This is clearly not a pleasant film to watch on many levels.

A meandering and disappointing documentary about one of Africa's most beloved yet elusive musical giants.

The film is a visceral overload of wordplay ranging from the spontaneous neighborhood park jams to the overflowing concert venues.

A beautifully crafted documentary.

If Stalin's Wife doesn't provide solid answers, it nonetheless offers a fascinating tapestry of love, madness, politics, suspicions and jealousies.

A guilty pleasure diversion. Yeah, it is dumber than a bag of hair. But it is also fast, occasionally funny and genuinely entertaining in an old-fashion no-brainer manner.

Jaglom has the good sense to cast the legendary Lee Grant in an extraordinary role.

A good film, but it should’ve been a great one.

A treasure in celebrating remarkable women with a unparalleled zest for life.

It is an entertaining bit of fluff, with a few engaging performances and enough visual panache to keep audiences diverted and amused.

Bruno Dumont’s Flanders is something you don't see everyday: a decidedly non-sentimental love story.

A stirring and touching production, and it is difficult not to be moved by the women’s medical progress. However, it suffers from a somewhat leisurely pacing.

Yiddish Theater: A Love Story is a slight but moving documentary focusing on the final performances given by Zypora Spaisman, the Polish-born star of New York’s Yiddish theater.

Rich with compelling, often heartbreaking stories.

For those who never heard of "The Goldbergs" and its amazing star, Yoo-Hoo, Mrs. Goldberg will provide a special introduction to a special person.

To its favor, the film is blessed with strong peformances by Ozgu Namal as Meryem and Murat Han as Cemal.

While the screen didn't really need another Carmen, it certainly needs a knockout femme fatale like Diop Gai. Hopefully, Carmen can get a much-needed rest and audiences can get much more of this stunning African icon-in-waiting.

This is a curious example of taking a hair-raising story and draining the drama from every corner, leaving it a bit flat and ultimately forgettable.

At the risk of being called an anti-Semite, I would like to propose a moratorium on Holocaust movies -- While it would be crass to discount the importance of the subject, at the same time one has to admit there is some degree of excess going on here.

A potentially great film stuck inside a not-so-great film. Watching Dog Run is fairly painful since flashes of brilliance peek out and shine at unexpected moments.

A mild but diverting farce about misperceptions involving gays and goombas.

A style-rich, substance-weak B-level gangster movie which is noteworthy for two unusual reasons: it is one of the very few films from Thailand to gain international release and it is the perhaps the only film of its genre to feature a love story between a hit man and a pharmacist.

Achieves the impossible by taking one of the most compelling and harrowing stories imaginable and channeling it into one of the most ordinary movies of the year.

While the Raymond Burr sequences and the subsequent clumsy English dubbing of the remaining Japanese footage made the U.S. version an unintentionally funny movie, the complete Japanese version is an unfunny bore.

A well-intended but hopelessly ill-focused documentary which wants to be the "That's Entertainment!" for the New York theater but seems like a hodgepodge of anecdotes, factoids and moldy memories.

Never quite clicks, primarily because the central male characters are badly miscast.

The film's leisurely pacing is often too slow for its own good, and many scenes meander endlessly with no true payoff.

A documentary which wobbles and weaves as much as often as it soars.