Rene Rodriguez

Select another critic »
For 1,758 reviews, this critic has graded:
  • 48% higher than the average critic
  • 4% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 1.9 points higher than other critics. (0-100 point scale)

Rene Rodriguez's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Amour
Lowest review score: 0 The Ugly Truth
Score distribution:
1758 movie reviews
    • 65 Metascore
    • 50 Rene Rodriguez
    The good news about Rogue One: A Star Wars Story, the first in a planned series of stand-alone movies set in the “Star Wars” universe, is that the last half-hour of the film is a sustained stretch of rousing action, indelible images and cliffhanger thrills. It’s pop sci-fi bliss...The bad news about Rogue One is that getting to the good stuff is a slog — and the movie is pretty long.
    • 43 Metascore
    • 50 Rene Rodriguez
    Exactly the formulaic, by-the-numbers movie it appears to be. These Tigers deserved better.
    • 51 Metascore
    • 50 Rene Rodriguez
    The talented cast fails to gel into a dynamic ensemble.
    • 61 Metascore
    • 50 Rene Rodriguez
    The Kite Runner is earnest and sentimental and formulaic and obvious. Watching it, I could understand the fuss over Khaled Hosseini's bestselling novel, but the film didn't make me want to read it. That's not a slam against the book, but a way of illustrating just how literal and bland the film adaptation turned out.
    • 66 Metascore
    • 50 Rene Rodriguez
    Diary of the Dead is at its best when Romero is just goofing off, like when he shows us home video footage of a children's birthday party.
    • 69 Metascore
    • 50 Rene Rodriguez
    Remains naggingly hollow, a cerebral exercise in whimsy that isn't nearly clever or funny enough to seem like more than grand self-indulgence.
    • 69 Metascore
    • 50 Rene Rodriguez
    Unstoppable is the slowest, talkiest movie you'll ever see about a runaway freight train loaded with toxic chemicals.
    • 33 Metascore
    • 50 Rene Rodriguez
    There’s nothing more to this movie than the set-up. Even though Cypher is slowly bleeding to death, and Kitai is running out of oxygen capsules that allow him to breathe in the toxic air, there’s no sense of urgency, either. At least Shyamalan, sensing the thinness of the material, doesn’t stretch things out.
    • 34 Metascore
    • 50 Rene Rodriguez
    The payback in Law Abiding Citizen doesn't have a cathartic kick, because the revenge is so extreme it's horrifying.
    • 40 Metascore
    • 50 Rene Rodriguez
    Even if you can get past the acting -- and in the case of the beautiful, blank Alba, that's asking a lot -- the film just sits there, not exactly torturous, but never very exciting, either.
    • 43 Metascore
    • 50 Rene Rodriguez
    Often feels choppy, as if chunks of connecting narrative had been lopped off in the editing room.
    • 69 Metascore
    • 50 Rene Rodriguez
    From a purely cinematic standpoint, The Underneath is Soderbergh's most daring work yet, full of elliptical flashbacks and fast-forwards; ominous camera angles and cinematic tricks. But Soderbergh's movies (sex, lies and videotape, Kafka, King of the Hill) have always been cunningly smart, and The Underneath is not. [28 April 1995, p.5G]
    • Miami Herald
    • 62 Metascore
    • 50 Rene Rodriguez
    Micmacs is a wan fizzle of a fantasy, a spirited, imaginative spectacle that never quite takes flight.
    • 37 Metascore
    • 50 Rene Rodriguez
    There’s a rollicking Wild West adventure buried deep inside The Lone Ranger, a bloated, mega-budget revival of the story of the iconic gunslinger and his Native American sidekick Tonto.
    • 42 Metascore
    • 50 Rene Rodriguez
    The picture is perfectly watchable but rarely compelling, because the filmmakers are too timid to take any chances.
    • 66 Metascore
    • 50 Rene Rodriguez
    Jackson has become too distracted by his digital toys to give his characters the same weight and importance he used in the Rings trilogy.
    • 59 Metascore
    • 50 Rene Rodriguez
    The themes of A Home at the End of the World are all of the greeting-card variety -- home is where the heart is, family is what we make it, etc. -- and while they've been presented with great warmth and sincerity, they still come off as more than a little banal.
    • 86 Metascore
    • 50 Rene Rodriguez
    The Master has become a contest between two gifted actors trying to shout each other down. The commitment to their roles is impressive, but it's tethered to a weightless, airless movie, a film so enamored of itself, the audience gets shut out.
    • 38 Metascore
    • 50 Rene Rodriguez
    Crossing Over is a result of the sledgehammer approach writer-director Wayne Kramer (Running Scared, The Cooler) takes to his subject matter -- the same heavy-handed tactics that earned "Crash" three Oscars.
    • 51 Metascore
    • 50 Rene Rodriguez
    The actors are fine: It's their long, arduous trek that lets the movie down.
    • 44 Metascore
    • 50 Rene Rodriguez
    It's pretty stupid, although it's never exactly boring.
    • 49 Metascore
    • 50 Rene Rodriguez
    Hilarious, but it isn't much of a movie.
    • Miami Herald
    • 36 Metascore
    • 50 Rene Rodriguez
    It lacks the simplicity and resonance of classic fairy tales: It's so muddled and belabored, it's hard to imagine the tykes ever staying awake long enough to hear how it all turned out.
    • 66 Metascore
    • 50 Rene Rodriguez
    It is almost completely devoid of any trace of humor. It radiates a luxurious, all-encompassing mopeyness.
    • 54 Metascore
    • 50 Rene Rodriguez
    For its first hour or so, Oblivion is a visually mesmerizing, intriguing picture that doesn’t feel like the same-old: It engages your eyes and piques your curiosity. Then, gradually, the novelty wears off, the clichés start to pile up and we’re back to Post-Apocalyptic Dystopia 101.
    • 64 Metascore
    • 50 Rene Rodriguez
    Explosively funny in spots -- this is easily Vaughn's best work since "Swingers" -- but it comes wrapped in a package so sweet and sugary, so tediously moral and conventional, it sabotages the laughs.
    • 55 Metascore
    • 50 Rene Rodriguez
    The thoroughly unconvincing drama Resurrecting the Champ might be based on a true story, but that doesn't mean you're going to believe a single frame of it.
    • 52 Metascore
    • 50 Rene Rodriguez
    This slick, sick remake of the 1977 Wes Craven cult shocker is more of a glum bummer than a horror show.
    • 55 Metascore
    • 50 Rene Rodriguez
    What's missing, really, is a point. Like "Snow Falling on Cedars," Hicks composes every shot in Hearts in Atlantis as if it were his last.
    • 58 Metascore
    • 50 Rene Rodriguez
    Although (Untitled) makes a spirited effort to mine comedy from its outre characters and the orbits they inhabit, the picture feels thin and wan, like a joke you've heard 100 times too many.
    • 38 Metascore
    • 50 Rene Rodriguez
    Eventually, though, Seeking Justice devolves into the usual business of chases and elaborate double-crosses that leave behind all vestiges of realism for the sake of popcorn thrills.
    • 61 Metascore
    • 50 Rene Rodriguez
    The entire point of Carnage is to poke fun at the fragile civility of the upper-middle class - they're all animals inside! - but how much more fun would this material have been if the story hadn't been about polite white people?
    • 62 Metascore
    • 50 Rene Rodriguez
    All the right elements for a rollicking farce, except one: The movie isn't funny.
    • Miami Herald
    • 52 Metascore
    • 50 Rene Rodriguez
    A flamboyant but hollow exercise in glitz and pizzazz.
    • 82 Metascore
    • 50 Rene Rodriguez
    Although it deals with some monumental themes, Mademoiselle Chambon also feels wispy and inconsequential.
    • 51 Metascore
    • 50 Rene Rodriguez
    The script is riddled with so many clichés, you count on the battle scenes to wake you from your stupor.
    • 50 Metascore
    • 50 Rene Rodriguez
    Hollow and pointless.
    • 46 Metascore
    • 50 Rene Rodriguez
    It's whenever the music stops that the movie runs into trouble.
    • 85 Metascore
    • 50 Rene Rodriguez
    What The Long Day Closes lacks is a narrative thread, however slim, to match the perfectly realized setting and wonderful visuals Davies has crafted. The whole thing feels like a chapter of a much larger work, one that, if finished, would doubtless prove more intriguing than what we get here. [7 Aug 1993, p.G5]
    • Miami Herald
    • 35 Metascore
    • 50 Rene Rodriguez
    Freddy simply isn't as scary as he used to be, even though Jackie Earle Haley, taking over from Robert Englund in the role, plays Krueger essentially straight, keeping the one-liners to a minimum.
    • 41 Metascore
    • 50 Rene Rodriguez
    Too much of this lame comedy feels like it was written to satisfy a contract, with gags (like the business with the perpetually horny dog or the toddler who knows sign language) that are way beneath the talents of this cast.
    • 65 Metascore
    • 50 Rene Rodriguez
    The movie tends to lapse into soapy melodrama and heavy-handed preaching whenever possible, and the feel-good ending that appears out of nowhere essentially negates a lot of what has preceded it, adding one more moral to a movie already weighed down by life lessons.
    • 45 Metascore
    • 50 Rene Rodriguez
    Although a happy ending is preordained, at least Joe Forte's script takes the less-obvious route there.
    • 51 Metascore
    • 50 Rene Rodriguez
    As the character grows soft and sentimental, so does La Soga, and the film's edge is terminally dulled by an avalanche of cliches and schmaltz.
    • 55 Metascore
    • 50 Rene Rodriguez
    A shrill and gaudy comedy about the quest for celebrity.
    • 56 Metascore
    • 50 Rene Rodriguez
    In I'll Sleep When I'm Dead, the night grows long while your eyelids grow heavy.
    • 63 Metascore
    • 50 Rene Rodriguez
    A lazy, self-satisfied piece of work -- a comedy made by people who think so highly of themselves, they assume they'll get a laugh just by showing up in front of the camera.
    • 53 Metascore
    • 50 Rene Rodriguez
    This Carrie becomes less involving as it goes along, ceding its emotional power to special effects and unconvincing gore, and culminating with a closing shot so lame and uninspired, it’s as if the filmmakers just gave up and called it a day.
    • 34 Metascore
    • 38 Rene Rodriguez
    A $100 million production of a 10-cent script, is so clunkily written, so bereft of any engaging ideas or emotions, you'd think De Palma would have sneered at it on first reading and passed
    • 45 Metascore
    • 38 Rene Rodriguez
    A compendium of missed opportunities, uninspired action and clichés so tired, you wish the screenwriters had called 911, too.
    • 32 Metascore
    • 38 Rene Rodriguez
    The whole thing feels at least three summers too stale.
    • 58 Metascore
    • 38 Rene Rodriguez
    Neither as good nor as bad as you'd hoped it would be: It's just a mediocre exploitation picture with an inspired premise (succinctly spelled out by its title), loads of gratuitous gore, a dash of equally gratuitous nudity and enough inanities to make you wonder if Ed Wood rose from the grave to serve as a creative consultant on the project.
    • 46 Metascore
    • 38 Rene Rodriguez
    The movie is all moist grime and seedy atmosphere, and it's certainly something to look at: It's beautifully lurid. But it's an empty, unengaging movie, and by the end, it has become ridiculous, too.
    • 36 Metascore
    • 38 Rene Rodriguez
    There are three or four big laughs scattered throughout The Pink Panther 2, along with a smattering of decent chuckles. But all those moments combined account for maybe five minutes of screen time, which leaves you with another hour and a half of movie to sit through.
    • 46 Metascore
    • 38 Rene Rodriguez
    Misses out on just about everything that made the original work, most notably Falk and Arkin, whose odd-couple pairing was the foundation on which the entire movie rested.
    • 44 Metascore
    • 38 Rene Rodriguez
    You know this supposedly risqué comedy is in trouble when the funniest gag involves a foot cramp during sex.
    • 49 Metascore
    • 38 Rene Rodriguez
    Demolition is so busy trying to be profound, the film doesn’t have much use for humor.
    • 30 Metascore
    • 38 Rene Rodriguez
    The film is so gleefully ridiculous that you start to suspect the filmmakers were in on the joke and forgot to tell the actors.
    • 45 Metascore
    • 38 Rene Rodriguez
    There's nothing here that hasn't been done before, and better, in any given "Halloween" or "Friday the 13th" sequel.
    • 39 Metascore
    • 38 Rene Rodriguez
    In the end, they are only moments, and even at a merciful 86 minutes, Dirty Dancing: Havana Nights feels formidably long.
    • 41 Metascore
    • 38 Rene Rodriguez
    This is a gleefully repulsive movie. Spun is bound to be described as bold and cutting-edge by those who confuse shock value with achievement. Most people, however, will just long for a shower after it's over.
    • 53 Metascore
    • 38 Rene Rodriguez
    Certainly a grand-looking picture. For a film that's filled with CGI effects, there wasn't a single shot that looked artificial, and the production design is tremendous. But it's a hollow, boring spectacle.
    • 40 Metascore
    • 38 Rene Rodriguez
    Homefront is done in by uninspired action scenes in which Statham’s athletic prowess is rendered unwatchable by hyper-editing, a shameful reliance on child-in-peril cliches to move the story forward, and so many loose ends that you wonder if 20 minutes were accidentally cut out from the movie.
    • 42 Metascore
    • 38 Rene Rodriguez
    The result is almost suffocating: a movie that has been tinkered and fussed with until there is no spontaneity left -- no warmth or life or messiness.
    • 47 Metascore
    • 38 Rene Rodriguez
    Has all the depth of an episode of "Joey."
    • 38 Metascore
    • 38 Rene Rodriguez
    This new, presumably improved Chainsaw is just as humorless as the original, but it's also slicker, glossier and resoundingly artificial.
    • 18 Metascore
    • 38 Rene Rodriguez
    The fact that Swept Away got made at all implies there simply is no dissuading Madonna from her movie-star aspirations. Her tenacity is admirable, but it's also block-headed.
    • 45 Metascore
    • 38 Rene Rodriguez
    It's a redundant comedy, like hearing the same tired joke for the 100th time.
    • 32 Metascore
    • 38 Rene Rodriguez
    No matter how much good will the actors generate, Showtime eventually folds under its own thinness.
    • 67 Metascore
    • 38 Rene Rodriguez
    For the story of a man who made his mark on pop culture by being a likable buffoon, the irritatingly arch Confessions of a Dangerous Mind takes itself way too seriously.
    • 67 Metascore
    • 38 Rene Rodriguez
    Despite the actors' admirable efforts, everyone in The Door in the Floor is too affected, too fancifully written, to come off as anything other than conceits.
    • 58 Metascore
    • 38 Rene Rodriguez
    The latest collaboration between Cohen and director Larry Charles proves the formula they created with "Borat" and then started to milk dry with "Brüno" has finally run out of juice. Time to move on, guys.
    • 32 Metascore
    • 38 Rene Rodriguez
    More toy commercial than movie.
    • 34 Metascore
    • 38 Rene Rodriguez
    An overly convoluted, tiresome mystery that exists primarily to antagonize the audience, Basic consists almost entirely of dense exposition, then concludes by laughing at anyone who tried to pay attention.
    • 32 Metascore
    • 38 Rene Rodriguez
    The Warcraft hardcore can rejoice. Everyone else can move along. There’s not much to see here.
    • 49 Metascore
    • 38 Rene Rodriguez
    Singleton's sloppiest, laziest movie to date, springing to life in fits and starts, risibly mawkish and occasionally gripping, and often feeling like it was made up on the set.
    • 38 Metascore
    • 38 Rene Rodriguez
    Even though Taking Lives is not very good, it does contain a) a cool car chase and b) a sex scene in which Jolie goes topless. For some, this will be enough entertainment.
    • 64 Metascore
    • 38 Rene Rodriguez
    An insufferably artsy, pretentious work, the sort of picture that gives art films a bad name.
    • 37 Metascore
    • 38 Rene Rodriguez
    A forced and wholly unnecessary sequel.
    • 38 Metascore
    • 38 Rene Rodriguez
    Death to Smoochy? Yes, please.
    • 53 Metascore
    • 38 Rene Rodriguez
    There are frothy romantic comedies and then there is Jet Lag, a movie so thin it borders on nonexistence.
    • 41 Metascore
    • 38 Rene Rodriguez
    Feels static and constricted, its intensity dulled by overreliance on dialogue.
    • 49 Metascore
    • 38 Rene Rodriguez
    There is absolutely nothing in this prequel/remake that improves on the first film or negates it in any way. If you've never seen The Thing - and you really should - stick with the genuine 1982 article and skip this elaborate act of mimicry.
    • 54 Metascore
    • 38 Rene Rodriguez
    Art School Confidential, the first disappointment from director Terry Zwigoff, is all glum, dour cynicism.
    • 57 Metascore
    • 38 Rene Rodriguez
    In Snow White and the Huntsman, this talented but woefully miscast actress (Stewart) is expected to rally an entire army of soldiers, even though she usually looks like she forgot the combination to her locker.
    • 49 Metascore
    • 38 Rene Rodriguez
    The unrelentingly dull Where the Money Is tests his (Newman's) legendary charisma in a way no actor could overcome.
    • 45 Metascore
    • 38 Rene Rodriguez
    Jason Statham gives the best performance. Dolph Lundgren gets the best character arc. Terry Crews gets the best gun. Jet Li gets the best kill (you'll know it when you see it).Arnold Schwarzenegger gets the best cameo. And Sylvester Stallone? He gets the blame.
    • 31 Metascore
    • 38 Rene Rodriguez
    A fairly tedious, stupid picture.
    • 59 Metascore
    • 25 Rene Rodriguez
    Jurassic World gives you exactly what Howard’s character promises at the beginning — More! Bigger! Faster! — but you know there’s something deeply wrong with a film that expects you to shed tears over digitally created prehistoric creatures and rubber brontosaurus heads instead of rooting for, you know, people.
    • 60 Metascore
    • 25 Rene Rodriguez
    There's a startling moment 10 or 15 minutes into The Adjustment Bureau - the only time, really, when the film achieves any level of surprise. The dispiriting dullness of this dreary misfire hasn't had time to settle in and thicken: The movie hasn't yet revealed its utter and thorough ineptitude.
    • 35 Metascore
    • 25 Rene Rodriguez
    The best stuff in Jumper comes early, while the movie is still busy explaining its scenario. It's only when all the pieces are in place and the story actually kicks in that things start to fall apart, and quickly.
    • 43 Metascore
    • 25 Rene Rodriguez
    Most certainly a personal work -- so personal, in fact, that I can't imagine anyone but Coppola being able to sit through it.
    • 14 Metascore
    • 25 Rene Rodriguez
    Glitter, the kind of movie only 11-year-old girls who dot their i's with hearts would find bearable.
    • 31 Metascore
    • 25 Rene Rodriguez
    A soulless, witless, landfill contraption that Smith once would have mocked mercilessly.
    • 27 Metascore
    • 25 Rene Rodriguez
    Never achieves takeoff.
    • 58 Metascore
    • 25 Rene Rodriguez
    Men in Black 3 is so dull and empty, it's the first movie that has ever made me think "Thank God this is in 3D."
    • 44 Metascore
    • 25 Rene Rodriguez
    The things that stay with you are the dull, boilerplate love story, the laziest performance of Liam Neeson’s career as a murderous gunslinger and the distracting amount of makeup Seth MacFarlane sports in the film.
    • 45 Metascore
    • 25 Rene Rodriguez
    Even the most forgiving moviegoer will recognize this movie as the blatant cash-grab that it is.
    • 20 Metascore
    • 25 Rene Rodriguez
    Shyamalan takes the beloved Nickelodeon anime series -- the full title was Avatar: The Last Airbender -- and turns it into 103 minutes of overproduced, stilted nonsense.
    • 27 Metascore
    • 25 Rene Rodriguez
    Fantastic Four is so bereft of all the things we expect from a superhero movie — humor, excitement, adventure, awe — that it plays like a drawn-out pilot episode for an upcoming TV series no one would ever watch again.
    • 61 Metascore
    • 25 Rene Rodriguez
    The movie, however, is the sort of picture in which people run around doing everything except the most logical thing to do, because that’s the only way to keep the nonsensical plot spinning.
    • 23 Metascore
    • 25 Rene Rodriguez
    Jack and Jill contains long stretches of squirm-inducing tedium in which Sandler riffs and ad-libs far longer than he should.
    • 37 Metascore
    • 25 Rene Rodriguez
    If Annapolis is not the worst movie to date of this still-young year, it is certainly the most hackneyed, as well as the most depressing.
    • 44 Metascore
    • 25 Rene Rodriguez
    Looks exquisite, but don't bother digging deeper.
    • 27 Metascore
    • 25 Rene Rodriguez
    Sitting through Little Fockers is a soul-sucking, dispiriting experience.
    • 40 Metascore
    • 25 Rene Rodriguez
    There isn’t a moment of spontaneous fun or humor in this long, turgid movie, the latest let-down for rabid DC Comics fans who’ve been waiting for someone to pick up the baton Christopher Nolan left behind and do this universe justice. With “Suicide Squad,” the long wait continues.
    • 30 Metascore
    • 25 Rene Rodriguez
    Who writes this stuff, anyway? Does this not sound like utter gibberish? Surely, this film did not actually get made, did it? Yes, it did. I have seen it. But you, oh, fortunate one, don't have to. Consider yourself lucky.
    • 50 Metascore
    • 25 Rene Rodriguez
    Every summer movie season usually has at least one spectacular, disastrous flame-out, and although the dog days of August still loom, I doubt there will come a big-budget blockbuster worse than Cowboys and Aliens.
    • 25 Metascore
    • 25 Rene Rodriguez
    The problem with Revolver is that it is Ritchie's first attempt at a ''serious'' look at the underworld, but the result is so pretentious and muddled it's almost a little embarrassing.
    • 52 Metascore
    • 25 Rene Rodriguez
    So needlessly convoluted, so crammed with subplots within subplots, it simply forgets about its gangland "Romeo & Juliet" premise.
    • 47 Metascore
    • 25 Rene Rodriguez
    Lands with a thud right from its painfully unfunny prologue and maintains its plodding, exasperating course straight through to its car-chase-and-shootout finale.
    • 40 Metascore
    • 25 Rene Rodriguez
    The more Shrink tries to get you invested in the emotional turmoil of its characters, the more you want to reach into the screen and shake them and tell them to get over themselves.
    • 38 Metascore
    • 25 Rene Rodriguez
    After a while, hearing Martin say ''Zee area eez zecure!'' doesn't cut it any longer, and that's pretty much all The Pink Panther has to offer.
    • 26 Metascore
    • 25 Rene Rodriguez
    Few expected Basic Instinct 2 to be very good, but no one expected it to be this boring.
    • 40 Metascore
    • 25 Rene Rodriguez
    A failure on every conceivable level -- from its trite, pedestrian dialogue to its static, torturous pacing.
    • 24 Metascore
    • 25 Rene Rodriguez
    An unsatisfying, overly restrained bore, capped off by an ending so strange and inconclusive, it feels like something you'd find on the ''deleted scenes'' portion of a DVD.
    • 42 Metascore
    • 25 Rene Rodriguez
    So thunderously unfunny...There is no reason for an 82-minute movie to feel so very, very long.
    • 35 Metascore
    • 25 Rene Rodriguez
    A horror/sci-fi/action mishmash that aims to be the kind of brainless timekiller once used to round out the bottom of a double bill at the drive-in.
    • 27 Metascore
    • 25 Rene Rodriguez
    It's not every movie that makes you wish Vin Diesel would run in and start blowing up stuff.
    • 37 Metascore
    • 25 Rene Rodriguez
    A handsome, sincere, well-meaning bore.
    • 55 Metascore
    • 25 Rene Rodriguez
    The times have caught up with Almodóvar, who is now 63: He thinks he’s still pushing the envelope, but he comes off as old-fashioned and outdated.
    • 28 Metascore
    • 25 Rene Rodriguez
    Lee remains a superb entertainer -- like Oliver Stone, he's incapable of ever being boring -- but in She Hate Me, he comes dangerously close to seeming trivial, a crank-for-crank's-sake.
    • 13 Metascore
    • 25 Rene Rodriguez
    Formidably stupid.
    • Miami Herald
    • 31 Metascore
    • 25 Rene Rodriguez
    That's My Boy more than lives up to its R-rating - including one gross-out gag repulsive enough to make you put down your popcorn.
    • 44 Metascore
    • 25 Rene Rodriguez
    Terrifyingly dull movie.
    • 54 Metascore
    • 25 Rene Rodriguez
    Once the premise has been established, the film goes absolutely nowhere.
    • 39 Metascore
    • 25 Rene Rodriguez
    The best thing you can say about Just a Kiss is that it isn't every romantic comedy that throws in suicide, bondage and a plane crash in between all the bed hopping.
    • 42 Metascore
    • 25 Rene Rodriguez
    Enormous in its scope and colossal in its stupidity.
    • 76 Metascore
    • 25 Rene Rodriguez
    Even a supporting turn by Vincent Cassell as Otto Gross, a fellow psychiatrist, cocaine addict and unapologetic adulterer, fails to enliven the movie: A Dangerous Method makes even a cokehead hedonist boring.
    • 39 Metascore
    • 25 Rene Rodriguez
    The tone is all over the place, which makes the movie difficult to take neither seriously nor as popcorn fluff.
    • 36 Metascore
    • 25 Rene Rodriguez
    Momoa, a familiar face from "Game of Thrones" to "Baywatch," has the muscles but not the imposing persona and barbaric presence that Conan requires.
    • 46 Metascore
    • 25 Rene Rodriguez
    Saw
    Where "Seven" seemed to radiate diabolical evil, Saw just radiates idiocy.
    • 43 Metascore
    • 25 Rene Rodriguez
    Another joyless, brain-numbing adventure through lackluster Indiana Jones territory.
    • 36 Metascore
    • 25 Rene Rodriguez
    In its early moments, the movie evokes everything from "The Social Network" to "Casino." By the end, the film has become as exciting as a game of Old Maid. R-rated thrillers are hardly ever this dull and listless, but this movie manages to eradicate all of Timberlake’s charisma and makes you flash back to Affleck’s "Paycheck"/"Gigli" era. How does this even happen?
    • 38 Metascore
    • 25 Rene Rodriguez
    Emits a fishy odor, like a recruitment film for an obscure cult you'd rather stay away from.
    • 45 Metascore
    • 25 Rene Rodriguez
    Everything about this excruciatingly dull, talky film screams made-for-network-TV: The I'm-only-here-for-a-paycheck performances by famous actors; the Crate and Barrel catalog mise-en-scene; the syrupy, heartwarming score that lays the pathos on so thickly you gag on it.
    • 41 Metascore
    • 25 Rene Rodriguez
    Sarandon blends into the background, having practically nothing to do except stand around and wring her hands as the two men in her life battle it out in a passive-aggressive war. It's enough to make her want to run off with Thelma.
    • 25 Metascore
    • 25 Rene Rodriguez
    The dumbest, most risible retelling ever made of the exploits of legendary bank robber Jesse James.
    • 29 Metascore
    • 25 Rene Rodriguez
    Gas -- the hot air variety -- is exactly what Driven is made of.
    • Miami Herald
    • 55 Metascore
    • 25 Rene Rodriguez
    The scattershot nature of the script, which feels as if it had been made up on the spot, leaves the actors looking like they're enjoying some private joke not shared with the audience. Self-indulgent does not even begin to describe it.
    • 36 Metascore
    • 25 Rene Rodriguez
    A curiously inert and talky action picture about good-looking mutants on the run from bad (but equally good-looking) ones, Push wastes a decent idea and stylish direction on a script that's much more Ingmar Bergman than Stan Lee.
    • 25 Metascore
    • 25 Rene Rodriguez
    Georgia Rule is so artificial, it feels like more of a flow chart than a slice of life.
    • 37 Metascore
    • 25 Rene Rodriguez
    The film suffers from a severe lack of urgency and emotional engagement. You can't get involved in a movie in which the characters all seem to be harboring double identities.
    • 31 Metascore
    • 25 Rene Rodriguez
    The action, which bookends the movie, is atrocious, defying all laws of gravity and physics and machine gun-edited into incomprehensible lunacy.
    • 17 Metascore
    • 25 Rene Rodriguez
    This is easily one of the silliest, most preposterous thrillers ever made, and the only reason it didn't go straight to video has to be that it stars Pacino.
    • 32 Metascore
    • 25 Rene Rodriguez
    This is a disastrously clumsy, heavy-handed movie, one so desperate and exploitative that it resorts to putting a live grenade in the hands of a baby in order to get its message across.
    • 34 Metascore
    • 25 Rene Rodriguez
    You don't go into a movie called Ninja Assassin expecting a hell of a lot, but this shockingly disjointed and relentlessly dull picture can't even deliver the martial-arts kick its title so plainly promises.
    • 41 Metascore
    • 25 Rene Rodriguez
    Even a film as shabby and humdrum as Beverly Hills Chihuahua, which never musters up the wit and beauty of a single frame of "Lady and the Tramp," is not without its pleasures.
    • 52 Metascore
    • 25 Rene Rodriguez
    The movie has an undeniable visceral power. It is also a loud, grating wallow in dime-store despair, a cheap and hollow button-puncher.
    • 66 Metascore
    • 25 Rene Rodriguez
    War is hell, and so are bad movies about war.
    • 42 Metascore
    • 25 Rene Rodriguez
    A wan gloss on a horrific nightmare.
    • 36 Metascore
    • 25 Rene Rodriguez
    This is ultimately a movie about highly intelligent people in pursuit of trivial nonsense: At least Mulder and Scully caught a real monster every once in a while.
    • 27 Metascore
    • 25 Rene Rodriguez
    Winds up suffocating you with its aura of bogus, store-bought nostalgia.
    • Miami Herald
    • 41 Metascore
    • 25 Rene Rodriguez
    The Purge isn’t just stupid; it’s also pretentious and often makes no sense.
    • 55 Metascore
    • 25 Rene Rodriguez
    A thriller boasting Mel Gibson's first starring role in eight years, elicits a gigantic wow -- as in ``Wow, does this movie suck!''
    • 18 Metascore
    • 25 Rene Rodriguez
    Gigli's awfulness is of a rarer, more precious variety. It's the sort of bizarre, ill-conceived picture you can't believe exists, but are secretly glad it does.
    • 35 Metascore
    • 25 Rene Rodriguez
    For the first time in the film series, Harris wrote the screenplay himself, which means the movie is practically identical to the book. In other words, they both stink.
    • 45 Metascore
    • 25 Rene Rodriguez
    A hostage drama without any tension. It is a love story without any heat. It is as curiously empty a movie as we've seen all year.
    • 47 Metascore
    • 25 Rene Rodriguez
    Cox's morose performance could not be less interesting, Harrison's visual stylings all feel borrowed from David Fincher movies and nine inch nails music videos, and the film's elliptical mysteries, which twist onto themselves a la Mulholland Drive, aren't interesting enough to ponder.
    • 61 Metascore
    • 25 Rene Rodriguez
    The lack of effort, right down to the unimaginative title, is dispiriting.
    • 64 Metascore
    • 25 Rene Rodriguez
    Neeson is always compelling, even in a movie as ridiculous as The Grey.
    • 42 Metascore
    • 25 Rene Rodriguez
    A grand, eye-popping film, a beautifully photographed epic with the depth of a Bugs Bunny Cartoon.
    • Miami Herald
    • 19 Metascore
    • 25 Rene Rodriguez
    Bad enough to make even James Gandolfini and Catherine O'Hara seem dull.
    • 55 Metascore
    • 25 Rene Rodriguez
    The Conspirator hits a new nadir for Redford: Sitting through this stage-bound, talky, stiffly-acted movie reminded me of having to endure the Hall of Presidents attraction at Walt Disney World (one of the few existing bits of proof that Disney had a dark and evil side).
    • 15 Metascore
    • 25 Rene Rodriguez
    If you're going to direct a piece of crass, nonsensical junk, at least have the decency to release it straight to video, where it belongs.
    • Miami Herald
    • 57 Metascore
    • 25 Rene Rodriguez
    Shrill and sloppy film.
    • Miami Herald
    • 30 Metascore
    • 25 Rene Rodriguez
    If watching people having their faces cut off, getting their legs amputated and having their throats tenderly slit is your idea of a horrific good time, you'll certainly get your money's worth here.
    • 36 Metascore
    • 25 Rene Rodriguez
    Most of this is tedious instead of unintentionally amusing.
    • 28 Metascore
    • 25 Rene Rodriguez
    Time to give the shoot-’em-up thing a rest, guys: It’s tired and played out, and so are you.
    • 27 Metascore
    • 25 Rene Rodriguez
    There isn't a moment in the entire picture in which you will recognize an element of your own life.
    • 66 Metascore
    • 25 Rene Rodriguez
    You’re Next is built on such an enormous pile of guff, it’s practically insulting.
    • 49 Metascore
    • 25 Rene Rodriguez
    The entire movie bears the whiff of a vanity project — a modestly budgeted bone Universal Pictures threw at Diesel so he would keep starring in Fast and Furious pictures. Those movies are bank; Riddick is rank.
    • 55 Metascore
    • 25 Rene Rodriguez
    Hitchcock spends too much time off the set of Psycho, where the real story was, and focuses instead on incidental matters that feel like outtakes. Mother would not have been pleased.
    • 31 Metascore
    • 25 Rene Rodriguez
    The film will probably play a lot better in dorm rooms with plenty of beer kegs and bongs on hand, but in the confines of a movie theater, it's deadly - the sort of bad comedy Mel Brooks made late in his career, until he finally smartened up and quit.
    • 34 Metascore
    • 25 Rene Rodriguez
    It takes a concerted effort to make a movie as relentlessly stupid and grating as 15 Minutes.
    • Miami Herald
    • 40 Metascore
    • 25 Rene Rodriguez
    There isn't a single scene in this story about a traveler from another planet (Jim Caviezel) who crash-lands on Earth during the Iron Age that doesn't remind you of another, better movie.
    • 25 Metascore
    • 25 Rene Rodriguez
    No atmosphere, no tension -- nothing but Costner, flailing away. It's a buggy drag.
    • 47 Metascore
    • 25 Rene Rodriguez
    There is so much that is wrong with The Alamo that it is easier to begin with what the movie gets right: Davy Crockett. As played by Billy Bob Thornton.
    • 38 Metascore
    • 25 Rene Rodriguez
    Witless, unoriginal mishmash of gangsta-drama clichés.
    • 22 Metascore
    • 25 Rene Rodriguez
    Getaway makes the Transformers movies seem like they were shot in slow motion. You see all these vehicles smashing into each other, but the movie is never thrilling.
    • 45 Metascore
    • 25 Rene Rodriguez
    The performances are shaky, rendering Latter Days as a movie that you've seen before, and done better, too.
    • 38 Metascore
    • 25 Rene Rodriguez
    The vilest film of the season.
    • 33 Metascore
    • 25 Rene Rodriguez
    Chasing Papi leaves you wishing Hollywood would just forget about Latinos altogether. If this is how they really see us, I'd rather not know.
    • 25 Metascore
    • 25 Rene Rodriguez
    A fluffy, feel-bad drama, with some serious things to say about the viability of homosexual men as fathers and role models.
    • 38 Metascore
    • 25 Rene Rodriguez
    No, it's the movie itself -- an unimaginative, generic affair memorable only for its incessant and flagrant plugging of Apple computers and iPods -- that should put a stake through the franchise for good.
    • 59 Metascore
    • 25 Rene Rodriguez
    Despite the movie's bouncy ebullience (courtesy of a terrific period soundtrack) and dashes of fantasy, the film quickly becomes an endurance test.
    • 53 Metascore
    • 25 Rene Rodriguez
    There is also a last-minute "Sixth Sense" twist, although it definitely won't make you sit through the movie again to see if the filmmakers cheated.
    • 37 Metascore
    • 25 Rene Rodriguez
    Played by Adrian Sparks in a style better suited for dinner theater or a Key West tourist attraction, Hemingway comes across as a complete cypher. Everyone in the film keeps talking about his genius, but other than a scene in which he writes a short story on the back of a napkin, the movie doesn’t try to humanize or explore his talent.
    • 51 Metascore
    • 25 Rene Rodriguez
    Chuck Norris is also in this movie, although you should know that he gets roughly five minutes of screen time, half of those devoted to his telling of a Chuck Norris joke. That is as funny as the movie's self-aware humor gets.
    • 41 Metascore
    • 25 Rene Rodriguez
    Battleship is a board game for children, so it stands to reason a film adaptation would also be aimed at kids. But did they have to gear it to really dumb kids?
    • 16 Metascore
    • 25 Rene Rodriguez
    At the very least, Corman would have remembered to make the movie fun.
    • 36 Metascore
    • 25 Rene Rodriguez
    The movie's attempts at zaniness are flat, almost embarrassing.
    • Miami Herald
    • 41 Metascore
    • 25 Rene Rodriguez
    An excruciating and melodramatic comedy.
    • 27 Metascore
    • 25 Rene Rodriguez
    If this is magic, I'll take "Gigli."
    • 28 Metascore
    • 25 Rene Rodriguez
    This excruciatingly dumb, formulaic picture, which somehow required the work of four screenwriters but contains not even one single, fleeting moment of wit or humor.
    • 41 Metascore
    • 25 Rene Rodriguez
    Four Christmases is sour to the point of curdling, a satirical look at the holidays a la "Bad Santa" that does exactly what that film avoided: come off as both off-puttingly misanthropic and gloppily sentimental.
    • 42 Metascore
    • 25 Rene Rodriguez
    Even Ben Stiller looks bored out of his mind in Night at the Museum: Battle of the Smithsonian, and he got paid several million dollars to star in it.
    • 47 Metascore
    • 25 Rene Rodriguez
    Never before has Egoyan made a picture this egregiously, relentlessly bad.
    • 53 Metascore
    • 25 Rene Rodriguez
    Why does The Big Year's trailer intentionally hide what the film is really about? Here's why: Because bird-watching - or birding, as practitioners prefer to call it - makes for a stupefyingly boring movie.
    • 53 Metascore
    • 25 Rene Rodriguez
    This movie demands that the viewer -- and even its own characters -- turn into thumb-sucking 3-year-olds with no need for plausibility or logic, as long as there are lots of flashing lights and whooshing noises emanating from the screen.
    • 54 Metascore
    • 25 Rene Rodriguez
    But there's nothing in this amateurish movie that the opening credits of last year's "Go" didn't do better.
    • Miami Herald
    • 46 Metascore
    • 25 Rene Rodriguez
    You need lots of gifted people chasing after the same bad idea to make a movie as colossally misguided as Extremely Loud & Incredibly Close.
    • 60 Metascore
    • 25 Rene Rodriguez
    The talented actors are game, but they are done in by the shallow nature of their characters, none of whom behaves in a manner remotely resembling real life (they don't really seem to be related, either).
    • 42 Metascore
    • 25 Rene Rodriguez
    Transcendence is "Her" for dummies.
    • 35 Metascore
    • 25 Rene Rodriguez
    Universal Soldier, for all its sound and fury, isn't much fun. [15 July 1992, p.E5]
    • Miami Herald
    • 45 Metascore
    • 25 Rene Rodriguez
    Despite all the freaky business on display - and there are moments here when you cannot believe your eyes - The Paperboy suffocates you with boredom like a hot, wet blanket. You want to push it away and escape. It makes sleaze boring.
    • 39 Metascore
    • 25 Rene Rodriguez
    One of the most anticlimactic finales I've ever seen in a movie
    • Miami Herald
    • 66 Metascore
    • 25 Rene Rodriguez
    The best moments in director David Koepp's slight, dull movie are the scenes in which bike messenger Wilee pauses at busy intersections to figure out the path of least obstruction.
    • 16 Metascore
    • 25 Rene Rodriguez
    The most intriguing thing about Lost Souls is how it managed to attract so much talent.
    • 59 Metascore
    • 25 Rene Rodriguez
    The saddest part about this whole affair is that it took Bugs and Co. 60 years to make their feature debut -- and this is what they get. At one point, Daffy Duck is discussing merchandising royalties and says, "We gotta get new agents -- we're getting screwed." In Space Jam , even the cartoons are in it only for the money. [15 Nov 1996, p.5G]
    • Miami Herald
    • 43 Metascore
    • 25 Rene Rodriguez
    Johnston fails to make a story set in 1891 England relevant to contemporary audiences.
    • 37 Metascore
    • 25 Rene Rodriguez
    Even the story-within-a-story structure doesn't pay off. This material needed more substance and ideas - and less flash and sumptuous production values.
    • 59 Metascore
    • 25 Rene Rodriguez
    A stiff, unconvincing epic.
    • 37 Metascore
    • 25 Rene Rodriguez
    A Jerry Bruckheimer production, which gives the movie a disquieting sense of stupidity.
    • 38 Metascore
    • 25 Rene Rodriguez
    Gives romance a bad name.
    • 64 Metascore
    • 25 Rene Rodriguez
    With Kaboom, Araki takes a huge step backward from the maturity and restraint he demonstrated in 2004's "Mysterious Skin," his best and most-assured film to date.
    • 55 Metascore
    • 25 Rene Rodriguez
    There are several cameos in For a Good Time, Call… by famous actors portraying the girls' phone-sex clients, including Kevin Smith and Seth Rogen, but they've been clearly been left to improvise, and they don't put much effort into their routines.
    • 43 Metascore
    • 25 Rene Rodriguez
    Taxes the patience of even the most willing viewer with its sheer nonsense: It's distractingly illogical.
    • 34 Metascore
    • 25 Rene Rodriguez
    Just plain bad. Really, really bad.
    • 35 Metascore
    • 25 Rene Rodriguez
    A spectacularly mediocre movie.
    • 55 Metascore
    • 25 Rene Rodriguez
    What ultimately sinks The Visit is that Shyamalan, who had previously come up with new and ingenious ways to frighten us, resorts to familiar jump-scare tactics in which things suddenly pop into the frame, accompanied by loud sound effects. There’s no real sense of danger, no menace.
    • 61 Metascore
    • 25 Rene Rodriguez
    This Must Be the Place is as emotionally zonked-out as its protagonist, and just as difficult to warm up to.
    • 50 Metascore
    • 25 Rene Rodriguez
    With such a large cast, none of the actors is able to turn her character into a fully realized person.
    • 50 Metascore
    • 25 Rene Rodriguez
    Two for the Money, which was written by Dan Gilroy (Freejack, Chasers), is so badly constructed and illogical that its inanities manage to drown the actor (Pacino) out.
    • 63 Metascore
    • 25 Rene Rodriguez
    The characters in Secretary never feel the least bit human. Their quirks, sexual and otherwise, are all on the surface. Inside, where it counts, nobody's home.
    • 46 Metascore
    • 25 Rene Rodriguez
    Too bad, though, that whenever the characters stand still to talk, Knight and Day induces stupor in the viewer.
    • 33 Metascore
    • 25 Rene Rodriguez
    The kind of schlocky, disposable time-killer that once might have starred Jean-Claude Van Damme, The Impostor is a relentlessly dull chase flick with an inexplicably high-toned cast.
    • 31 Metascore
    • 25 Rene Rodriguez
    It's up to O'Donnell to carry the show, and he's simply not up to the task.
    • Miami Herald
    • 40 Metascore
    • 25 Rene Rodriguez
    Sadly, Jupiter Ascending turns out to be the exact opposite: the worst movie the Wachowskis have ever made.
    • 35 Metascore
    • 25 Rene Rodriguez
    An unsalvageable wreck.
    • 25 Metascore
    • 25 Rene Rodriguez
    Abduction is a crass and lowbrow attempt to cash in on a young actor's heat - an exploitation picture where the person being taken advantage of is too young to notice.
    • 39 Metascore
    • 25 Rene Rodriguez
    The new Fame is practically identical to Alan Parker's 1980 original -- I mean, it's the same damn movie -- except for all the parts with heart and humor and poignancy and soul and fun.
    • 57 Metascore
    • 25 Rene Rodriguez
    British satire loses something when it's handled by Americans: You miss the perspective that a foreign culture brings, so instead of wit and humor, you end up trafficking in self-congratulatory clichés and sentiment.
    • 47 Metascore
    • 25 Rene Rodriguez
    The whole thing is so listless and mechanical, watching it is a curiously dispiriting experience. You start hoping someone whips out a bear suit.
    • 44 Metascore
    • 25 Rene Rodriguez
    The Legend of Tarzan doles out big beats of action at regular intervals to keep you awake, like a drunkard clashing trashcan lids in an alley late at night. But your eyelids grow heavy anyway.
    • 28 Metascore
    • 25 Rene Rodriguez
    Timeline gives Gigli serious competition for worst film of the year honors.
    • 21 Metascore
    • 25 Rene Rodriguez
    The brothers (Farrelly) produced Say It Isn't So, which bears their stamp in every frame and features all of the elements their movies are known for, except one: laughter.
    • Miami Herald
    • 36 Metascore
    • 25 Rene Rodriguez
    Raises a few questions -- like just what were they thinking?
    • 23 Metascore
    • 25 Rene Rodriguez
    It is absolutely, inexcusably terrible.
    • 58 Metascore
    • 25 Rene Rodriguez
    Drowns in its own noxious fumes. Who knew being bad could be so dull?
    • Miami Herald
    • 46 Metascore
    • 25 Rene Rodriguez
    The dullest, clunkiest, big-budget fantasy since Steven Spielberg flattened Peter Pan in "Hook."
    • Miami Herald
    • 46 Metascore
    • 25 Rene Rodriguez
    It's all rote, sleep-inducing formula, but it might have still worked if the movie weren't so timid and unimaginative.
    • 49 Metascore
    • 25 Rene Rodriguez
    "The silence will kill you!" warn the posters for Silent House. That's only if the boredom doesn't get you first, though.
    • 42 Metascore
    • 25 Rene Rodriguez
    The lack of imagination in Stargate is distressing. Who would agree to fund such an expensive project based on such a perfunctory and dull script? All the creativity here has been spent on nice costumes and some cool morphing Anubis headgear. The story is so cliched it's laughable. [28 Oct 1994, p.G6]
    • Miami Herald
    • 44 Metascore
    • 25 Rene Rodriguez
    Oz the Great and Powerful is an oppressive, bloated bore.
    • 54 Metascore
    • 25 Rene Rodriguez
    It is a grand-looking, grandly empty pageant.
    • 30 Metascore
    • 25 Rene Rodriguez
    There’s exactly one good scene in all of The Hangover Part III, a hilarious bit of business halfway during the end credits that reminds you what made the original film so good.
    • 40 Metascore
    • 25 Rene Rodriguez
    Man on a Ledge just made me think of an old Van Halen song: Jump.
    • 54 Metascore
    • 25 Rene Rodriguez
    A Middle Ages "Rocky" that spares no cliche in its unduly long, 2 1/4 hours.
    • Miami Herald
    • 59 Metascore
    • 25 Rene Rodriguez
    Aggressively, defiantly stupid.
    • 39 Metascore
    • 25 Rene Rodriguez
    This odious, hypocritical movie marks director David Gordon Green's graduation into full-on hack.
    • 49 Metascore
    • 25 Rene Rodriguez
    An irritatingly contrived drama.
    • 37 Metascore
    • 25 Rene Rodriguez
    Only genuinely talented people can make pictures this bad and misguided. “This whole thing is unacceptable,” Lil remarks at one point. That goes for the movie, too.
    • 30 Metascore
    • 25 Rene Rodriguez
    Silly, overplotted conspiracy thriller.
    • Miami Herald
    • 68 Metascore
    • 25 Rene Rodriguez
    The movie even fails on a psychological level, never illustrating how, in a pressure-cooker environment and swept up by mob-think mentality, we are capable of committing acts that innately repel us.
    • 54 Metascore
    • 25 Rene Rodriguez
    Director Stuart Blumberg’s movie, which features a surprisingly starry cast, comes off as superficial and trite.
    • 47 Metascore
    • 25 Rene Rodriguez
    For all its noble intentions, the movie is really a work of crass exploitation -- an obvious and manipulative grab to cash in on the post-9/11 hero worship of the firefighting profession.
    • 46 Metascore
    • 25 Rene Rodriguez
    Like its predecessors, Tokyo Drift suffers from a terminal lack of levity.
    • 23 Metascore
    • 25 Rene Rodriguez
    Feels like it's been pasted together from 51 other movies -- none of them good.
    • 29 Metascore
    • 25 Rene Rodriguez
    The movie is pure product, and proud of it: There isn't a single surprising moment in all of its 88 minutes, because Domestic Disturbance is designed to stick to tried-and-true formulas, instead of shaking them up a little.
    • 31 Metascore
    • 25 Rene Rodriguez
    Tomb is the kind of movie you sit through dreading the expository scenes, because the acting is so bad and the dialogue so pointedly written to make sure the little ones in the audience can keep up with the plot.
    • 43 Metascore
    • 25 Rene Rodriguez
    This is pure Disaster 101 formula, although distilled to the minimum amount of dialogue and characters possible.
    • 14 Metascore
    • 25 Rene Rodriguez
    A feather-light musical rushed into production to capitalize on American Idol-frenzy, is nothing more than an excuse to give the two leads several musical numbers, a la those Frankie Avalon-Annette Funicello "Beach Blanket Bingo" movies, and with just about the same amount of substance, too.
    • 37 Metascore
    • 25 Rene Rodriguez
    Such a dull, clunky, joyless mess, it's hard to believe the people who made it understand much about movies.
    • 36 Metascore
    • 25 Rene Rodriguez
    A movie as annoying as its oddly punctuated title, After.Life is a misguided and empty-headed attempt at psychological horror that succeeds only at talking the viewer to death.
    • 39 Metascore
    • 25 Rene Rodriguez
    How can a movie as overstuffed with funny people as The Goods: Live Hard, Sell Hard be so listless and leaden?
    • 26 Metascore
    • 25 Rene Rodriguez
    This is the kind of colossally misguided vanity project.
    • 20 Metascore
    • 12 Rene Rodriguez
    Bad enough to earn a rare spot on my hallowed list of ''The Worst Movies I've Ever Seen,'' An American Carol is testament that the country's culture wars are raging just as strongly within Hollywood as anywhere else.
    • 9 Metascore
    • 12 Rene Rodriguez
    A sluggish, soporific dud, the dreariest big-budget science-fiction adventure since "Dune."
    • Miami Herald
    • 22 Metascore
    • 0 Rene Rodriguez
    A shockingly, unbelievably bad movie.
    • 31 Metascore
    • 0 Rene Rodriguez
    Monumentally silly thriller.
    • Miami Herald
    • 28 Metascore
    • 0 Rene Rodriguez
    The Ugly Truth is insulting to women, men and even goldfish.

Top Trailers