For 1,308 reviews, this critic has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 0.8 points lower than other critics. (0-100 point scale)

Rick Groen's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Four Weddings and a Funeral
Lowest review score: 0 The Amityville Horror
Score distribution:
1308 movie reviews
    • 46 Metascore
    • 38 Rick Groen
    It is a disappointment - just intermittently engaging, and lacking the cohesion of his best efforts, it seems less a fully realized feature than a film-school foible. [30 Aug 1996]
    • The Globe and Mail (Toronto)
    • 50 Metascore
    • 38 Rick Groen
    The whole d--- thing can be summed up in three little words: yo ho hum.
    • 35 Metascore
    • 38 Rick Groen
    What My Blue Heaven has going for it: one funny premise and two earthly delights, in the comic persons of Steve Martin and Rick Moranis. What My Blue Heaven does not have going for it: anything remotely resembling a cohesive script. [22 Aug 1990, p.C4]
    • The Globe and Mail (Toronto)
    • 44 Metascore
    • 38 Rick Groen
    It transforms that bottom line into a saccharine border, framing the picture with enough faux inspiration to keep Hallmark in cards for a month of Mother's Days. [03 Jun 1994]
    • The Globe and Mail (Toronto)
    • 39 Metascore
    • 38 Rick Groen
    It's Footloose Loose In The Third Reich and, even with your expectations kept knee-high to a kindergarten, you might have at least hoped for some finger-poppin' music and a few great dance scenes. Sorry. Here, too, things come up short. [05 Mar 1993]
    • The Globe and Mail (Toronto)
    • 46 Metascore
    • 38 Rick Groen
    Candy and Moranis are real talents, but they're completely wasted, like everyone else here, sacrificed to the grade-school inanities of that self-indulgent script. [26 Jun 1987, p.D6]
    • The Globe and Mail (Toronto)
    • 36 Metascore
    • 38 Rick Groen
    Rambo's return is thick with usual thrills. [26 May 1988, p.C1]
    • The Globe and Mail (Toronto)
    • 37 Metascore
    • 38 Rick Groen
    Made of Honor should come with a bar code and a Wal-Mart display - this isn't a movie, it's a commodity. The generic brand is the romantic comedy, and the manufacturer's material of choice is recycled plastic, smoothly glued together to assure the consumer that the purchase is risk-free and thoroughly predictable.
    • 53 Metascore
    • 38 Rick Groen
    Some films, like some people, wear their artsy pretensions on their sleeve, and there really isn't much going on beneath – it's just a posturing armband wrapped around a plain arm. Welcome, then, to the emptiness of Mister Lonely, a movie that goes to extraordinary lengths to say ordinary things.
    • 36 Metascore
    • 38 Rick Groen
    What Happens in Vegas should damn well have stayed in Vegas.
    • 55 Metascore
    • 38 Rick Groen
    Yes, from "Blonde" to "Bunny," it's abundantly evident that the two scribes have mastered, truly mastered, the serious art of self-plagiarism.
    • 27 Metascore
    • 38 Rick Groen
    As for Keitel, he pops up in a brief cameo as a housing contractor, with a dump-truck full of sand, the one that De Niro is standing right behind. The pair engage in a heated argument, as they once did so memorably those many years ago, and then the truck dumps that load exactly where you know it must. An esteemed actor gets buried but, what-the-fock, the franchise laughs on.
    • 37 Metascore
    • 38 Rick Groen
    Don't mean to boast, but I can suspend my disbelief as willingly as any credulous moviegoer. Yet not even an industrial crane would have helped here.
    • 36 Metascore
    • 38 Rick Groen
    Apparently, somebody thought it was time for a remake. Clearly, somebody was dead wrong.
    • 47 Metascore
    • 38 Rick Groen
    Bad Teacher should be a hoot. But it isn't. Love the theory here, hate the practice.
    • 50 Metascore
    • 38 Rick Groen
    Over on the aliens side, it's hard to make out faces, but there's no doubt about their place of origin: These slimy, growling, bug-eyed and distinctly non-scary things are straight from central casting.
    • 36 Metascore
    • 38 Rick Groen
    In today's cultural climate, any remake of Conan the Barbarian can only be considered (a) redundant or (b) a cruel case of rubbing salt in our cinematic wounds. Either way, it ain't a pretty sight – in fact, it's downright barbaric.
    • 39 Metascore
    • 38 Rick Groen
    Add up these three intentions – the down-and-dirty tone, the tender and uplifting message, the starring vehicle – and the math ain't funny. Bottom line: This movie is a whole lot less than the sum of its parts.
    • 28 Metascore
    • 38 Rick Groen
    Valuable life lessons always come at a steep price, and this one is no exception. Sorry, but you'll have to shell out for The Divide and then suffer through its nearly two hours of bloody inanities. Weigh the balance, make your choice.
    • 37 Metascore
    • 38 Rick Groen
    W.E. is a heavily made-up face masquerading as a movie and demanding to be admired – demands that might just leave you with an acute pain in the other end.
    • 46 Metascore
    • 38 Rick Groen
    Call me Grumpy, but this seems less an adaptation than a random assault.
    • 39 Metascore
    • 38 Rick Groen
    Another Nicholas Sparks novel, another cinematic brush with insulin shock.
    • 41 Metascore
    • 38 Rick Groen
    The film sputters and stalls and winds up behaving like the worst sort of oldster – passing gas and pretending to be deep.
    • 58 Metascore
    • 38 Rick Groen
    Clint has a script. Actually, Clint has too much script, one of those schematic by-the-number jobs that telegraphs its every pitch.
    • 31 Metascore
    • 38 Rick Groen
    A lightweight flick about a heavy-duty subject, A Dark Truth plays like a TV movie back in the days when TV wasn't worth watching.
    • 34 Metascore
    • 38 Rick Groen
    It’s hard to argue with the title here – Safe Haven, indeed. This is all about safety in the Hollywood workplace. Why make a movie when making a Hallmark-card-with-dialogue is so much less risky?
    • 53 Metascore
    • 38 Rick Groen
    What we have here is a romp, a funny romp at times, with a clear satiric intent and the expected quota of outrageous style - likable enough, yes, but a rather flimsy thing, a zany fest with its mind on cruise control. [17 June 1994]
    • The Globe and Mail (Toronto)
    • 67 Metascore
    • 38 Rick Groen
    There are a few laughs at the start of This Is the End, and a couple more at the end of This is the End. As for the endless middle, it’s middling.
    • 45 Metascore
    • 38 Rick Groen
    Alien Nation lives out precisely the fate of the alien nation it depicts - both full of potential, both hoping to please, and both immediately co-opted, enslaved by the same commercial forces that granted their release. [12 Oct 1988]
    • The Globe and Mail (Toronto)
    • 53 Metascore
    • 38 Rick Groen
    Baby Boom has the fluffy amiability of an innocuous sitcom. In their rightful place on the shrunken sets of the small screen, its teeny characters would seem comfortably at home. But blown up to feature dimensions, they betray their flimsy origins, looking thin and transparent, just a bunch of under-considered ideas decked out in over-sized finery. [10 Oct 1987]
    • The Globe and Mail (Toronto)

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