Richard Corliss, Time
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For 836 reviews, this critic has graded:
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58% higher than the average critic
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2% same as the average critic
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40% lower than the average critic
On average, this critic grades 7.5 points higher than other critics.
(0-100 point scale)
Richard Corliss' Scores
- Movies
| Average review score: | 67 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 501 out of 836
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Mixed: 258 out of 836
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Negative: 77 out of 836
836
movie reviews
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Richard Corliss 90
Like Harry and Sally, the movie is hardworking, spot on; it winepresses its conversation into epigrams. No surprise here.[31 July 1999, p.65] -
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Richard Corliss 80
It's best to see this as a drug buffet. Graze through the vignettes... and you'll find three or four tasty bits to snack on. -
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Richard Corliss 80
This remake hits the jackpot with Wasikowska (pronounced VashiKOVska) and, not far behind, Fassbender.- Posted Mar 12, 2011
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Richard Corliss 80
Not a conventionally satisfying movie but a kind of illustrated journalism: an engrossing, insider's tour of the world's hottest spots, grandest schemes and most dangerous men. -
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Richard Corliss 80
See Hairspray. It's light and airy, but it will stick around: the first aerosol movie. [29 Feb 1988, p.101] -
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Richard Corliss 90
A canny director and a top star decided to dig deep to find the core of a compromised hero. And when they reach that center of gravity, Flight soars.- Posted Oct 17, 2012
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Richard Corliss 80
Shine a Light isn't the record of a unique event, so it's not on the exalted level of "The Last Waltz." But it has its own fascination. The film is less about the music than about the dedication of show-biz troupers--about doing your job, year after year, as if it's your joy. -
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Richard Corliss 90
Can a movie have too much good stuff? Not when it's stuffed like this one. -
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Richard Corliss 80
Writer-director Ramsay neither sentimentalizes nor garishes up the lost children in this observant and poetic drama. -
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Richard Corliss 70
Because the emotional drama is so one-sided, I just can't love you. -
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Richard Corliss 70
In his third consecutive Cronenberg film (after playing the righteous killers of A History of Violence and Eastern Promises), Mortensen is a happy surprise. Never has this tightly-wound actor seemed so relaxed in a difficult role; he is the charming papa Jung hates to overthrow but knows he must.- Posted Nov 22, 2011
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Richard Corliss 100
Kidman, in a career-best performance, and Eckhart lend pitch-perfect calibration to the couple's shared and separate agonies. It's as if previous treatments of the subject were a series of failed experiments, and Rabbit Hole is the Eureka! moment.- Posted Dec 14, 2010
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Richard Corliss 90
It's a cagey delight, and an imposing feature directorial debut for one of Britain's TV stalwarts.- Posted Jun 5, 2011
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Richard Corliss 50
To find that valuable truth, you have to dig through an avalanche of d--- jokes and strenuous slapstick. -
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Richard Corliss 50
Like the ZAZ lads' other films, this is a movie made for a VCR Saturday night. They supply the jokes; you bring the microwave popcorn and modest expectations. [12 Dec 1988] -
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Richard Corliss 40
Disney is trying to lure the disparate audiences of "Harry Potter and the Goblet of Fire" (kids) and "The Passion of the Christ" (Evangelicals). But on either level, Narnia fails. There's no fire, no passion and not much fun. -
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Richard Corliss 100
No goggles, no gloom. And no competition for the coolest, orneriest, funniest, best-looking movie of early 2011.- Posted Mar 3, 2011
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Richard Corliss 90
Repressing its rage to tell an important story, The Invisible War identifies soldiers who are true heroes because they dared to fight for justice.- Posted Jun 21, 2012
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Richard Corliss 100
The movie is not just spectacle; it's got a tender, ultimately tragic love story and enough deadly political scheming to fill a Gaddafi playbook. Indeed, in its narrative cunning, luscious production design and martial-arts balletics, Detective Dee is up there with the first great kung-fu art film, King Hu's 1969 "A Touch of Zen." We'd call it "Crouching Tiger, Freakin' Masterpiece."- Posted Sep 1, 2011
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Richard Corliss 60
Lynch and his film will surely be reviled, but as an experiment in expanding cinema's dramatic and technical vocabulary, Blue Velvet demands respect. [Sept. 22, 1986] -
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- Posted Feb 9, 2013
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Richard Corliss 90
But the writer-director is canny enough to salt the stew with poignance, so that by the end these attitude machines have become human beings -- more than the sum of their chiseled jokes. -
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Richard Corliss 80
The film's spare wit is as applicable to Broward County as to the Persian Gulf. Secret Ballot offers further evidence that an Islamic regime can foster humanist satires with a critical, political edge. -
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Richard Corliss 80
Most films today are afraid to try anything new. Natural Born Killers is an explosive device for the sleepy movie audience, a wake-up call in the form of a frag bomb. [29 August 1994, p.66] -
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Richard Corliss 70
Plays like a vacation at a seedy seaside resort. The issue at hand - whether McKinney engaged in criminal behavior with Anderson - is of little moment; what's important is the personality of the lady in question.- Posted Jul 14, 2011
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Richard Corliss 90
Frankenweenie has that youthful verve and the ghoulishness of strange kids who will some day be eccentric creators. This movie is an attic experiment for its makers to be proud of and for audiences to cherish.- Posted Oct 4, 2012
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