For 395 reviews, this critic has graded:
  • 44% higher than the average critic
  • 7% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 10.2 points lower than other critics. (0-100 point scale)

Robert Abele's Scores

  • Movies
  • TV
Average review score: 49
Lowest review score: 0 Back in the Day
Score distribution:
395 movie reviews
    • 56 Metascore
    • 70 Robert Abele
    Downloaded is still a vigorous retelling of Fanning's and Parker's wildfire achievement and its ethical pitfalls, even if there's little in the way of journalistic balance.
    • 56 Metascore
    • 70 Robert Abele
    The movie is itself rough around the edges, notably in some chintzy attempts at animating pulp graphics. But it's briskly pieced together from interviews and archival footage.
    • 55 Metascore
    • 60 Robert Abele
    For such a hippie-ish wingding originally designed to discourage the buying and selling of anything, "Spark" has decidedly bought into its subject and has no qualms hawking it to moviegoers.
    • 55 Metascore
    • 30 Robert Abele
    If La Bare had snarky voice-over narration, it could be a segment on "The Colbert Report."
    • 55 Metascore
    • 50 Robert Abele
    The overall sense is of a rushed, simplistic installment in a well-worn biography franchise.
    • 55 Metascore
    • 40 Robert Abele
    Had V/H/S been a nasty jolt of three, it might have been memorable, but at nearly two hours, the gimmick punctures a hole in itself, causing ambience bleed-out. Recommended cure: a tripod
    • 55 Metascore
    • 50 Robert Abele
    One just wishes the scaffolding of indie tropes around Paul and the better parts of Hellion weren't so shaky.
    • 55 Metascore
    • 70 Robert Abele
    There's nothing terribly original about Safe, but it's a suitably grimy playground for action cinema's reigning pit bull.
    • 55 Metascore
    • 60 Robert Abele
    There's plenty of pacing verve in Costa-Gavras' technique, and the residue from that first thrilling peek inside the hermetic world of big-time money-moving never goes away. What's lacking is most surprising from this dissident filmmaker: the emotional outrage.
    • 55 Metascore
    • 60 Robert Abele
    At its most effective, though, The Decent One reveals a psychological portrait of a man devoted to his family yet consumed by a soul-blackening and horrifically destructive cause.
    • 55 Metascore
    • 60 Robert Abele
    The quietly commanding turn by newcomer Santana - whose outward embrace of an already well-internalized transformation leaps off the screen with equal parts joy, melancholia and bravery - is a standout.
    • 55 Metascore
    • 60 Robert Abele
    I Am Ali may never truly wow as the umpteenth portrait of a living legend, but it has its charms in reminding us of one fighter's singular ability to knock us all out with his talent, personality and convictions.
    • 54 Metascore
    • 70 Robert Abele
    The picture benefits from its performances, notably Evans' roguish appeal as a guy simultaneously driven and destructive.
    • 54 Metascore
    • 40 Robert Abele
    Busy, but not exactly invigorating.
    • 54 Metascore
    • 50 Robert Abele
    The overall effect here is of parallel biographies juiced to feel important whenever they intersect, and an undercooked paean to lost masculinity.
    • 54 Metascore
    • 50 Robert Abele
    Fans, go be with your people. Others, approach cautiously.
    • 54 Metascore
    • 70 Robert Abele
    Although the sentiment threatens to flatten out an intriguingly nervy vibe, Brooklyn Brothers Beat the Best has plenty of rhythmic charm about its responsibility-challenged strivers.
    • 54 Metascore
    • 70 Robert Abele
    Despite an awkwardly jokey title, Now, Forager has charm, intelligence and a cool passion for its principled characters - an appealing off-menu slice for hungry indie admirers.
    • 53 Metascore
    • 70 Robert Abele
    More of the same, for all the good and acceptably routine that that implies.
    • 53 Metascore
    • 50 Robert Abele
    The whole effort is undermined by an abundance of mob-movie cliches.
    • 53 Metascore
    • 50 Robert Abele
    As a showcase for accomplished performers tugging heart strings in a holiday awards season, it's perfectly serviceable.
    • 53 Metascore
    • 60 Robert Abele
    Delicacy isn't going to set anybody's psyche on fire with its insights into grieving and emotional recovery, but as a crepe-thin romantic snack, it has its moments.
    • 53 Metascore
    • 60 Robert Abele
    The actors give it punch, but in the grand scheme of caper comedies, The Art of the Steal is more breathlessly imitative than authentic.
    • 53 Metascore
    • 50 Robert Abele
    You might not "like" Perry's movie, but it's hard to deny the forensically assured sensibility at work.
    • 53 Metascore
    • 50 Robert Abele
    Passion will only rekindle your love affair with De Palma to the extent that his luridly artisan chiller classics are readily available afterward for another viewing.
    • 53 Metascore
    • 30 Robert Abele
    For all the ways Dickerson vigorously dramatizes the stages of solitary confinement — nervous humor, fear, rages, survival ingenuity (including a nifty breathing apparatus) — it's never enough to explain why this particular individual's story is worth telling.
    • 53 Metascore
    • 60 Robert Abele
    "Next Chapter" may not exhibit the scrappy charm that characterized the first film's glimpse into a marginalized but colorful world, but for devotees, Dana Brown has assembled a love letter to a now-global culture.
    • 53 Metascore
    • 40 Robert Abele
    It's terribly long and repetitive for so delicately dreamy a diptych, and at times the modern-day story feels like little more than a drawn-out apologia for the wandering male gaze.
    • 53 Metascore
    • 50 Robert Abele
    Had the movie itself been more focused as a story of messy loss — and not played tonal Twister with its high concept — it might have better served its freshly oddball lead.
    • 53 Metascore
    • 70 Robert Abele
    Eubank's fizzy mix of self-conscious, set-piece image-making and small-scale human detail is admirable.

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