sucking as the first three Transformers movies? Step right up.
    • 32 Metascore
    • 38 Peter Travers
    Don't hammer this film for trying to get inside the head of Mark David Chapman before he shot John Lennon outside the rock legend's New York apartment on December 8th, 1980. Hammer it instead for failing to do so with any depth or insight.
    • 32 Metascore
    • 38 Peter Travers
    Political satire is so rare that it's a shame to watch the reliable Ralph Fiennes and Donald Sutherland lend their talents to one that is blind to its own incompetence.
    • 32 Metascore
    • 10 Peter Travers
    The call on this one is: dead on arrival.
    • 32 Metascore
    • 40 Peter Travers
    (Shelton) knows how to write pungent dialogue that covers a multitude of sins when the film goes off the rails.
    • Rolling Stone
    • 32 Metascore
    • 25 Peter Travers
    Aiming for the heartfelt hilarity of "Superbad," I Love You, Beth Cooper is just super bad.
    • 32 Metascore
    • 25 Peter Travers
    It galls me that Hollywood thinks we're shallow enough to swallow this swill. Or am I just being paranoid?
    • 32 Metascore
    • 12 Peter Travers
    I don't know what to say about the acting, writing and directing in G.I. Joe because I couldn't find any.
    • 32 Metascore
    • 50 Peter Travers
    It's only when the film attempts to express its ideas in spoken English that logic dissolves into a muddle that would test the most rabid Dylanologist.
    • 32 Metascore
    • 0 Peter Travers
    One look at the dreadful mess that is Ghost Rider: Spirit of Vengeance will turn your whisper into a primal Cage scream: MAKE THIS MOVIE STOP!
    • 32 Metascore
    • 12 Peter Travers
    Misery is enduring this Rocky Horror Paris Show.
    • 32 Metascore
    • 38 Peter Travers
    Will Ferrell and Danny McBride can find the dumb fun in anything. Too bad that Land of the Lost is so much less than anything.
    • 32 Metascore
    • 20 Peter Travers
    Exhibits rank incompetence on every level.
    • 32 Metascore
    • 50 Peter Travers
    Reiner gets lucky with his two stars. Wilson has charm to spare, and Hudson brings humor and sexiness to playing Emma and four au pair girls from different countries. But even they can't float a balloon with lead in it.
    • 32 Metascore
    • 80 Peter Travers
    The film is a distinct pleasure.
    • 32 Metascore
    • 38 Peter Travers
    First-time director and screenwriter Hue Rhodes shows no discernible talent for dialogue, humor and, especially, pacing.
    • 32 Metascore
    • 0 Peter Travers
    Talk about your pious frauds. I've got a better way to show your disgust for Internet scum: Don't see Untraceable.
    • 32 Metascore
    • 20 Peter Travers
    Add Showtime to the pile of Hollywood dreck that represents nothing more than the art of the deal.
    • 31 Metascore
    • 25 Peter Travers
    If you stay and watch the endless end credits, there's a short scene that hints a sequel is coming. That's what I call real pain.
    • 31 Metascore
    • 40 Peter Travers
    Ephron, try as she might, can't give her codified champagne spin to a Resnick script that all too quickly runs out of fizz.
    • Rolling Stone
    • 31 Metascore
    • 0 Peter Travers
    Teenagers, even non-ninjas and non-turtles, have been eating up this cinematic waste product for weeks now. In one way, Teenage Mutant Ninja Turtles is a triumph for producer Michael Bay in that it is equally as godawful as his "Transformers: Age of Extinction" and a hit nonetheless.
    • 31 Metascore
    • 25 Peter Travers
    A dull, dumb and unforgivably dated thriller, free of thrills and any kind of perfection.
    • 31 Metascore
    • 25 Peter Travers
    Nothing works. Nothing.
    • 31 Metascore
    • 38 Peter Travers
    A trio of appealing actors is trapped in an action-spiked romcom death-sentenced by a lack of humor, heart and a coherent reason for being.
    • 31 Metascore
    • 10 Peter Travers
    Gives us good reason to believe that January really is the month Hollywood studios use to bury their cheesiest mistakes.
    • 31 Metascore
    • 12 Peter Travers
    What I can't figure is why anyone would want to release this tripe in theaters just when Fanning has nearly lived it down. They ain't no friends of mine, or any other moviegoer.
    • 31 Metascore
    • 0 Peter Travers
    The bloodsuckers in this thriller may not have much bite, but here's a movie that can -- it's guaranteed -- drain the life out of an audience in minutes.
    • 31 Metascore
    • 25 Peter Travers
    This is Berg's debut outing as a director, but other first-timers, namely Joel Coen (Blood Simple) and Danny Boyle (Shallow Grave), had it all over him for blending horror and hilarity.
    • 31 Metascore
    • 25 Peter Travers
    Environmentalists are up in arms. "Where did the shit go?" they want to know. The answer is painfully obvious: into the screenplay.
    • 31 Metascore
    • 75 Peter Travers
    It's a hoot to watch Fonda cut loose and mix it up with J. Lo, even when the laughs turn mean-spirited.
    • 31 Metascore
    • 25 Peter Travers
    It's too bad Martin already made “What's the Worst That Could Happen?” The title really fits this one.
    • 31 Metascore
    • 50 Peter Travers
    If you're like me, diluted Smith is still better than no Smith at all.
    • 31 Metascore
    • 25 Peter Travers
    The new Mummy is, how can I put it? Just freakin' awful.
    • 31 Metascore
    • 50 Peter Travers
    A shock ending may be the best hope for this film, a convoluted mystery that thinks it's way smarter than it is.
    • 31 Metascore
    • 0 Peter Travers
    Winter's Tale is preposterous twaddle.
    • 30 Metascore
    • 25 Peter Travers
    It's all stupefyingly unfunny. Hot Pursuit is one hot mess.
    • 30 Metascore
    • 25 Peter Travers
    I like Longoria Parker on "Desperate Housewives" and truly believe she could have a career on the big screen if she promises to never again work with writer-director Jeff Lowell, who perpetrated this offense of a ghost comedy on her and on her otherwise gifted co-stars Paul Rudd and Lake Bell.
    • 30 Metascore
    • 12 Peter Travers
    If you see one Minnesota movie this year, make it "Fargo." This botch job should be stamped direct to video.
    • 30 Metascore
    • 38 Peter Travers
    What happened, bitches? Didn't the letdown of The Hangover Part II – basically Part I set in Thailand but minus the laughs – teach you anything? Guess not.
    • 30 Metascore
    • 25 Peter Travers
    It just plain sucks.
    • 30 Metascore
    • 25 Peter Travers
    Except for Connery, who is every inch the lion in winter, nothing here feels authentic.
    • 30 Metascore
    • 25 Peter Travers
    What the filmmakers fail to recognize is that history on the page is quite different from what it needs to be onscreen, namely alive and visceral.
    • 30 Metascore
    • 25 Peter Travers
    "Sixth Sense" rip-off.
    • 30 Metascore
    • 10 Peter Travers
    John Q. is as fake as that tear, an exploitative mess trying to pass as social activism.
    • 30 Metascore
    • 25 Peter Travers
    Nothing can save this repetitive bore. Dude, where's your memory?
    • 30 Metascore
    • 30 Peter Travers
    Off the shelf after two years to capitalize on the popularity of Vin Diesel, Seth Green and Barry Pepper. It should have stayed there.
    • 30 Metascore
    • 38 Peter Travers
    This Endless Love is a photo shoot, not a movie. It'd play better as a slideshow of jpgs. Even nine-year-old girls ought to cry foul on this movie's endless blandness.
    • 30 Metascore
    • 70 Peter Travers
    What The Replacements does have is energy.
    • Rolling Stone
    • 30 Metascore
    • 0 Peter Travers
    One idea, mixed with lame jokes, and stretched beyond coherence. Vampire Academy doesn't need a review. It needs a stake in the heart.
    • 29 Metascore
    • 0 Peter Travers
    The real horror here is watching Sandra Bullock drop her big Miss Congeniality smile to A-C-T! She does this by not smiling. What happened to the range she showed in "Crash" and "Infamous?"
    • 29 Metascore
    • 25 Peter Travers
    This crap is supposed to be the chick flick antidote to Super Bowl fever. Ha!
    • 29 Metascore
    • 50 Peter Travers
    Elliot fails to make the needed connection between the audience and a peeper who has lost his moral balance.
    • Rolling Stone
    • 29 Metascore
    • 0 Peter Travers
    Putridly written, directed and acted.
    • 29 Metascore
    • 10 Peter Travers
    It would be great to see this turd squashed under a truck, preferably a semi.
    • 29 Metascore
    • 0 Peter Travers
    It's early in the year, but I defy any 2008 comedy to be as stupid, slack and sexless as Fool's Gold. And I'm counting Paris Hilton's appalling "The Hottie and the Nottie," which is marginally better.
    • 29 Metascore
    • 25 Peter Travers
    Even wild man Gary Oldman, as a priest ready to eighty-six the wolfman with silver nail polish, can't liven up this humorless hogwash. And it's just sad to see the legendary Julie Christie stuck playing the grandmother.
    • 28 Metascore
    • 30 Peter Travers
    Contrived, manipulative and shamelessly sentimental, this film is notable for the courageous reach of Sean Penn, who gives a bold, heartfelt performance.
    • 28 Metascore
    • 20 Peter Travers
    There should be a place in hell for hacks who turn out derivative terror trash and then pretend they're doing an important investigative piece on Vatican corruption.
    • Rolling Stone
    • 28 Metascore
    • 60 Peter Travers
    Thornton plays this low-ball farce with deceptive, masterful ease. Appreciate it.
    • 28 Metascore
    • 63 Peter Travers
    Though the movie ups the TV ante on nudity, language and violence, Lynch's control falters. But if inspiration is lacking, talent is not.
    • 28 Metascore
    • 25 Peter Travers
    When a Spike Lee film doesn't fly, it sinks like a stone.
    • 28 Metascore
    • 20 Peter Travers
    An indigestible chunk of romantic marshmallow.
    • Rolling Stone
    • 28 Metascore
    • 0 Peter Travers
    Who's the idiot responsible for this fiasco? You can't blame the Tea Party, an organization of 9 million that the film's producers are exploiting to get butts into seats. There's an object lesson in objectivism for you.
    • 28 Metascore
    • 25 Peter Travers
    The real plague is the movie, a sci-fi hodgepodge of bad history and worse special effects.
    • 28 Metascore
    • 12 Peter Travers
    Toss this ugly-ass crap to the curb, along with the other multiplex garbage, and see a romance that gets it right. I'm talking "(500) Days of Summer."
    • 28 Metascore
    • 25 Peter Travers
    Ah jeez. I actually wanted this one to be good. Or at least decent. Or at least a reminder of what got us all fired up about the first Die Hard in 1988. But A Good Day To Die Hard, the fifth in a creatively exhausted series, is total crap.
    • 27 Metascore
    • 20 Peter Travers
    Beware all male viewers who enter here, you are in chick-movie hell.
    • 27 Metascore
    • 50 Peter Travers
    A long sit in the shallows, the equivalent of five half-hour episodes strung together.
    • 27 Metascore
    • 25 Peter Travers
    If you ever admired Julia Stiles, Selma Blair and Jason Lee -- and who didn't? -- don't watch them crush their careers in this laugh-free romantic comedy.
    • 27 Metascore
    • 25 Peter Travers
    Not to be catty about it, but the stench of the litter pan is all over this big-screen $90 million disaster-in-waiting.
    • 27 Metascore
    • 50 Peter Travers
    Jokes dying on the lips of these easy riders are hard to stomach.
    • 27 Metascore
    • 30 Peter Travers
    It's soft-core pap for horny boys and their hornier dads.
    • Rolling Stone
    • 27 Metascore
    • 25 Peter Travers
    It's a major dud.
    • 27 Metascore
    • 0 Peter Travers
    Just stay away. It's awful.
    • 27 Metascore
    • 25 Peter Travers
    It's a no-go. View From the Top boasts a first-class cast, but they're all traveling coach.
    • 27 Metascore
    • 25 Peter Travers
    Upchuckingly unfunny.
    • 26 Metascore
    • 10 Peter Travers
    What Lynch, who wrote the script at 19, sees as high drama is really high camp. And Fenn seems clueless on how to play her limbless character.
    • 26 Metascore
    • 10 Peter Travers
    Dracula may stay undead in the new millennium, but there's not a sign of life - oh, that bloodless acting - in this sorry mess.
    • 26 Metascore
    • 10 Peter Travers
    Painfully flat gross-out comedy.
    • 26 Metascore
    • 0 Peter Travers
    The laughs to be had in this deliciously awful sequel are all unintentional. A bummer for film buffs, but a ball for fans of the misbegotten.
    • 26 Metascore
    • 0 Peter Travers
    When studios plant these stink bombs in theaters, do they really think that audiences won't notice the stench?
    • 26 Metascore
    • 25 Peter Travers
    An irredeemably dull tale.
    • 26 Metascore
    • 0 Peter Travers
    Be warned, sequel fanboys: This thing sucks!
    • 25 Metascore
    • 10 Peter Travers
    The script that Nicholas Klein has conjured from Bono's idea is a quicksand that sucks down a solid cast.
    • 25 Metascore
    • 40 Peter Travers
    Tries for deadpan laughs but is merely lifeless.
    • Rolling Stone
    • 25 Metascore
    • 50 Peter Travers
    Essentially an old-fashioned weepie gussied up for Y2K.
    • Rolling Stone
    • 25 Metascore
    • 25 Peter Travers
    It's probably the movie event of the summer if you're an eight-year-old girl who doesn't get out much.
    • 25 Metascore
    • 0 Peter Travers
    Memo to Beyoncé Knowles: You were so good as Etta James in "Cadillac Records," so why'd you go spoil everything with a rank cheeseball thriller that buries you in clichés and won't even help you dig yourself out?
    • 25 Metascore
    • 0 Peter Travers
    I could puke.
    • 25 Metascore
    • 20 Peter Travers
    Say the word, girl (Lopez), the next time you're offered one of these barrel scrapers: Enough!
    • 24 Metascore
    • 10 Peter Travers
    It's not just that the movie itself is wicked awful, it's that Mr. Deeds brings out the worst in Adam Sandler.
    • 24 Metascore
    • 0 Peter Travers
    The first big-studio movie released in 2009 has a damn fine chance of being the worst. Bride Wars isn't just chick-flick hell for guys, it should numb the skulls of moviegoers of all sexes and ages.
    • 24 Metascore
    • 25 Peter Travers
    Every scare is telegraphed. Every surprise is recycled from a better thriller. Even the devil would send this one back.
    • 24 Metascore
    • 40 Peter Travers
    Verhoeven, who inflicted "Showgirls" on us, skips the provacative questions raised by invisibility and goes straight to rape and murder.
    • Rolling Stone
    • 24 Metascore
    • 12 Peter Travers
    Ninety minutes pass like an eternity. Verdict: Down for the count.
    • 23 Metascore
    • 0 Peter Travers
    A total bust, a stupefyingly unfunny and shamelessly lazy farce packed with cringe-worthy jokes and overt product placement.
    • 23 Metascore
    • 25 Peter Travers
    The cast got to spend a month shooting on Bora Bora. So that explains why they're in the movie. Why you'd spend good money for a ticket to watch them have all the fun and not have any fun yourself passes understanding.
    • 23 Metascore
    • 25 Peter Travers
    Diapers, even from three babies, can't stink worse than this.
    • 23 Metascore
    • 12 Peter Travers
    Sucks bad, real bad.
    • 23 Metascore
    • 25 Peter Travers
    Do you really need me to tell you how scary this horror show isn't?
    • 23 Metascore
    • 25 Peter Travers
    I'd prefer to think of Sandler in "Punch-Drunk Love," the one good movie of the three he did this year.
    • 22 Metascore
    • 10 Peter Travers
    Peet is always worth watching, but the role does her no favors, and the script, involving a kidnapping and a surprise cameo by Neil Diamond - you heard me - smacks of desperation beyond saving.
    • 22 Metascore
    • 25 Peter Travers
    Sorry, no XOXO for this slick, hollow hooey.
    • 22 Metascore
    • 25 Peter Travers
    Bad things can happen to talented people. Take Tom McCarthy, who wrote and directed "The Station Agent," "The Visitor" and "Win Win." All gems. His fourth film, The Cobbler, is a failure on every level.
    • 22 Metascore
    • 0 Peter Travers
    Bad beyond belief.
    • 22 Metascore
    • 0 Peter Travers
    When Macbeth said, "It is a tale told by an idiot, full of sound and fury signifying nothing," he must have had visions about Courtney Solomon's Getaway, a car chase thriller with zero thrills and a stench that all the perfumes of Arabia couldn't erase.
    • 22 Metascore
    • 0 Peter Travers
    Everything in One for the Money rings cringingly false, from Heigl's absurd Snooki accent to Plum's romance with Joe Morelli, an Italian cop, played by – faith and begorrah – Jason O'Mara. To dismiss Julie Anne Robinson's direction as clueless would be a kindness.
    • 21 Metascore
    • 10 Peter Travers
    A script by Peter Gaulke and Gerry Swallow that is minus a shred of Farrelly wit.
    • 21 Metascore
    • 0 Peter Travers
    What to say about this lame-brained, limp dick attempt to update a classic Brothers Grimm tale into an f-bomb throwing vomit-inducing 3D franchise? I say, screw the damn thing and run the other way.
    • 21 Metascore
    • 50 Peter Travers
    It's "The Exorcist" warmed over.
    • 21 Metascore
    • 10 Peter Travers
    Filming this mess in North Carolina (strike three).
    • 21 Metascore
    • 0 Peter Travers
    Allen screws up his directing debut with a script that smothers his wit in a blanket of bland.
    • 20 Metascore
    • 0 Peter Travers
    One of the worst movies of this or any year.
    • 20 Metascore
    • 10 Peter Travers
    In one scene, raw sewage is dumped on Joe. See Joe Dirt and you'll know how that feels.
    • 19 Metascore
    • 25 Peter Travers
    Talk about your quick-buck exploitation.
    • 19 Metascore
    • 25 Peter Travers
    The jokes? "Chicks are for fags," says Lloyd. The film is subtitled When Harry Met Lloyd. Believe me, you don't want to be there.
    • 18 Metascore
    • 25 Peter Travers
    The only people likely to get a kick out of Gigli -- the first screen teaming of Ben Affleck and Jennifer Lopez -- are Madonna and her director hubby Guy Ritchie. Finally there's a movie as jaw-droppingly awful as their "Swept Away."
    • 18 Metascore
    • 30 Peter Travers
    For starters, it blows. Madonna continues to mistake a knack for striking poses with the interpretive skill of a real actor.
    • 18 Metascore
    • 0 Peter Travers
    The Devil Inside manages not only to scrape the barrel's bottom but to drill a hole in said bottom and funnel deeper into the scum.
    • 17 Metascore
    • 25 Peter Travers
    I'm guessing it's the pressure of an idiot script by Gary Scott Thompson and understandably clueless direction from Jon Avnet that forces Pacino to ham it up so vigorously that you want to garnish him with cloves and a slice of pineapple.
    • 17 Metascore
    • 0 Peter Travers
    A movie this unspeakably awful can make an audience a little crazy. You want to throw things, yell at the actors, beg them to stop. But the film drags on, digging horrible memories into the brain -- like Bruce Willis and Danny Aiello's singing.
    • 17 Metascore
    • 0 Peter Travers
    The film is in black-and-white so the gore doesn't spray quite as colorfully. But you'll still puke up a storm. Not so much at the movie, whose shock value wears off quicky, but at Six, who seems to hate himself almost as much as his audience. Masochists will give the movie a thumbs-up, as long as their thumb isn't already up their ass.
    • 17 Metascore
    • 0 Peter Travers
    Unwatchable, unbearably unfunny farce.
    • 16 Metascore
    • 0 Peter Travers
    If the devil made them all do it, he's one dull bastard.
    • Rolling Stone
    • 16 Metascore
    • 12 Peter Travers
    Whatever juice is left in the "Cop" franchise or in the once unstoppable career of Eddie Murphy peters out ignominiously in this poor excuse for a sequel.
    • 16 Metascore
    • 25 Peter Travers
    The 'roo doesn't talk, except in a dream sequence…I'm dying here.
    • 15 Metascore
    • 10 Peter Travers
    Laced with such rampant misogyny that the laughs stick in your throat.

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