Richard Corliss, Time
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For 893 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 7.2 points higher than other critics. (0-100 point scale)

Richard Corliss' Scores

  • Movies
Average review score: 66
Highest review score: 100 The Lives of Others
Lowest review score: 0 Ace Ventura: When Nature Calls
Score distribution:
  1. Negative: 85 out of 893
893 movie reviews
    • 79 Metascore
    • 100 Richard Corliss
    Pi is a giant leap forward, outward and upward in expanding the resources of the evolving medium of movies. Magical realism was rarely so magical and never before so real.
    • 84 Metascore
    • 100 Richard Corliss
    It's an exhilarating trip of movie madness and sadness.
    • 95 Metascore
    • 100 Richard Corliss
    The word docudrama doesn't hint at Boal's achievement. This is movie journalism that snaps and stings, that purifies a decade's clamor and clutter into narrative clarity, with a salutary kick.
    • 96 Metascore
    • 100 Richard Corliss
    Gravity shows us the glory of cinema’s future. It thrills on so many levels. And because Cuar‪ón is a movie visionary of the highest order, you truly can’t beat the view.
    • 97 Metascore
    • 100 Richard Corliss
    A document that is raw, eloquent, horrifying and essential.
    • 90 Metascore
    • 100 Richard Corliss
    Reveling in its ’70s milieu and in the eternal abrasion of sexy women and covetous men, American Hustle is an urban eruption of flat-out fun — the sharpest, most exhilarating comedy in years. Anyone who says otherwise must be conning you.
    • 90 Metascore
    • 100 Richard Corliss
    Her
    Jonze creates the splendid anachronism of a movie romance that is laugh-and-cry and warm all over, totally sweet and utterly serious.
    • 82 Metascore
    • 100 Richard Corliss
    The funniest, cleverest, most exhaustingly exhilarating animated feature in ages.
    • 45 Metascore
    • 90 Richard Corliss
    The result is Soderberghs liveliest experiment since the strenuously weird "Schizopolis" six years ago -- except that this one works.
    • 78 Metascore
    • 90 Richard Corliss
    Most of the movie is Actors Acting: gifted guys (Harvey Keitel, Tim Roth, Steve Buscemi, Chris Penn) running nattering riffs on familiar lout themes. [16 Nov 1992]
    • 85 Metascore
    • 90 Richard Corliss
    This enthralling, enigmatic, romantic drama from Asia's most influential auteur (Chungking Express) is an essay in appetite and inhibition.
    • 80 Metascore
    • 90 Richard Corliss
    This miniature epic is a film that, like its young hero, will enrich those who peer into its poignant heart.
    • 72 Metascore
    • 90 Richard Corliss
    This is a serious filmgoer's treat: intelligence cloaked in elegance.
    • 62 Metascore
    • 90 Richard Corliss
    An easy charm, a cleverly unforced sense of humor and a benignity toward all its genially oddball characters. If moviegoers skip this one, they'll be missing a real treat.
    • 76 Metascore
    • 90 Richard Corliss
    Whatever city this one is showing in...move there.
    • 86 Metascore
    • 90 Richard Corliss
    The rhythm of rural life has rarely seemed so lucid and luminous.
    • 73 Metascore
    • 90 Richard Corliss
    It blends tension and emotion, computer wizardry and dramatic skill in a vigorous climax--and the most impressive, haunting final shot of the movie year.
    • 86 Metascore
    • 90 Richard Corliss
    Apted...has the storytelling skills to weave a powerful and poignant snapshot of some decent folks who have become, collectively, Britain's first family.
    • 76 Metascore
    • 90 Richard Corliss
    Like Harry and Sally, the movie is hardworking, spot on; it winepresses its conversation into epigrams. No surprise here.[31 July 1999, p.65]
    • 71 Metascore
    • 90 Richard Corliss
    Green shoots his groping lovers in the art-film style -- long takes, static frame -- but his tone isn't at all minimalist; it's achingly, breathtakingly romantic, like the old Hollywood love stories his kids have never seen.
    • 72 Metascore
    • 90 Richard Corliss
    Rambunctious, disturbing, often hilarious new documentary.
    • 89 Metascore
    • 90 Richard Corliss
    Campion has spun a fable as potently romantic as a Bronte tale. But The Piano is also deeply cinematic. [22 Nov 1993]
    • 83 Metascore
    • 90 Richard Corliss
    A gravely beautiful fairy tale of longing and loss. [20 Sept 1993, p.82]
    • 91 Metascore
    • 90 Richard Corliss
    Rich in humor, pained or frolicking.
    • 90 Metascore
    • 90 Richard Corliss
    Redux is both a reminder of American cinema's last glory days and a rebuke to the timid present. Maybe Apocalypse Now wasn't the best movie of 1979, but Redux is surely the film to beat for 2001.
    • 84 Metascore
    • 90 Richard Corliss
    The viewer almost has to be a journalist--or a good editor--to sniff out the meat under all the fat.
    • 55 Metascore
    • 90 Richard Corliss
    To their old fascination with Sunbelt pathology, to their side-winding Steadicam and pristine command of screen space, the Coens have added a robust humor, a plot that keeps outwitting expectations and a surprising dollop of sympathy for their forlorn kidnapers. [23 March 1987]
    • 78 Metascore
    • 90 Richard Corliss
    The film is a gorgeous garland on an unknown soldier's grave.
    • 64 Metascore
    • 90 Richard Corliss
    But the carnage, like the sex scenes, is shot so pristinely that it becomes a nouvelle-cuisine feast; this is a splatter film Martha Stewart could love.
    • 87 Metascore
    • 90 Richard Corliss
    The most mature and satisfying work in a glittering, consistently surprising career.