For 462 reviews, this critic has graded:
  • 57% higher than the average critic
  • 6% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

  • TV
Average review score: 63
Highest review score: 100 The Returned: Season 1
Lowest review score: 20 Twenty Good Years: Season 1
Score distribution:
  1. Negative: 22 out of 462
462 tv reviews
    • 81 Metascore
    • 80 Robert Lloyd
    It's a conclusion that seemed to me both contrived and honest, if that makes any sense, and it left me disturbed, though not, as Doctor Who often has, a sobbing wreck.
    • 79 Metascore
    • 80 Robert Lloyd
    Cop show, fantasy, mystery, comedy, romance, puzzle -- there are a lot of ways to approach "Life on Mars," which begins its second and final season tonight on BBC America, and they all pay off.
    • 67 Metascore
    • 80 Robert Lloyd
    That the funniest straight-ahead sitcom of the American fall television season is a 2-year-old British import airing on a basic-cable network is because of a few things: a dearth of new American sitcoms, the availability of road-tested foreign product, and the ongoing expansion of the vast tracts of basic cable into the kind of programming that has traditionally defined broadcast television.
    • 74 Metascore
    • 80 Robert Lloyd
    Hotel Babylon is willfully bright and sexy--like the Parker's d├ęcor, it updates a '70s sensibility--but also has a nice eye for detail, good minor characters and well-flowing dialogue.
    • 87 Metascore
    • 80 Robert Lloyd
    It's a work whose immense vitality and a persuasive naturalism overcome its occasional paroxysms of style or hammered-home points.
    • 67 Metascore
    • 80 Robert Lloyd
    It's smart without either condescending to or patronizing the viewer.
    • 75 Metascore
    • 80 Robert Lloyd
    One of the season's best new shows.
    • 65 Metascore
    • 80 Robert Lloyd
    A smart, amiable, colorful new cartoon series.
    • 78 Metascore
    • 80 Robert Lloyd
    It's a little movie that feels big, without being self-consciously cinematic.
    • 79 Metascore
    • 80 Robert Lloyd
    The strength of the series lies not in the whodunit elements--it isn't hard to work out who's behind it, even if it isn't immediately apparent why--but in its eye for local details and small human gestures.
    • 59 Metascore
    • 80 Robert Lloyd
    Samantha Who? is as perfectly realized a comedy as the fall has to offer.
    • 86 Metascore
    • 80 Robert Lloyd
    It is all very beautiful.
    • 80 Metascore
    • 80 Robert Lloyd
    That the two men are in their 30s makes their perseverance more poignant--to somewhat overstate the case--and that they have no money places them in a long and honorable line of comedians who cannot put two cents together to buy a glass of seltzer.
    • 74 Metascore
    • 80 Robert Lloyd
    The pilot is an especially persuasive hour of action-adventure, but subsequent lower-budget episodes preserve the esprit and suspense.
    • 77 Metascore
    • 80 Robert Lloyd
    The show is consistently clever and lively, well played and directed, its corners filled with nice throwaway lines and small visual jokes.
    • 81 Metascore
    • 80 Robert Lloyd
    Tyler Labine makes a most excellent wacky bearded sidekick, and Rick Gonzalez and Valarie Rae Miller round out the Scooby Gang. Auteur of slackerdom Kevin Smith ("Clerks") directed the pilot, which maintains a nice fairy tale tone even as it stresses the banality of the infernal.
    • 69 Metascore
    • 80 Robert Lloyd
    The dialogue is always to the point, yet it gives even the bit players enough room to create something memorable.
    • 88 Metascore
    • 80 Robert Lloyd
    There is little in the way of "action"--it is possibly the slowest, most deliberative show on television, which is one of the things that makes it so lovely and mysterious.
    • 87 Metascore
    • 80 Robert Lloyd
    There are no heroes or villains here, only people working out or being carried toward their individual destinies. And in who we root for and in what we root for them to choose, we also define ourselves.
    • 74 Metascore
    • 80 Robert Lloyd
    It's very good, although as sad and disturbing as the mustache implies.
    • 62 Metascore
    • 80 Robert Lloyd
    The show moves fast without seeming to rush you. The timing, on the part of actors and editors alike, is excellent--both Bornheimer and Smith are good physical comedians--so that even while you can set your watch by the Next Bad Thing About to Happen, tension is created, suspense maintained.
    • 68 Metascore
    • 80 Robert Lloyd
    As directed by Peter Berg, this is smart, handsome TV, a witty, measured mix of sci-fi, soap and satire that offers new twists on old tropes.
    • 55 Metascore
    • 80 Robert Lloyd
    The contest consists of family members answering questions about one another to win money and prizes, which is straightforward enough and entertaining on its own. But what makes it work so well, I am surprised to say, is the Big Gimmick: the fact that the show is staged on the contestants' front lawn.
    • 60 Metascore
    • 80 Robert Lloyd
    Sweet, lyrical and a little cracked, it's worth seeking out.
    • 87 Metascore
    • 80 Robert Lloyd
    I'll say now, before I get down to picking its nits--it has a few, and most might be predicted from the Spielberg oeuvre--that it's a splendid production, absolutely worth watching in its 10-hour entirety.
    • 74 Metascore
    • 80 Robert Lloyd
    Costello (who has subbed for David Letterman) makes a fine host--a bit reverential at times, but never as pious as, say, James Lipton can become over at the similarly configured "Inside the Actors Studio."
    • 84 Metascore
    • 80 Robert Lloyd
    Despite its equivocal title, Almost the Truth beats any Python documentary yet made for comprehensiveness and depth.
    • 65 Metascore
    • 80 Robert Lloyd
    It is a bit like Martin Scorsese's "After Hours," filtered through the sensibility of a Whit Stillman and sprinkled with "Flight of the Conchords"--and yet it feels new, because it is so completely itself, consistently itself, a mix of romance, adventure and stoner comedy (there is a lot of pot about) that never abandons the world the rest of us can recognize.
    • 65 Metascore
    • 80 Robert Lloyd
    Project Runway is a hard act to follow. Still, if you like watching people make (sometimes) beautiful clothes from nothing in no time--the first challenge is to make a little black dress from a little black T-shirt--The Fashion Show has that too.
    • 78 Metascore
    • 80 Robert Lloyd
    Even with its problems--we'll get to those presently--it's one of the best shows of the fall season.