For 496 reviews, this critic has graded:
  • 56% higher than the average critic
  • 5% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 1.2 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 63
Highest review score: 100 Homeland: Season 2
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 24 out of 496
496 tv reviews
    • 61 Metascore
    • 70 Robert Lloyd
    The production itself is sunny and conducive to a good mood. Coughlan wears well, as does Jason Priestley in the role of the fiancé she puts on hold.
    • 49 Metascore
    • 70 Robert Lloyd
    "Blade: The Series" is pretty good, really, as these things go.
    • 61 Metascore
    • 30 Robert Lloyd
    Despite a fine cast... in the end it works neither as comedy, satire, drama nor soap opera.
    • 61 Metascore
    • 60 Robert Lloyd
    Whether or not they add up to much, the scenes play well, and there are enough heavy-breathing soap-operatics, random acts of violence and unanswered questions to keep one idly watching.
    • 61 Metascore
    • 60 Robert Lloyd
    Chicagoland is a mosaic, as befits its many-cultured metropolitan setting--and for better or worse. The series moves fast to get it all in, muscling you with its Big Shoulders and too-present hip-hoppy soundtrack, giving you just enough of its characters--including kids and cops, a doctor, a rapper, a restaurateur--to make you feel you should be getting more of them.
    • 61 Metascore
    • 70 Robert Lloyd
    The Goode Family, which is nicely acted and well animated, works best when the cultural potshots give way to the more basic human needs of its characters.
    • 61 Metascore
    • 50 Robert Lloyd
    The only experiment actually being done here is the ongoing one of determining just how long people will watch this sort of thing. That is an experiment with no end in sight.
    • 61 Metascore
    • 70 Robert Lloyd
    [Meyers] was shaky only fleetingly. He stuck his landings. He was cool, but clearly having fun.
    • 61 Metascore
    • 70 Robert Lloyd
    The action is active, the suspense tense, the actors game. It seems a little silly at times, but meet it halfway and the hour passes painlessly.
    • 61 Metascore
    • 60 Robert Lloyd
    The celebration and surrender are enough to put the viewer in a vicarious good mood, no matter how unconvincing its context.
    • 87 Metascore
    • 80 Robert Lloyd
    I'll say now, before I get down to picking its nits--it has a few, and most might be predicted from the Spielberg oeuvre--that it's a splendid production, absolutely worth watching in its 10-hour entirety.
    • 61 Metascore
    • 40 Robert Lloyd
    Sinise, a real movie star and the co-founder of Chicago's famed Steppenwolf Theatre, is a fine actor, and so are they all, all fine actors. But none has much to do here -- the dialogue makes "Dragnet" seem positively chatty.
    • 22 Metascore
    • 50 Robert Lloyd
    While there's nothing particularly wrong with Do Not Disturb, neither is there anything so inspired as to make you leap to your feet, crying, "Yes! This is what television needs! More workplace comedies! More hotels!"
    • 61 Metascore
    • 30 Robert Lloyd
    It is most silly at its most serious. It might be better to go the full 007. As it is, and notwithstanding some spectacular location footage, there's scarcely a real moment in it from first shot to last.
    • 60 Metascore
    • 50 Robert Lloyd
    Given the dark flavor of Shaun Cassidy's adult TV creations and his own experiences within the music machine, Ruby feels surprisingly ordinary and uninformed, put together out of scraps from the old sitcom drawer.
    • 82 Metascore
    • 70 Robert Lloyd
    All in all, this is a dynamic, addictive rendition of a complicated novel that catches the spirit of Dickens' "roaring streets" where "the noisy and the eager, and the arrogant and the froward and the vain, fretted and chafed, and made their usual uproar."
    • 60 Metascore
    • 60 Robert Lloyd
    Much about the pilot felt flat or programmatic to me, but much was likable as well, especially the nonchalant tenderness between the male leads. And the cast is good.
    • 78 Metascore
    • 80 Robert Lloyd
    It's a little movie that feels big, without being self-consciously cinematic.
    • 60 Metascore
    • 70 Robert Lloyd
    Its pleasures are simple and familiar. There is the usual mix of boastful losers and shy winners, of tiresome cutting remarks and delightful delighted approval.
    • 60 Metascore
    • 70 Robert Lloyd
    [USA Network's] shows are for the most part solidly constructed, but where holes exist or the structure is creaky, they are shored up by the charm of their always well-cast players. Two new series bowing this week and next exemplify the house style; both are impressive out of the gate.
    • 60 Metascore
    • 40 Robert Lloyd
    The episode galumphs loudly across a checkerboard of scenes -- Stark at work, Stark at home, Stark at work at home -- that achieve neither the convincing quality of detailed realism nor the dumb fun of untethered melodrama.
    • 60 Metascore
    • 80 Robert Lloyd
    Sweet, lyrical and a little cracked, it's worth seeking out.
    • 51 Metascore
    • 60 Robert Lloyd
    Lacking the subtext, satire and snappy talk that made "Buffy" golden, Demons (on the evidence of its first two episodes) has little on its mind past raising spooks and smiting them, but it does a fair enough job of that.
    • 60 Metascore
    • 60 Robert Lloyd
    Wootton is a quick-minded, thematically consistent improviser who thoroughly knows his characters, and obviously something of a daredevil: You can get hurt doing this stuff, or arrested. But as in Baron Cohen's comedies, the cleverness of the star is too much the point.
    • 60 Metascore
    • 50 Robert Lloyd
    We get a glimpse of some intriguing characters that we don't, however, quite come to know--not in the episodes I've seen, anyway--because we are being pelted the whole time with exposition and explanation. We're rarely allowed just to look or listen in or to think for ourselves.
    • 60 Metascore
    • 70 Robert Lloyd
    If anything is liable to make "Smith" above the well-made caper show it already is, it's what might be done with the relationship between Liotta and Madsen.
    • 59 Metascore
    • 70 Robert Lloyd
    Its sometimes distracting and oppressive aspirations aside, Low Winter Sun does nevertheless strike me as promising, solid at its core, powered by plausible cross-purposes. Strong and James are excellent.
    • 59 Metascore
    • 80 Robert Lloyd
    Samantha Who? is as perfectly realized a comedy as the fall has to offer.
    • 59 Metascore
    • 40 Robert Lloyd
    The production values are extremely high. This may be trash, but it comes in an attractive can.
    • 59 Metascore
    • 70 Robert Lloyd
    There's much here to suggest that, if everyone relaxes a little, good things will come.