For 1,023 reviews, this critic has graded:
  • 43% higher than the average critic
  • 3% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 6.1 points lower than other critics. (0-100 point scale)

Rob Owen's Scores

  • TV
Average review score: 59
Highest review score: 100 Lost: Season 4
Lowest review score: 0 Dads: Season 1
Score distribution:
1,023 tv reviews
    • 96 Metascore
    • 100 Rob Owen
    Maintains the quality viewers have come to expect.
    • 88 Metascore
    • 100 Rob Owen
    The best new show of the season...It's less sentimental than "The Wonder Years" and not as concerned with its period setting. Unlike "My So-Called Life," which was real in a gloomy-doesn't-life-stink way, Freaks and Geeks finds abundant humor in the absurdity of the situations the characters face. [22 Sept 1999, p.C-1]
    • 89 Metascore
    • 100 Rob Owen
    HBO shows aside, visceral Boomtown is the new exemplar of quality TV dramas on Sunday night... Boomtown engrosses. It's the season's strongest new drama, not just because it takes a chance on a novel format, but because it manages to tell stand-alone stories even as it develops the characters in its large ensemble. [27 Sept 2002, p.40]
    • 93 Metascore
    • 100 Rob Owen
    Magnificently profane and entirely engaging, Deadwood remains one of TV's best character-driven dramas. [4 Mar 2005, p.W-45]
    • 79 Metascore
    • 100 Rob Owen
    If you like family dramas ...If you like cop shows ...If you like fantasy series ...If you like quality programs with complex characters, intelligent dialogue and a unique point of view, then you need to get acquainted with Joan of Arcadia, the best new broadcast series of the season. [26 Sept 2003, p.41]
    • 75 Metascore
    • 100 Rob Owen
    An engrossing new series with a fascinatingly unsympathetic character at its core. [14 Nov 2004, p.TV--5]
    • 94 Metascore
    • 100 Rob Owen
    "Battlestar Galactica" is one of the most politically relevant and necessarily bleak series on television today.
    • 87 Metascore
    • 100 Rob Owen
    The Lost writers begin the season with a firm grasp on their story and a keen understanding that viewers won't object to the introduction of new characters as long as old favorites are well served.
    • 73 Metascore
    • 100 Rob Owen
    Another edge-of-your-seat thriller.
    • 74 Metascore
    • 100 Rob Owen
    There are a fair number of leaps of logic in the light-hearted Torchwood and mysteries abound. The special effects are generally decent and the writing and characterizations leaps and bounds better than in "Flash Gordon," "Eureka" or "The Dresden Files," to name just a few pathetic contemporary sci-fi shows.
    • 62 Metascore
    • 100 Rob Owen
    Eli Stone offers a well-stirred mix of character comedy, relationship drama, legal cases and musical numbers.
    • 78 Metascore
    • 100 Rob Owen
    Credit for building drama goes to screenwriter Kirk Ellis ("Into the West") and actor Paul Giamatti ("Sideways"). His intellectual, vain Adams is a reluctant rebel, tentative in his support of an American revolution, wary of insurgency and mob rule and defender of the tenets of American democracy.
    • 89 Metascore
    • 100 Rob Owen
    As season two begins, creators/executive producers Robert and Michelle King show no signs of standing pat. They're allowing the series and its characters to evolve while reminding viewers of the show's original premise.
    • 96 Metascore
    • 100 Rob Owen
    None of these twists are for the faint of heart, which is why Breaking Bad is a smart, thought-provoking TV show that elevates the artistic achievements of the medium.
    • 98 Metascore
    • 100 Rob Owen
    Brilliant. [21 Oct 2004]
    • 96 Metascore
    • 100 Rob Owen
    What's most important is that Homeland provides a smart, thrilling hour of entertainment for the next 12 weeks.
    • 99 Metascore
    • 100 Rob Owen
    Series creator Vince Gilligan wrote the first two episodes of this eight-episode batch, and they crackle, as always, with intelligence and an ever-lingering sense of dread.
    • 88 Metascore
    • 100 Rob Owen
    Even in its sixth season Mad Men, remains a standout, a better series than 95 percent of what's on television.
    • 85 Metascore
    • 100 Rob Owen
    Filled with dark humor and a mix of quirky and menacing characters, Fargo blends whimsy and tragedy in a highly watchable mix. It's easily the best produced work ever from writer Noah Hawley.
    • 87 Metascore
    • 90 Rob Owen
    But NBC's comedy-drama Ed boasts sweetness, charm and innocence in equal measure. It's also extremely funny, albeit in an offbeat, low-key way. [8 Oct 2000, p.TV-5]
    • 88 Metascore
    • 90 Rob Owen
    I'm not a huge fan of Mafia stories, but after watching several episodes of The Sopranos, I'm hooked. This is not the same old drama foisted on viewers by the networks. The Sopranos, created by David Chase ("I'll Fly Away"), has depth, dark humor and even a latent charm. The characters, unavoidably stereotypical at times, are believable and honest. [10 Jan 1999, p.G-5]
    • 97 Metascore
    • 90 Rob Owen
    "The Sopranos" returns in better form this year than it did at the start of its second season. New territory is explored and Chase seems more willing to push the Soprano story forward. [2 Mar 2001]
    • 79 Metascore
    • 90 Rob Owen
    But most importantly, Scrubs has heart. Not the forced, icky sentimentality so often found in sitcoms, but earned moments that feel genuinely poignant. [2 Oct 2001, p.D-1]
    • 89 Metascore
    • 90 Rob Owen
    It's the most thrilling premiere hour of "24" yet.
    • 93 Metascore
    • 90 Rob Owen
    "The Office" is hilarious, but it is an acquired taste as it serves up comedy of the uncomfortable. [10 Oct 2003]
    • 92 Metascore
    • 90 Rob Owen
    Gritty, tough, no-holds barred television that feels more real than any other police drama on the air. It makes "NYPD Blue" look like a children's show. [10 Mar 2002, p.TV-5]
    • 66 Metascore
    • 90 Rob Owen
    If you're not tapped out on this kind of show already, Cold Case is a sophisticated procedural drama with an engrossing mystery at its core. [27 Sept 2003, p.C-9]
    • 88 Metascore
    • 90 Rob Owen
    An uncommon comedy. Its rhythm is less jokey and requires a little more effort on the part of viewers, but the comedic payoff is better, too...I begged viewers to watch this series last year, and I'm not averse to doing it again: Please watch. If not for yourself, do it for me; if the ratings are low, Fox might replace it with yet another edition of "The Simple Life," and that's not good for anybody. [5 Nov 2004, p.WE-41]
    • 67 Metascore
    • 90 Rob Owen
    The right sitcom at the right time. Well-cast, well written and actually funny (imagine that!), this one's a keeper. [22 Sept 2003, p.D-8]
    • 71 Metascore
    • 90 Rob Owen
    Rome wasn't built in a day, the saying goes, and that applies to this show, too. It's a slow build that requires some effort on the part of viewers, but after the first three episodes, I was hooked. [28 Aug 2005, p.TV-3]
    • 85 Metascore
    • 90 Rob Owen
    This new season gets off to a rousing start that lives up to high expectations.
    • 69 Metascore
    • 90 Rob Owen
    Funny, insightful and seemingly realistic, Entourage will appeal to fans of character drama and behind-the-scenes voyeurs. [18 July 2004, p.TV-5]
    • 78 Metascore
    • 90 Rob Owen
    One of the fall's brightest new dramas.
    • 81 Metascore
    • 90 Rob Owen
    Easily the best of ABC's overly similar, large-cast ensemble dramas.
    • 88 Metascore
    • 90 Rob Owen
    "Longford" dives head-long into some of the most complex questions of human morality, and it's a pleasure to watch an actor of Broadbent's caliber tackle the notion of forgiveness with dignity and solemnity in what is easily one of the best TV movies you're likely to see this year.
    • 77 Metascore
    • 90 Rob Owen
    "I'm living like there is no tomorrow because there isn't one." Not a pretty sentiment, to be sure, but it makes for an intriguing character in what's likely to be the best new summer series of 2007.
    • 87 Metascore
    • 90 Rob Owen
    Mad Men exists on another level. Smart, mysterious and alluring, Mad Men remains a smooth concoction of period charm and psychological character drama.
    • 89 Metascore
    • 90 Rob Owen
    Bad challenges anxious viewers, but it remains one of TV's best hours, thanks to strong performances from the entire cast and the steady, guiding hand of executive producer Vince Gilligan, who proves in tonight's episode that he values realistic, risk-taking storytelling over the more convenient status quo.
    • 87 Metascore
    • 90 Rob Owen
    If you're a fan of nuanced, character-driven story-telling, there's no question The Pacific is the superior effort.
    • 87 Metascore
    • 90 Rob Owen
    The family comedy gets a welcome and winning update in ABC's Modern Family, the fall's best new sitcom.
    • 80 Metascore
    • 90 Rob Owen
    On screen the show has a soaked-in mood, courtesy of pilot director Michael Dinner, and terrific performances that mark Justified as the best new series premiere so far in 2010.
    • 64 Metascore
    • 90 Rob Owen
    Better With You is a genuinely funny, well-acted traditional sitcom reminiscent of "Dharma & Greg" and other past successful romantic comedies.
    • 91 Metascore
    • 90 Rob Owen
    As a new year begins, viewers will be hard-pressed to find a more sumptuous, engaging drama than the "Masterpiece Classic" miniseries Downton Abbey.
    • 88 Metascore
    • 90 Rob Owen
    Archer hits the comedy bull's-eye with smart, provocative writing.
    • 84 Metascore
    • 90 Rob Owen
    Even on the rare occasions when those shows [like CSI or Law & Order] tell stories involving the death of a child, they're almost never as raw, palpable and grim as The Killing, an engrossing, well-made drama series that viewers should embrace despite its tough subject matter.
    • 88 Metascore
    • 90 Rob Owen
    GOT is easily television's most ambitious drama for expansive storytelling, but it doesn't shirk its duty to tell smaller stories about individual characters. That the series manages to excel at both is rewarding and breathtaking in its achievement.
    • 91 Metascore
    • 90 Rob Owen
    Viewers hungering for a twisty-turny, who's-right-who's-wrong thriller will find it in Showtime's domestic terrorism drama Homeland.
    • 78 Metascore
    • 90 Rob Owen
    TV viewers who watch Boss probably won't be disappointed and even those who are wary of latching onto a new series have reason to give the show a chance.
    • 84 Metascore
    • 90 Rob Owen
    Smart writing, talented actors playing realistic characters and a pace and cinematography reminiscent of HBO's "The Larry Sanders Show" or "Arli$ $ " make Sports Night one of only a handful of new series that warrant viewer attention. There's just one problem: It's a half-hour series that bears more resemblance to a drama than a sitcom. [22 Sept 1998, p.G-7]
    • 76 Metascore
    • 90 Rob Owen
    A smart, astute political thriller/soap worthy of comparison to the shows that air on HBO and Showtime.
    • 82 Metascore
    • 90 Rob Owen
    It's not easy viewing, but this series offers smart, challenging, character-driven drama at its finest.
    • 92 Metascore
    • 90 Rob Owen
    It is much more of a psychological thriller that impresses with its use of an unnerving stillness.
    • 88 Metascore
    • 90 Rob Owen
    FX's The Americans does the near-impossible of making viewers cheer for Russian spies in America and at the same time for the American FBI agents who are trying to unmask those Russians living in suburbia. It's an incredibly deft balancing act that's accomplished through strong character development all around.
    • 72 Metascore
    • 90 Rob Owen
    There is some pathos in Getting On with regard to the elderly patients, but that's seamlessly interwoven in the darkly funny personal stories of the hospital staff.
    • 85 Metascore
    • 90 Rob Owen
    The Normal Heart sets up a bit of a “this happened, then this happened” rhythm that does not bode well. But just as quickly, the film gets this historical crutch out of its system and begins to explore in greater depth the characters and their relationships.
    • 89 Metascore
    • 90 Rob Owen
    Just as in TV’s first flashback-heavy, multi-character drama “Lost,” it’s the flashbacks that deepen and humanize the characters, and that makes Orange a unique and outstanding series. Piper’s story may draw viewers to the show, but it’s her fellow inmates who make time spent inside this women’s prison worthwhile.
    • 74 Metascore
    • 90 Rob Owen
    Simply put, "Traffic" is the best non-HBO miniseries to come on TV in years. [25 Jan 2004]