Richard Corliss, Time
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For 892 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 7.2 points higher than other critics. (0-100 point scale)

Richard Corliss' Scores

  • Movies
Average review score: 66
Highest review score: 100 Four Lions
Lowest review score: 0 W.E.
Score distribution:
  1. Negative: 85 out of 892
892 movie reviews
    • 82 Metascore
    • 100 Richard Corliss
    Unforgiven questions the rules of a macho genre, summing up and maybe atoning for the flinty violence that made Eastwood famous. [10 Aug 1992]
    • 89 Metascore
    • 100 Richard Corliss
    So it is Scorsese's triumph that GoodFellas offers the fastest, sharpest 2 1/2-hr. ride in recent film history. [Sept 24, 1990]
    • 73 Metascore
    • 100 Richard Corliss
    A grand and poignant movie epic about what is lost in war and what's worth saving in life. It is also a rare blend of purity and maturity -- the year's most rapturous love story.
    • 84 Metascore
    • 100 Richard Corliss
    Hero is the masterpiece. It employs unparalleled visual splendor to show why men must make war to secure the peace and how warriors may find their true destiny as lovers.
    • 69 Metascore
    • 100 Richard Corliss
    By next semester, some grad student will be writing a thesis on the B-movie influences on this A+ film.
    • 79 Metascore
    • 100 Richard Corliss
    The film is seductive, disturbing, enthralling -- a trip to hell that gives the passengers a great ride.
    • 82 Metascore
    • 100 Richard Corliss
    Three of the hippest indie film princes make a perfect commercial comedy.
    • 92 Metascore
    • 100 Richard Corliss
    Though faithful in every detail to Tolkien, it has a vigorous life of its own -- grandeur, moral heft and emotional depth.
    • 88 Metascore
    • 100 Richard Corliss
    Towers, while not quite so varied as Fellowship in its moods and settings, has a grave gusto that energizes every moment...a thrilling work of film craft.
    • 93 Metascore
    • 100 Richard Corliss
    "How perfectly goddamned delightful it all is, to be sure." Irony aside, that's how to respond to this magnificent study in ink and blood.
    • 74 Metascore
    • 100 Richard Corliss
    Inception is precisely the kind of brainy, ambitious, grand-scale adventure Hollywood should be making more of.
    • 69 Metascore
    • 100 Richard Corliss
    Poignant, troubling and altogether splendid new film.
    • 92 Metascore
    • 100 Richard Corliss
    An instant classic.
    • 65 Metascore
    • 100 Richard Corliss
    It's a cocktail-party movie with a Molotov-cocktail finish: a tribute to the 88-year-old auteur's artistry - and his con artistry as well.
    • 69 Metascore
    • 100 Richard Corliss
    His films will never be mainstream fare; audiences who wander into the theater may well find them derisive, needlessly shocking, perhaps unforgivable. But I'd call them, and especially Life During Wartime, unforgettable.
    • 95 Metascore
    • 100 Richard Corliss
    The rewards for paying attention are mammoth and exhilarating. This is a high-IQ movie that gives viewers an IQ high.
    • 81 Metascore
    • 100 Richard Corliss
    This is more than an Important Documentary: it is engaging and, finally, enraging - as captivating as any "Superman" movie, and as poignant as a child's plea for help.
    • 88 Metascore
    • 100 Richard Corliss
    This is a true-life heist movie, and the thieves not only got away with their billions, they're still doing business. Pay attention and blow a gasket.
    • 76 Metascore
    • 100 Richard Corliss
    Kidman, in a career-best performance, and Eckhart lend pitch-perfect calibration to the couple's shared and separate agonies. It's as if previous treatments of the subject were a series of failed experiments, and Rabbit Hole is the Eureka! moment.
    • 68 Metascore
    • 100 Richard Corliss
    What explosive mischief might they create? That's the premise of Morris' brilliantly incendiary new comedy Four Lions.
    • 75 Metascore
    • 100 Richard Corliss
    No goggles, no gloom. And no competition for the coolest, orneriest, funniest, best-looking movie of early 2011.
    • 72 Metascore
    • 100 Richard Corliss
    The year's most thrilling, FEELING mainstream movie.
    • 83 Metascore
    • 100 Richard Corliss
    Bursting with earned emotion, Hugo is a mechanism that comes to life at the turn of a key in the shape of a heart.
    • 72 Metascore
    • 100 Richard Corliss
    In his most painterly film, Spielberg has appropriated the lavish visual palette of John Ford movies: "The Quiet Man" for the rural settings, "The Horse Soldiers" for the war scenes. Boldly emotional, nakedly heartfelt, War Horse will leave only the stoniest hearts untouched.
    • 68 Metascore
    • 100 Richard Corliss
    As both a simian simile and a wonder of technology, Rise of the Planet of the Apes deserves to be in the company of the great original "Kong." This year's sixth "origins" story of a fantasy franchise (after The Green Hornet, Thor, X-Men: First Class, Green Lantern and Captain America: The First Avenger) is also the year's finest action movie.
    • 82 Metascore
    • 100 Richard Corliss
    The movie is a museum of emotions, brought to contemporary life through the director's artistry and his leading lady's fire. Here, they show us, is how people felt, and hurt, in another time. Their love and pain can touch us today.
    • 79 Metascore
    • 100 Richard Corliss
    Pi is a giant leap forward, outward and upward in expanding the resources of the evolving medium of movies. Magical realism was rarely so magical and never before so real.
    • 78 Metascore
    • 100 Richard Corliss
    "The Avengers" is kid stuff compared with this meditation on mortal loss and heroic frailty. For once a melodrama with pulp origins convinces viewers that it can be the modern equivalent to Greek myths or a Jonathan Swift satire. TDKR is that big, that bitter - a film of grand ambitions and epic achievement. The most eagerly anticipated movie of summer 2012 was worth waiting for.
    • 96 Metascore
    • 100 Richard Corliss
    Gravity shows us the glory of cinema’s future. It thrills on so many levels. And because Cuar‪ón is a movie visionary of the highest order, you truly can’t beat the view.
    • 95 Metascore
    • 100 Richard Corliss
    However ripe A Separation might seem for being adapted into a smart American film, Hollywood shouldn't bother. Farhadi's movie is just about perfect as it is.