Peter Travers
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For 2,337 reviews, this critic has graded:
  • 60% higher than the average critic
  • 2% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 5.1 points higher than other critics. (0-100 point scale)

Peter Travers' Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
Lowest review score: 0 Armageddon
Score distribution:
2,337 movie reviews
    • 100 Metascore
    • 100 Peter Travers
    Want to know what it's like to be in on the discovery of a new American classic. Check out Boyhood. Richard Linklater's coming-of-age tale is the best movie of the year, a four-star game-changer that earns its place in the cultural time capsule.
    • 99 Metascore
    • 100 Peter Travers
    From the first sight of German soldiers goose-stepping past the Arc de Triomphe to a postscript that spells out the fate of characters whose moral confusion is all too real, Army of Shadows is a movie of its time -- and ours.
    • 98 Metascore
    • 100 Peter Travers
    Del Toro never coddles the audience. He means us to leave Pan's Labyrinth shaken to our souls. He succeeds.
    • 97 Metascore
    • 100 Peter Travers
    You just don't expect Hollywood to produce a masterwork so early in the new year. And it hasn't. This slice of celluloid dynamite comes from Romania, and what you see will floor you.
    • 97 Metascore
    • 100 Peter Travers
    Proving himself a world-class director, McQueen basically makes slaves of us all. It hurts to watch it. You won't be able to tuck this powder keg in the corner of your mind and forget it. What we have here is a blistering, brilliant, straight-up classic.
    • 96 Metascore
    • 88 Peter Travers
    What makes Ratatouille such a hilarious and heartfelt wonder is the way Bird contrives to let it sneak up on you.
    • 96 Metascore
    • 100 Peter Travers
    Sandra Bullock, in the performance of a lifetime, spends most of this wondrous wallop of a movie lost in space, alone where no one can hear her scream.
    • 95 Metascore
    • 100 Peter Travers
    Keep your eyes on Garfield - he's shatteringly good, the soul of a film that might otherwise be without one. The Social Network is the movie of the year. But Fincher and Sorkin triumph by taking it further. Lacing their scathing wit with an aching sadness, they define the dark irony of the past decade.
    • 95 Metascore
    • 100 Peter Travers
    Hang on tight. The knockout punch of the movie season is being delivered by Zero Dark Thirty.
    • 95 Metascore
    • 88 Peter Travers
    A Separation is a landmark film. No way will you be able to get it out of your head.
    • 94 Metascore
    • 100 Peter Travers
    Whatever a modern love story is, Before Midnight takes it to the next level. It's damn near perfect.
    • 94 Metascore
    • 100 Peter Travers
    Miyazaki is the Pied Piper -- see Spirited Away and you'll follow him anywhere.
    • 94 Metascore
    • 88 Peter Travers
    Here's the Iraq War movie for those who don't like Iraq War movies.
    • 94 Metascore
    • 100 Peter Travers
    You leave WALL-E with a feeling of the rarest kind: that you've just enjoyed a close encounter with an enduring classic.
    • 94 Metascore
    • 100 Peter Travers
    Pure movie bliss.
    • 94 Metascore
    • 88 Peter Travers
    This is a film in which ideas resonate as well as action. Gandalf’s words to Pippin about death have a muscular poetry.
    • 94 Metascore
    • 88 Peter Travers
    The movie crawls hypnotically into the skin of this global assassin and astonishes you with its brazenly violent and sexual audacity.
    • 94 Metascore
    • 88 Peter Travers
    These two glam stars of French cinema – Riva in 1959's "Hiroshima Mon Amour" and Trintignant in 1966's "A Man and a Woman" – give performances of breathtaking power and beauty. Prepare for an emotional wipeout.
    • 93 Metascore
    • 100 Peter Travers
    What makes it such a mesmerizing, wickedly witty entertainment is the revealing portrait it paints of an era in which everyone is presumed guilty where greed is concerned... It's an often chilly movie, but the chill cuts to the bone.
    • 93 Metascore
    • 100 Peter Travers
    Ang Lee, a world-class director working at the top of his elegant form, has done something thrilling. For all the leaping action, it's the film's spirit that soars.
    • Rolling Stone
    • 92 Metascore
    • 88 Peter Travers
    One thing's for sure about this raw provocation from the Coens: Like the music, the pain runs deep and true. You'll laugh till it hurts.
    • 92 Metascore
    • 90 Peter Travers
    A marvel of delicacy and humor.
    • Rolling Stone
    • 92 Metascore
    • 88 Peter Travers
    The movie will wipe you out. Schnabel's previous two films (Basquiat, Before Night Falls) also focused on artists. But this is his best film yet, a high-wire act of visual daring and unquenchable spirit.
    • 92 Metascore
    • 88 Peter Travers
    Fierce, funny and moving, The Class graduates with honors. It's unmissable.
    • 92 Metascore
    • 100 Peter Travers
    A fiercely poetic study of violence. Stunningly shot in black-and-white. [14 Dec 1989, p.23]
    • Rolling Stone
    • 92 Metascore
    • 100 Peter Travers
    In terms of excitement, imagination and rule-busting experimentation, it's a gusher.
    • 92 Metascore
    • 100 Peter Travers
    Fellowship is the real deal, a movie epic that pops your eyes out, piles on thrills and fun, and yet stays intimately attuned to character.
    • 92 Metascore
    • 88 Peter Travers
    A joy to behold.
    • 91 Metascore
    • 88 Peter Travers
    It's comic, touching and a visual knockout.
    • 91 Metascore
    • 88 Peter Travers
    One of the best and liveliest movies of the year - funny and touching in ways you can't predict.

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