Robert Bianco
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For 736 reviews, this critic has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 1.1 points lower than other critics. (0-100 point scale)

Robert Bianco's Scores

Average review score: 63
Highest review score: 100 A Raisin in the Sun: Season 1
Lowest review score: 0 Lucky Louie: Season 1
Score distribution:
736 tv reviews
    • 80 Metascore
    • 100 Robert Bianco
    For this one half-hour, Frasier is high-class entertainment. Grammer does scowling exasperation as well as any actor in America (it's hard to imagine an actor who could get more laughs trading looks with a dog), the fraternal relationship is wonderful, and the work-place material works perfectly (thanks to another fine supporting performance from Peri Gilpin). [16 Sept 1993, p.C7]
    • Pittsburgh Post-Gazette
    • 97 Metascore
    • 100 Robert Bianco
    As fine as these opening episodes are, they're not quite as good as last season's final run. [14 Jan 2000]
    • USA Today
    • 96 Metascore
    • 100 Robert Bianco
    This is The Sopranos at its best -- and that's just about as good as TV ever gets.
    • 86 Metascore
    • 100 Robert Bianco
    Band of Brothers is significantly flawed and yet absolutely extraordinary -- just like the men it portrays. [7 Sept 2001, p.1E]
    • USA Today
    • 88 Metascore
    • 100 Robert Bianco
    Expertly cut and polished until it practically gleams, 24 is like a flawless diamond: stylish, multifaceted and so sharp that it could cut glass. Everything clicks, from the hip sets to the whip-smart direction to the ever-shifting split screen that imbues even mundane activities such as talking on the phone with an unexpected urgency. [6 Nov 2001]
    • USA Today
    • 83 Metascore
    • 100 Robert Bianco
    Combine the new story's broader scope with the show's newfound willingness to tap into current fears, and there's every reason to hope for an even more suspenseful season. And that's even considering the drag applied by Kim's credibility-straining subplot. [29 Oct 2002]
    • USA Today
    • 79 Metascore
    • 100 Robert Bianco
    It's such a new day on Fox's 24, it might almost be a new show. This ingeniously entertaining drama always gives us a new set of villains for each seasonal crisis. But this year, it's also giving us a brand new set of heroes. Fortunately for Fox and fans, the things that have been changed are, by and large, improved -- and the most important things have been left alone. [7 Jan 2005]
    • USA Today
    • 89 Metascore
    • 100 Robert Bianco
    This is 24 at its fast, furious, exaggerated best, filled with well-drawn subsidiary characters and rapid-fire surprises, all held in place by Kiefer Sutherland's great, under-sung performance as Jack.
    • 79 Metascore
    • 100 Robert Bianco
    What's remarkable is that 24 still finds so many ways to surprise us, to take our knowledge of how things are done and turn it against us.
    • 72 Metascore
    • 100 Robert Bianco
    Even when 24 went off the rails, Sutherland somehow kept Jack in balance. And now that his show seems back on track, he's rolling at top form.
    • 79 Metascore
    • 100 Robert Bianco
    This two-part production expands and opens the story without diminishing the charm or appeal of Austen's original or pushing it past her socially constrained boundaries.
    • 98 Metascore
    • 100 Robert Bianco
    Gervais' show is so unusual, and his performance as David Brent is so painfully specific -- and sometimes just so flat-out painful -- it's hard to imagine how anyone else can make it work. [23 Jan 2003]
    • USA Today
    • 95 Metascore
    • 100 Robert Bianco
    The Wire, while brilliant,is not exactly user-friendly. Attention is required, but the series more than repays the time and effort invested.
    • 98 Metascore
    • 100 Robert Bianco
    Brilliant, scathing, sprawling, The Wire has turned our indifference to urban decay into a TV achievement of the highest order.
    • 89 Metascore
    • 100 Robert Bianco
    There's humanity in its victims and dark humor in the goal-oriented drive of its villains. With or without a strike, this is a show to treasure.
    • 89 Metascore
    • 100 Robert Bianco
    Of a handful of promising new series this season, only one shows the promise of greatness: Boomtown.
    • 77 Metascore
    • 100 Robert Bianco
    Some of House's callousness is an act, and sometimes the show lets the act go too far. But one of the series' primary strengths is the way the writers and the star keep us guessing as to where that act ends and reality begins.
    • 87 Metascore
    • 100 Robert Bianco
    Out of these familiar adventure-story components and a host of pop-culture conventions, Alias' J.J. Abrams has fashioned a totally original, fabulously enjoyable lost-at-sea series. Once again, he has taken an outlandish Saturday-serial setup and imbued it with real characters and honest emotions, without sacrificing any of the old-fashioned fun.
    • 87 Metascore
    • 100 Robert Bianco
    Let Lost remind you of how spectacular scripted network programming can be.
    • 78 Metascore
    • 100 Robert Bianco
    This is an epic big-screen adventure done for the small screen--and done in a way that makes most big-screen versions pale in comparison.
    • 86 Metascore
    • 100 Robert Bianco
    May be the network's most effective combination yet of artistic reach and popular appeal. Created by The Job's Peter Tolan and Denis Leary, who also stars, Rescue Me could do for firefighters what "NYPD Blue" did for cops: strip them of myth while celebrating their humanity.
    • 90 Metascore
    • 100 Robert Bianco
    With Denis Leary's return as Tommy Gavin in FX's Rescue Me, viewers have hit the summer trifecta: the best actor playing the best character in the best show on basic cable.
    • 85 Metascore
    • 100 Robert Bianco
    Funny, shocking and purposely incorrect, this testosterone-drenched series from Denis Leary and Peter Tolan returns to reclaim its spot as basic cable's best show, bar none. [13 June 2007, p.10D]
    • USA Today
    • 84 Metascore
    • 100 Robert Bianco
    For those who were disappointed in the show's uneven fourth season, the best news is that, at least in the nine episodes previewed, Rescue Me is more consistent, more focused and more fun, with better stories for all of its characters.
    • 80 Metascore
    • 100 Robert Bianco
    Refreshingly original, bracingly adult and thoroughly delightful, Desperate Housewives is like the answer to a TV prayer you didn't know you'd made. You just know life was much duller before it arrived. [1 Oct 2004]
    • USA Today
    • 72 Metascore
    • 100 Robert Bianco
    Tonight's pilot lays the groundwork for what could be a fabulous series, one that blends supernatural adventure with down-to-earth, complex family dynamics.
    • 64 Metascore
    • 100 Robert Bianco
    Convincingly smart, realistically unsettled and sexy as all get-out, Gugino radiates so much TV star power, it just might be visible from outer space.
    • 88 Metascore
    • 100 Robert Bianco
    It is, in short, a show about real life, as seen through the eyes of one of the funniest men in America.
    • 75 Metascore
    • 100 Robert Bianco
    Teeming with rich characters and terrific actors, brimming with wit, drama and unexpected urgency, Studio 60 brings its workplace to full, immensely entertaining life.
    • 81 Metascore
    • 100 Robert Bianco
    A satisfying, intriguingly complex ABC drama that emerges from the season's serialized pack as the best new show of the year.