For 1,152 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 6.4 points lower than other critics. (0-100 point scale)

Rob Owen's Scores

Average review score: 59
Highest review score: 100 Mad Men: Season 6
Lowest review score: 0 Dads: Season 1
Score distribution:
1,152 tv reviews
    • 99 Metascore
    • 100 Rob Owen
    Series creator Vince Gilligan wrote the first two episodes of this eight-episode batch, and they crackle, as always, with intelligence and an ever-lingering sense of dread.
    • 98 Metascore
    • 100 Rob Owen
    Brilliant. [21 Oct 2004]
    • Pittsburgh Post-Gazette
    • 97 Metascore
    • 90 Rob Owen
    "The Sopranos" returns in better form this year than it did at the start of its second season. New territory is explored and Chase seems more willing to push the Soprano story forward. [2 Mar 2001]
    • Pittsburgh Post-Gazette
    • 96 Metascore
    • 100 Rob Owen
    What's most important is that Homeland provides a smart, thrilling hour of entertainment for the next 12 weeks.
    • 96 Metascore
    • 100 Rob Owen
    None of these twists are for the faint of heart, which is why Breaking Bad is a smart, thought-provoking TV show that elevates the artistic achievements of the medium.
    • 96 Metascore
    • 100 Rob Owen
    Maintains the quality viewers have come to expect.
    • 94 Metascore
    • 80 Rob Owen
    Season four promises more of the same while expanding on stories in the books and in some cases improving on what could be long literary slogs.
    • 94 Metascore
    • 100 Rob Owen
    "Battlestar Galactica" is one of the most politically relevant and necessarily bleak series on television today.
    • 94 Metascore
    • 80 Rob Owen
    The series remains smart and thought-provoking but it's also quite funny.
    • 93 Metascore
    • 90 Rob Owen
    "The Office" is hilarious, but it is an acquired taste as it serves up comedy of the uncomfortable. [10 Oct 2003]
    • Pittsburgh Post-Gazette
    • 93 Metascore
    • 100 Rob Owen
    Magnificently profane and entirely engaging, Deadwood remains one of TV's best character-driven dramas. [4 Mar 2005, p.W-45]
    • Pittsburgh Post-Gazette
    • 93 Metascore
    • 80 Rob Owen
    Despite how outlandish some of the scenarios become, they remain relatable.
    • 92 Metascore
    • 80 Rob Owen
    Viewers who cringe at pathos may miss the occasionally lighter tone of earlier Mad Men seasons. But these are the circumstances the characters find themselves in. Besides, at this point in a series' run, most viewers are tuning in for the character stories, where some grace and positivity still pop up.
    • 92 Metascore
    • 90 Rob Owen
    Gritty, tough, no-holds barred television that feels more real than any other police drama on the air. It makes "NYPD Blue" look like a children's show. [10 Mar 2002, p.TV-5]
    • Pittsburgh Post-Gazette
    • 92 Metascore
    • 90 Rob Owen
    Viewers hungering for a twisty-turny, who's-right-who's-wrong thriller will find it in Showtime's domestic terrorism drama Homeland.
    • 92 Metascore
    • 90 Rob Owen
    It is much more of a psychological thriller that impresses with its use of an unnerving stillness.
    • 91 Metascore
    • 80 Rob Owen
    Fans of “Six Feet Under” are likely to enjoy Transparent while those who find characters who make consistently poor choices frustrating and may be less enamored. “Transparent” isn’t funny all that often, but at its heart it does tell a relatively new, original story in a way that’s grounded and heartfelt without being at all saccharine.
    • 91 Metascore
    • 80 Rob Owen
    It’s dark, bloody and occasionally sexy, as it usually is, and Thrones fans wouldn’t want it any other way.
    • 91 Metascore
    • 80 Rob Owen
    The season premiere is a little clunky as it cleans up the mess left after the show's first-season finale--the sooner the show moves beyond that, the better.
    • 91 Metascore
    • 80 Rob Owen
    Ultimately, after eight episodes that wax and wane in intensity, viewers learn whose worldview emerges as the accurate one in this case--Hardy's pessimistic take on human nature or Ellie's more positive outlook. In a small town where everyone knows his or her neighbor, unmasking the killer is almost as wrenching as the crime itself.
    • 91 Metascore
    • 80 Rob Owen
    Most of the time Sherlock's cheeky sense of humor makes this version of the character a delight.
    • 91 Metascore
    • 90 Rob Owen
    As a new year begins, viewers will be hard-pressed to find a more sumptuous, engaging drama than the "Masterpiece Classic" miniseries Downton Abbey.
    • 90 Metascore
    • 80 Rob Owen
    Clearly this show is not for the easily offended. Not everyone will appreciate this kind of humor, but anyone who values smart, provocative comedy that's about truth telling will be intrigued.
    • 90 Metascore
    • 90 Rob Owen
    GOT is easily television's most ambitious drama for expansive storytelling, but it doesn't shirk its duty to tell smaller stories about individual characters. That the series manages to excel at both is rewarding and breathtaking in its achievement.
    • 85 Metascore
    • 80 Rob Owen
    [A] fascinating, challenging series.
    • 89 Metascore
    • 90 Rob Owen
    Just as in TV’s first flashback-heavy, multi-character drama “Lost,” it’s the flashbacks that deepen and humanize the characters, and that makes Orange a unique and outstanding series. Piper’s story may draw viewers to the show, but it’s her fellow inmates who make time spent inside this women’s prison worthwhile.
    • 89 Metascore
    • 90 Rob Owen
    Fans of sophisticated drama may feel there's a dearth of smart new shows on the broadcast networks but The Good Wife continues to be broadcast's best answer to the scripted dramas on cable.
    • 89 Metascore
    • 90 Rob Owen
    Bad challenges anxious viewers, but it remains one of TV's best hours, thanks to strong performances from the entire cast and the steady, guiding hand of executive producer Vince Gilligan, who proves in tonight's episode that he values realistic, risk-taking storytelling over the more convenient status quo.
    • 89 Metascore
    • 100 Rob Owen
    HBO shows aside, visceral Boomtown is the new exemplar of quality TV dramas on Sunday night... Boomtown engrosses. It's the season's strongest new drama, not just because it takes a chance on a novel format, but because it manages to tell stand-alone stories even as it develops the characters in its large ensemble. [27 Sept 2002, p.40]
    • Pittsburgh Post-Gazette
    • 89 Metascore
    • 80 Rob Owen
    It takes some time to sink into the story--Olive (Frances McDormand, “Fargo”) herself is cold and aloof--but by Monday’s second part of the miniseries as viewers see the characters age through a 25-year period, there’s a relatability that starts to sink in as viewers come to recognize the damage one generation can inflict on the next.

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