Robert Bianco
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For 766 reviews, this critic has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 1.4 points lower than other critics. (0-100 point scale)

Robert Bianco's Scores

Average review score: 63
Highest review score: 100 Pushing Daisies: Season 2
Lowest review score: 0 Lucky Louie: Season 1
Score distribution:
766 tv reviews
    • 74 Metascore
    • 100 Robert Bianco
    Summer TV at its witty, riveting best.
    • 87 Metascore
    • 100 Robert Bianco
    Dunham's simply writing what she knows, and incredibly well.
    • 96 Metascore
    • 100 Robert Bianco
    Despite its depth and ambition, this is one great drama that never becomes cumbersome--it never feels like a chore imposed upon us by the God of High TV Art.
    • 98 Metascore
    • 100 Robert Bianco
    Bad is too complex a series and too brilliantly distinctive a creation to be reduced to a simple "Crime does not pay" motto.
    • 83 Metascore
    • 100 Robert Bianco
    What lies ahead for Downton fans is a first-rate run of episodes that feels less hectic and more tightly focused on the family core.
    • 76 Metascore
    • 100 Robert Bianco
    No American-made option this weekend can compare.
    • 91 Metascore
    • 100 Robert Bianco
    We can all be grateful for a series this awe-inspiringly exceptional.
    • 87 Metascore
    • 100 Robert Bianco
    Top of the Lake is rivetingly odd, almost oppressively atmospheric and thoroughly entrancing.
    • 99 Metascore
    • 100 Robert Bianco
    After so many iffy premises and shoddy pilots, what a joy to relax in the hands of a master...Two seasons ago, Steven Bochco created the best drama on TV, ABC's ''NYPD Blue.'' This season, he gives ABC -- and us -- a show that could challenge for that title, the seamlessly superlative Murder One. [19 Sept 1995, p.D1]
    • Pittsburgh Post-Gazette
    • 90 Metascore
    • 100 Robert Bianco
    It is also stunning, compelling and thoroughly, empathetically human. [14 Apr 2000, p.11E]
    • USA Today
    • 77 Metascore
    • 100 Robert Bianco
    Imagine 24 devoting a substantial block of time to exploring the repercussions of one of its attacks, without moving on to the next threat, and you get the idea.
    • 86 Metascore
    • 100 Robert Bianco
    A few plotlines look rocky, and a few lines of dialogue stumble, but based on the first six episodes, we're being introduced to a show that can enlighten, entertain and contend for Emmys, all in the same breath.
    • 87 Metascore
    • 100 Robert Bianco
    If you think of it less as a mystery and more as a two-person character study, odds are you'll be more patient with it. And trust me, that patience will be rewarded.
    • 84 Metascore
    • 100 Robert Bianco
    There isn't an actor or character you won't look forward to seeing again, and that includes those you may initially resist. Each is allowed to be right or wrong, each could exist in the world as we know it, and each can be uproariously funny in his or her own way.
    • 85 Metascore
    • 100 Robert Bianco
    What separates Fargo is the depth of its characterizations and the individuality of its approach.
    • 72 Metascore
    • 100 Robert Bianco
    Enter The Strain, which just may turn out to be the best-executed, most cleverly constructed and most universally enjoyable fright-monger of them all.
    • 88 Metascore
    • 100 Robert Bianco
    Don't let that "intimate" description mislead you--Franklin's infidelity is documented, but not detailed, and the show takes no stance on Eleanor's sexuality beyond making it clear that the subject is more complicated than some may assume. As were these people, and as is this completely splendid documentary.
    • 91 Metascore
    • 100 Robert Bianco
    You're unlikely to watch a much better performance anywhere this year.
    • 89 Metascore
    • 100 Robert Bianco
    A quietly captivating miniseries about a seldom-quiet woman.
    • 87 Metascore
    • 88 Robert Bianco
    What the cuts can't remove is the chemistry between Cavanagh and Bowen. They're a lovably winning couple in a completely winning new show. [6 Oct 2000, p.1E]
    • USA Today
    • 75 Metascore
    • 88 Robert Bianco
    With a sure and witty touch, Will captures the way gay men and their straight female friends make an asset of their gender differences and romantic similarities. [21 Sep 1998]
    • USA Today
    • 88 Metascore
    • 88 Robert Bianco
    Malcolm recalls Roseanne's maternal drive, The Simpsons' cartoon exaggerations, and a blue-collar sensibility and emotional honesty common to both. And if tonight's outstanding premiere tries too hard for its own good to stand out, even that flaw subsides in later episodes. [7 Jan 2000]
    • USA Today
    • 87 Metascore
    • 88 Robert Bianco
    I'd also like to see the show adopt a somewhat lighter tone -- though I fear the ring of somber self-importance may be perfectly pitched for teens. [29 Sept 1998, p.3D]
    • USA Today
    • 88 Metascore
    • 88 Robert Bianco
    In mere minutes and with a few instantly evocative images, Freaks draws its characters more precisely than some shows do in a season. [24 Sept 1999, p.11E]
    • USA Today
    • 76 Metascore
    • 88 Robert Bianco
    Hip, bright and done with a great deal of flair, Alias is like some candy-colored -- and very violent -- comic book come to life.
    • 67 Metascore
    • 88 Robert Bianco
    Though the premiere's twists are not as shocking as in years past, better ones are coming, and quickly. Trust me, the show has not lost its ability to surprise--or even to make you gasp.
    • 72 Metascore
    • 88 Robert Bianco
    What really separates this Race from the competition... is the blessed absence of most of the contrived conflict and melodrama that have become reality's reason for being. [5 Sep 2001]
    • USA Today
    • 63 Metascore
    • 88 Robert Bianco
    Firefly offers the same well-balanced blend of humor, action, sharply drawn characters and unexpected twists on genre conventions. And if you have so far resisted the vamp-call of Buffy, this more mainstream sci-fi adventure may be your ticket into Whedon's TV universe.
    • 75 Metascore
    • 88 Robert Bianco
    You don't get the same kind of fun, gizmo fascination that livens up CSI. But you also don't get the leaden, expositionary dialogue CSI uses to explain those gizmos. [26 Sep 2002]
    • USA Today
    • 93 Metascore
    • 88 Robert Bianco
    It takes a real artist's eye to concentrate reality so realistically, and a true wit to pull it off in a sitcom that makes you gasp as frequently as it makes you laugh. [10 Oct 2003]
    • USA Today

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