For 462 reviews, this critic has graded:
  • 57% higher than the average critic
  • 6% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

  • TV
Average review score: 63
Highest review score: 100 The Returned: Season 1
Lowest review score: 20 Twenty Good Years: Season 1
Score distribution:
  1. Negative: 22 out of 462
462 tv reviews
    • 74 Metascore
    • 70 Robert Lloyd
    I'm not wholly convinced by the American Life on Mars.
    • 74 Metascore
    • 80 Robert Lloyd
    The pilot is an especially persuasive hour of action-adventure, but subsequent lower-budget episodes preserve the esprit and suspense.
    • 74 Metascore
    • 70 Robert Lloyd
    It's a sweet summer treat.
    • 74 Metascore
    • 80 Robert Lloyd
    A dark and splendid "Dr. Who" spinoff with overtones of "Men in Black" and "Buffy the Vampire Slayer."
    • 53 Metascore
    • 30 Robert Lloyd
    It is astonishing to me that a television show that stars Rob Morrow, Sabrina Lloyd, David Krumholtz and Judd Hirsch, four of the most interesting and attractive and amusing actors television has ever beamed into a living room, would turn out to be a show that -- on the basis of its pilot, at least -- I would not ever care to watch again.
    • 74 Metascore
    • 50 Robert Lloyd
    As an attempt to tell the truth about an attempt to tell the truth about the state of domestic relations in a time of changing values, Cinema Verite fails--it cannot help but fail--as anything but a platform for some interesting performances and a few explicitly, loudly and briefly argued ideas about where one should draw the line when you point a camera into innocent people's lives.
    • 74 Metascore
    • 80 Robert Lloyd
    It's very good, although as sad and disturbing as the mustache implies.
    • 73 Metascore
    • 70 Robert Lloyd
    While the narrative never quite coheres into a compelling whole, there are enough independently arresting, unexpectedly moving moments to carry you through, hopping from one to the next like stones in a river, on the way to a strenuously tidy conclusion.
    • 73 Metascore
    • 80 Robert Lloyd
    A smart and highly suspenseful miniseries.
    • 73 Metascore
    • 70 Robert Lloyd
    It's funny, but it doesn't go for big laughs so much as a mood of whimsical parody.
    • 68 Metascore
    • 70 Robert Lloyd
    There are moments that require you not to think too hard, and some of the black humor doesn't overcome its fundamental nastiness. But on the whole, it's a superior package, intelligently constructed and handsomely executed.
    • 31 Metascore
    • 30 Robert Lloyd
    The American Farmer is more... American: another intermittently nasty competition dating show, with stunt challenges and a ritualized elimination at the end of every episode.
    • 49 Metascore
    • 60 Robert Lloyd
    Everything in the pilot, written by executive producer Claudia Lonow, is a hair or three too strenuous; Billie has been knocked down to a few easy-to-grasp impulses, and almost all the other roles are filled by stereotypes--Jensen's most wastefully--in stereotypical relationships. Nevertheless, the premise is full of interesting possibilities about love and age and unconventional parenting.
    • 73 Metascore
    • 80 Robert Lloyd
    As produced it is more like a trip to the zoo, with the scribes imported into a set that suggests a writers' room (white board, bulletin board, index cards, big table, coffee) as a lion cage might simulate the veld. Even so, it feels like a glimpse of the real thing. Rash makes an excellent host-moderator.
    • 64 Metascore
    • 60 Robert Lloyd
    Lucas could spend the rest of his life filling that hiatus with adventures whose outcomes are basically irrelevant to the larger story he has already finished telling. Many battles make up a war, after all, and each is an episode waiting to be animated. The two I've seen are bagatelles--brief and insubstantial but colorful and fluid.
    • 72 Metascore
    • 60 Robert Lloyd
    It's a decent but not brilliant beginning.
    • 44 Metascore
    • 40 Robert Lloyd
    All in all, it is pretty thin and flat; there are jokes that work, and the cast is able, but not in the service of anything substantial.
    • 57 Metascore
    • 60 Robert Lloyd
    It's just the same joke endlessly repeated--the everyday translated into geek-speak, and the obscure and difficult treated as if it were common knowledge.... These are perilous times for sitcoms, and Lorre & Co. may want to think up another.
    • 72 Metascore
    • 70 Robert Lloyd
    It is, like much British comedy, unabashedly vulgar where its American cousins are relatively coy, an attitude that feels alternately trying and refreshingly healthy. You will recall that the Puritans brought their neuroses here. The kids, or rather the young adults playing the kids, are all very good.
    • 72 Metascore
    • 40 Robert Lloyd
    There are good things in it, some well-written scenes and dynamic exchanges and excellent acting... But, ultimately, it doesn't cohere or quite convince.
    • 59 Metascore
    • 40 Robert Lloyd
    The production values are extremely high. This may be trash, but it comes in an attractive can.
    • 72 Metascore
    • 80 Robert Lloyd
    Every performance here is good--the young actors are remarkable--and though the script sometimes goes just where you would expect it to, the characters seem authentically unpredictable.
    • 72 Metascore
    • 80 Robert Lloyd
    Even if you don't particularly feel for Selina--you don't root for her, particularly, or against her--there is continual pleasure in watching the actress make her go.
    • 71 Metascore
    • 80 Robert Lloyd
    I haven't seen ancient ordinary life so well represented since "A Funny Thing Happened on the Way to the Forum," and I am not being funny.
    • 71 Metascore
    • 80 Robert Lloyd
    The series is a better-heeled, better-paced and, within the bounds of its own Portland-ish modesty, a more ambitious extension of the occasional videos that Armisen and Portland resident Brownstein have posted online over the past few years under the name ThunderAnt.
    • 57 Metascore
    • 60 Robert Lloyd
    Except in the decorative details, it is exactly the same as every other gimme-a-job reality show ever made, with the contestants all banged up in a fancy dormitory from which they disappear one by one after themed weekly challenges.
    • 61 Metascore
    • 40 Robert Lloyd
    Sinise, a real movie star and the co-founder of Chicago's famed Steppenwolf Theatre, is a fine actor, and so are they all, all fine actors. But none has much to do here -- the dialogue makes "Dragnet" seem positively chatty.
    • 71 Metascore
    • 70 Robert Lloyd
    It benefits immensely from the presence of Braugher, at long last in a role that, like that of Det. Frank Pembleton on "Homicide: Life on the Street," suits his particular intensity.
    • 71 Metascore
    • 70 Robert Lloyd
    Important Things is inconsistent--the sketches are on the whole less funny than the stand-up, but they have their moments, and the show is on the whole worthwhile.
    • 71 Metascore
    • 80 Robert Lloyd
    The show improves as it gathers context, and before long you stop thinking about what makes this Arrested Development different from all other Arrested Developments.