For 395 reviews, this critic has graded:
  • 44% higher than the average critic
  • 7% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 10.2 points lower than other critics. (0-100 point scale)

Robert Abele's Scores

  • Movies
  • TV
Average review score: 49
Lowest review score: 0 Back in the Day
Score distribution:
395 movie reviews
    • 88 Metascore
    • 90 Robert Abele
    As a strictly psychological portrait of destructive masculinity it's a gut-sock, vividly photographed, thrillingly edited and marked by performances (Donald Pleasence and Jack Thompson, most notably) that heave with strange complexity and dark camaraderie.Wake in Fright is true horror.
    • 87 Metascore
    • 100 Robert Abele
    It humanely, intelligently questions the very nature of our desire to make sense of the past with the tools of the present, when the human mind remains the most aggressively obliterating battlefield of all.
    • 84 Metascore
    • 70 Robert Abele
    Wherever you stand on healthcare and the fact that uninsured people nationwide use emergency rooms for basic services, the documentary The Waiting Room is a revealing portrait of the often tough transactions between patients and hospital staff at the urgency level.
    • 82 Metascore
    • 90 Robert Abele
    Deliberate and marked by uncommon grace, In The Family manages to feel politically and culturally acute without ever resorting to melodrama, or having to wave banners for issues or causes, except perhaps in its quiet way for a renewed humanism in movies and a return to stories about everyday lives.
    • 80 Metascore
    • 80 Robert Abele
    The atmospheric heft of Il Futuro is invariably more bracing than oppressive, and in the complexly stoic Martelli and masterfully craggy, haunted Hauer, an alluringly opaque pas de deux of loss and uncertainty is wonderfully realized.
    • 80 Metascore
    • 80 Robert Abele
    For Hetherington, the front line was not just a set of coordinates in a bloody battle, but a space where true artists operated, and Junger's film goes a long way toward celebrating that mind set, but also recognizing how treacherous it can be.
    • 79 Metascore
    • 80 Robert Abele
    The Crash Reel asks pointed questions about hazard, reward and consequence, forcing us to look anew at the rush attached to so many high-stakes sports.
    • 78 Metascore
    • 80 Robert Abele
    The film doesn't always follow up on its more interesting issues: safety, technique, financial hardship, even the sport's history. But the emotional dynamics of its trio of formative hopefuls, and their touching relationships with the parents or guardians who work hard at enabling their passion, set a solid pace.
    • 78 Metascore
    • 70 Robert Abele
    By its bittersweet end, Fifi Howls From Happiness has stayed almost entirely in one apartment and yet somehow unveiled both a life in full and a blank canvas.
    • 78 Metascore
    • 80 Robert Abele
    In its gently atmospheric camerawork and nicely underplayed moments between Mike and Chris, Resolution manages to keep its eerier moments surprising and its emotional life arresting.
    • 78 Metascore
    • 80 Robert Abele
    The introduction of a baby that Tonny supposedly fathered feels worrisome initially...but in Refn's skilled street-realist hands, the child becomes a potent, wailing metaphor for Tonny's own dilemma of rudderless need.
    • 77 Metascore
    • 100 Robert Abele
    Director and co-writer David Wnendt is after serious comedy here, a character study of psychic pain, wounds hereditary and self-inflicted, and body-conscious absurdity that treats the human condition with wry intelligence, not empty prurience.
    • 77 Metascore
    • 90 Robert Abele
    Composed of breathtaking images and cheeky bits of humor, Dencik's travelogue reveals a journey with curious traces of the past, eye-popping encounters with a wild present and — in discovering an oil company's ship in the group's midst — a weighted reminder of our future as stewards of the Earth.
    • 77 Metascore
    • 100 Robert Abele
    [Filho's] mastery of pacing, theme and stylistic eccentricity throughout Neighboring Sounds is so assured as to be breathtaking. Don't miss it.
    • 77 Metascore
    • 90 Robert Abele
    Joy and redemption aren't exactly punk mantras, but A Band Called Death might just give your heart a thrashing.
    • 76 Metascore
    • 80 Robert Abele
    A unique glimpse into the recovery mechanism of damaged hearts and bewildered minds, how a visage of hollowed-out sorrow after one year becomes a look of more peaceful acceptance down the road.
    • 76 Metascore
    • 70 Robert Abele
    The ambitions toward '70s-era paranoia thrillers aside, as a connect-the-dots narrative, Dirty Wars is eye-opening, a fierce argument that there are chilling ramifications to endless, vague aggression.
    • 76 Metascore
    • 70 Robert Abele
    The film is a real "whew"-factor yarn, a hearty soup of thick accents, bold personalities and complicated motives, with an unmistakable taste of charismatic, ornery American hedonism.
    • 76 Metascore
    • 90 Robert Abele
    It's Stevens, as the all-American cover-model mercenary both friendly and fatal, who gives The Guest its literally killer personality.
    • 76 Metascore
    • 90 Robert Abele
    Garrone achieves something uniquely colorful, disturbing and trenchant about self-perception in an increasingly fishbowl-like society.
    • 76 Metascore
    • 70 Robert Abele
    At times exquisitely attuned to the commingling of the bitterly funny and tragic, and at other times an eye-roll-worthy collection of ready-made fetish videos (Flores is one brave avatar of outré sexuality), The Dance of Reality is nonetheless proof that the legendary provocateur is still a font of out-there invention.
    • 74 Metascore
    • 80 Robert Abele
    Tomboy stands out as an especially affecting delicacy about the thrills and pitfalls of exploring who one is.
    • 74 Metascore
    • 90 Robert Abele
    The same intelligence, wit and mature spirit that actress Vera Farmiga brings to her performances is richly apparent in her directorial debut as well, the inquisitive spiritual drama Higher Ground.
    • 74 Metascore
    • 80 Robert Abele
    It's a character study about faith in connectedness, with an unforced love for cross-generational companionship that's special indeed.
    • 73 Metascore
    • 90 Robert Abele
    One of the best sports documentaries in recent memory.
    • 73 Metascore
    • 80 Robert Abele
    Summer Pasture has an earthy intimacy and compassion for its subjects that will have you thinking about their plight long after they've packed up and moved on for winter.
    • 72 Metascore
    • 80 Robert Abele
    Ever mindful of the line he straddled between thinker and flamethrower, this "Gore Vidal" is nevertheless a lovingly packaged greatest hits from a legendary rebel of letters.
    • 72 Metascore
    • 80 Robert Abele
    Pieta, which won last year's Golden Lion at the Venice Film Festival, is disturbing, for sure, but its larger points save it from being a quick and dirty wallow.
    • 72 Metascore
    • 90 Robert Abele
    With American independent filmmaking all too often a ready punching bag in today's cinéaste culture, this frequently dazzling, eccentric portrait of mutually assured destruction is that most delirious of combos: charmingly funny and emotionally terrifying.
    • 72 Metascore
    • 80 Robert Abele
    The film practically vibrates with youthful aggression, sly humor and gathering tension, hurling itself forward like a junkie toward the next fix.

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