For 351 reviews, this critic has graded:
  • 43% higher than the average critic
  • 7% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 10.3 points lower than other critics. (0-100 point scale)

Robert Abele's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Level Five
Lowest review score: 0 Back in the Day
Score distribution:
351 movie reviews
    • 77 Metascore
    • 100 Robert Abele
    [Filho's] mastery of pacing, theme and stylistic eccentricity throughout Neighboring Sounds is so assured as to be breathtaking. Don't miss it.
    • 91 Metascore
    • 100 Robert Abele
    It humanely, intelligently questions the very nature of our desire to make sense of the past with the tools of the present, when the human mind remains the most aggressively obliterating battlefield of all.
    • 69 Metascore
    • 90 Robert Abele
    Suffice to say, unrelenting material like this isn't for everybody. That it is a gloriously filmic gesture - by turns jaw-dropping, elusive, silly, obnoxious, painful and beautiful - is celebration enough.
    • 73 Metascore
    • 90 Robert Abele
    One of the best sports documentaries in recent memory.
    • 72 Metascore
    • 90 Robert Abele
    With American independent filmmaking all too often a ready punching bag in today's cinéaste culture, this frequently dazzling, eccentric portrait of mutually assured destruction is that most delirious of combos: charmingly funny and emotionally terrifying.
    • 74 Metascore
    • 90 Robert Abele
    The same intelligence, wit and mature spirit that actress Vera Farmiga brings to her performances is richly apparent in her directorial debut as well, the inquisitive spiritual drama Higher Ground.
    • 82 Metascore
    • 90 Robert Abele
    Deliberate and marked by uncommon grace, In The Family manages to feel politically and culturally acute without ever resorting to melodrama, or having to wave banners for issues or causes, except perhaps in its quiet way for a renewed humanism in movies and a return to stories about everyday lives.
    • 88 Metascore
    • 90 Robert Abele
    As a strictly psychological portrait of destructive masculinity it's a gut-sock, vividly photographed, thrillingly edited and marked by performances (Donald Pleasence and Jack Thompson, most notably) that heave with strange complexity and dark camaraderie.Wake in Fright is true horror.
    • 76 Metascore
    • 90 Robert Abele
    Garrone achieves something uniquely colorful, disturbing and trenchant about self-perception in an increasingly fishbowl-like society.
    • 69 Metascore
    • 90 Robert Abele
    Post Tenebras Lux is that real rarity in cinema, a visually striking archaeology of the psyche that benefits both the moviegoer primed to engage Reygadas' ideas, and the ones open to being swallowed in an art film wave.
    • 77 Metascore
    • 90 Robert Abele
    Joy and redemption aren't exactly punk mantras, but A Band Called Death might just give your heart a thrashing.
    • 69 Metascore
    • 90 Robert Abele
    Bastards is a thriller truly etched in darkness, pools of black broken mostly by the stricken yet soldiering faces of her main characters, like ships in a sea of stormy nights.
    • 61 Metascore
    • 90 Robert Abele
    Less concerned with fake shocks and show-me violence than the grimly calibrated rotting of personalities, Oculus is one of the more intelligently nasty horror films in recent memory.
    • 78 Metascore
    • 80 Robert Abele
    The film doesn't always follow up on its more interesting issues: safety, technique, financial hardship, even the sport's history. But the emotional dynamics of its trio of formative hopefuls, and their touching relationships with the parents or guardians who work hard at enabling their passion, set a solid pace.
    • 70 Metascore
    • 80 Robert Abele
    Informally sketched but deeply felt, Bradley Beesley's documentary Sweethearts of the Prison Rodeo mingles with the spirited cowgirl inmates who compete in Oklahoma's annual state penitentiary rodeo.
    • 59 Metascore
    • 80 Robert Abele
    If you meet the fiendishly deadpan Rubber halfway, its assured mix of cinephile artiness and grindhouse spoof will offer some oddball surprises.
    • 69 Metascore
    • 80 Robert Abele
    A transgender icon with a life as tragically short as some of the idols she worshipped, she's the deserving subject of an archivally rich remembrance, and such is James Rasin's poignant documentary Beautiful Darling.
    • 65 Metascore
    • 80 Robert Abele
    As gut-punch storytelling, Viva Riva! delivers much, not the least of which is the promise of an exciting new filmmaking talent.
    • 72 Metascore
    • 80 Robert Abele
    Rapt fuses strands of dramatic tension in a shrewd enough way that it even saves its sharpest cuts for the kidnapping's aftermath, when a well-heeled life laid bare must reconcile with a much different form of enforced solitude.
    • 76 Metascore
    • 80 Robert Abele
    A unique glimpse into the recovery mechanism of damaged hearts and bewildered minds, how a visage of hollowed-out sorrow after one year becomes a look of more peaceful acceptance down the road.
    • 73 Metascore
    • 80 Robert Abele
    Summer Pasture has an earthy intimacy and compassion for its subjects that will have you thinking about their plight long after they've packed up and moved on for winter.
    • 65 Metascore
    • 80 Robert Abele
    A farce of misunderstanding first, body-count nightmare second and at nearly all times a refreshingly upending horror-comedy bromance.
    • 74 Metascore
    • 80 Robert Abele
    Tomboy stands out as an especially affecting delicacy about the thrills and pitfalls of exploring who one is.
    • 71 Metascore
    • 80 Robert Abele
    This is when the movie earns its hushed exclusivity and kitschy title, when we see an art form bridge generations with a strange mixture of grace, joy and melancholy.
    • 74 Metascore
    • 80 Robert Abele
    It's a character study about faith in connectedness, with an unforced love for cross-generational companionship that's special indeed.
    • 59 Metascore
    • 80 Robert Abele
    Visual sumptuousness trumps the coldly erotic dastardliness of previous incarnations, but where this version feasts is on close-ups, with exchanges between pairs of eyes - the predatory versus the hesitant, the manipulatively comforting opposite the blindly vulnerable - that recall the silent era.
    • 78 Metascore
    • 80 Robert Abele
    In its gently atmospheric camerawork and nicely underplayed moments between Mike and Chris, Resolution manages to keep its eerier moments surprising and its emotional life arresting.
    • 66 Metascore
    • 80 Robert Abele
    Predictable if measured uplift aside, Fox keeps Yossi effortlessly affecting, graced with deadpan humor and a knowingness about lonely lives.
    • 63 Metascore
    • 80 Robert Abele
    Eden is never less than suspenseful, but rather than sentimentally pander to easy outrage, or indulge in icky women-in-distress titillation, the movie...zeros in on the details of how dignity can be stripped like bark from a tree, and the queasy determination it takes to stay alive in a living hell.
    • 80 Metascore
    • 80 Robert Abele
    For Hetherington, the front line was not just a set of coordinates in a bloody battle, but a space where true artists operated, and Junger's film goes a long way toward celebrating that mind set, but also recognizing how treacherous it can be.