Robert Bianco
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For 766 reviews, this critic has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 1.4 points lower than other critics. (0-100 point scale)

Robert Bianco's Scores

Average review score: 63
Highest review score: 100 Lost: Season 4
Lowest review score: 0 Lucky Louie: Season 1
Score distribution:
766 tv reviews
    • 54 Metascore
    • 75 Robert Bianco
    None of the episodes is likely to keep you up at night puzzling out the intricacies of the mystery, but they won't bore you or insult your intelligence. Castle exists to exploit the appeal of its stars and the amusing byplay between their characters, and it does that with admirable efficiency.
    • 63 Metascore
    • 75 Robert Bianco
    As much fun as Harper's can be if you're inclined to recline into it, the show was clearly produced with too little talent and, odds are, too little money.
    • 67 Metascore
    • 75 Robert Bianco
    All in all, O'Brien got his Tonight off to a decent start, though you still got the sense you were watching an introduction more than a settled production.
    • 69 Metascore
    • 75 Robert Bianco
    Some of the lessons are laid on a bit thick. But the cast, including April Bowlby as Deb's best friend, Ben Feldman as her guardian angel, and Jackson Hurst as her boyfriend, sells them with a minimum of fuss and a light touch.
    • 73 Metascore
    • 75 Robert Bianco
    As funny as this scattershot sitcom can be, the problem remains that show business (and in particular, GE's business) is a topic of limited long-haul mass appeal.
    • 87 Metascore
    • 75 Robert Bianco
    Is Lights the show it was when it began? No. But it's still better than most anything else on the TV field.
    • 64 Metascore
    • 75 Robert Bianco
    There are times when the show feels both weightless and way too precious (that title), but those are counterbalanced by the charm and skill of the cast.
    • 37 Metascore
    • 75 Robert Bianco
    As a whole, the show is as cute and easy to like as its star, and that's saying something.
    • 71 Metascore
    • 75 Robert Bianco
    The series does what it was designed to do: It stays true to its roots while allowing fans to spend more time with Molly and her friends and the actors who play them.
    • 64 Metascore
    • 75 Robert Bianco
    The show's gimmick does extend beyond reading expressions--they analyze voices and psychoanalyze answers--and the show does have its amusing moments. What it doesn't have is any sense of surprise, and once the novelty factor wears off, you just wonder whether there's enough here to sustain a series.
    • 66 Metascore
    • 75 Robert Bianco
    Ted, like most such single-camera sitcoms, is just too mannered and cold, though warming signs do appear in later episodes. Happily, despite its flaws, it's well-cast and reasonably entertaining.
    • 71 Metascore
    • 75 Robert Bianco
    The cases he tackles are intriguing, if wildly complicated and too often sustained by that peculiar TV mystery mix of intuitive leaps and bad basic police work....Yet as with all such shows, it's the main character who provides the main reason for watching, as the long-suffering Wallander struggles to solve the crimes and put his life back in order.
    • 50 Metascore
    • 75 Robert Bianco
    Competent as Vampire may be, there's also something rehashed and filtered about it, to the point where it sometimes feels like the kiddie-ride version of "True Blood," and perhaps appropriately so.
    • 78 Metascore
    • 75 Robert Bianco
    Archer is not for everyone, and certainly not for anyone whose idea of risque is "Get Smart." But do yourself one favor: Don't decide it's not for you until you have watched an entire episode, because you just may find the good outweighs the excessive.
    • 75 Metascore
    • 75 Robert Bianco
    It establishes the main character--and reintroduces us to a totally winning TV star--while creating a multilayered world that gives that character room to maneuver and grow.
    • 51 Metascore
    • 75 Robert Bianco
    For all the sex jokes (most of which are amusing), this is at heart a family comedy, with Cox completely winning as a mom trying to make herself happy without making her son miserable. Odds are that other moms can relate.
    • 71 Metascore
    • 75 Robert Bianco
    FlashForward may not keep you hooked for years or even months, but chances are good tonight's episode will bring you back next week. For now, that's as far forward as we need to flash.
    • 79 Metascore
    • 75 Robert Bianco
    Tonight's 90-minute premiere is a tad overextended, but it still provides an effective and entertaining launchpad for the premise.
    • 69 Metascore
    • 75 Robert Bianco
    The tweaks this new Fox hour brings to the template are a higher degree of special-effects-fueled action, a faster pace and a consistently amusing tongue-in-cheek tone.
    • 69 Metascore
    • 75 Robert Bianco
    There is pleasure to be found in Life. There'd be even more, though, if a few more of us were invited in.
    • 64 Metascore
    • 75 Robert Bianco
    The script paints the women too broadly while offering a few too many variations on the same youth-obsessed-culture themes. Still, darned if the women don't carry it off, at least well enough to bring you back for a second episode.
    • 64 Metascore
    • 75 Robert Bianco
    There's little in the setup you haven't seen before or, given TV's proclivities, won't see again. But Passmore does a good job of making his character seem intelligent and a bit maddening without letting him become obnoxious.
    • 64 Metascore
    • 75 Robert Bianco
    Still, in keeping with USA's sunnier outlook, this is a far lighter show than Alias: less complicated, less morally complex, less deep and, while fun, just simply "less."
    • 67 Metascore
    • 75 Robert Bianco
    While Pillars can seem a bit comic, it isn't camp. The characters and their beliefs are treated seriously and with respect, and no one is without some virtue or some sin.
    • 75 Metascore
    • 75 Robert Bianco
    It can't match HBO's upcoming Boardwalk Empire's budget or any network premiere's publicity push. Yet when it comes to scrappy, scruffy charm and sheer entertainment value, Terriers can run with the best of them.
    • 67 Metascore
    • 75 Robert Bianco
    It's a well-woven tale, with the different strings hanging together nicely and leading off in a few directions you might not expect. The direction is crisp, the cast is fine, the loopholes are mostly closed and the secret-agency/new-identity world is generally convincing, making this in some sense a version of Dollhouse that works better than the original.
    • 62 Metascore
    • 75 Robert Bianco
    While many of the weight jokes are very funny, there are a few too many of them. Still, what matters most for the show's future health is that it does not define Mike and Molly as "fat." They're nice, normal, relatable people who eat too much and want to eat less.
    • 67 Metascore
    • 75 Robert Bianco
    The Event knows the game it's playing and its risks. You can tell from the wink-at-the-audience last line, delivered by the always-welcome Innes: "I haven't told you everything." Tell us more--and soon would probably be best.
    • 75 Metascore
    • 75 Robert Bianco
    Hope, however, has more going for it than a good heart and some good lines. It has a very good cast, with Neff and Dillahunt sure to be welcome weekly presences.
    • 65 Metascore
    • 75 Robert Bianco
    But the moments it goes too far or feels too slight are countered by the sense you're watching two men who care about their clients and are good at what they do, and by the emotional hook that helps provide. And that may be enough to turn it into a hit.

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