For 717 reviews, this critic has graded:
  • 58% higher than the average critic
  • 5% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 2 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 64
Highest review score: 100 The Office (UK): Season 2
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 30 out of 717
717 tv reviews
    • 79 Metascore
    • 80 Robert Lloyd
    The goings-on feel fresh in the way that kids at play make spy or space stories their own, even as they repeat what TV and the movies have taught them. This is just that with a budget, some deeper experience and the help of Jennifer Saunders, Rebecca Front, Dougray Scott and David Harewood, among interesting others.
    • 79 Metascore
    • 70 Robert Lloyd
    Themes from earlier Toy Story movies are also recycled, which should bother no one. Although Woody and Buzz get their screen time--with Jessie, they are the "Jules et Jim" of computer-animated cartoons about sentient playthings--it is the plucky cowgirl, facing her fears, whose story this is.
    • 51 Metascore
    • 50 Robert Lloyd
    Given that it wants to seem edgy and quirky, "Saved" is remarkably rich in cliché... Still, it's no worse than average and has Tom Everett Scott in it, which is a nice thing for TV viewers.
    • 67 Metascore
    • 60 Robert Lloyd
    Nevertheless, this is a kind of American classic that goes right against the grain of what cartoons are supposed to be.
    • 79 Metascore
    • 80 Robert Lloyd
    Though neither naive nor mum about its subject's destructive complications and contradictions, his brutal youth and abuse of women, Alex Gibney's film concentrates on Brown the performer--both as a musician and as a public political personage, the voice of black pride (say it loud!) and economic self-sufficiency.
    • 79 Metascore
    • 70 Robert Lloyd
    It is something shy of electrifying and not always convincing, but it pulls you right along and offers too many good moments and fine performances not to recommend it.
    • 79 Metascore
    • 80 Robert Lloyd
    It preserves the domestically framed, socially engaged flavor of the original while mixing in new verve. And it has turned out very well: smart, fun, bighearted and less noisy and hectoring than Lear works of old could sometimes be.
    • 79 Metascore
    • 80 Robert Lloyd
    By loading his film with musicians and producers and songwriters who can take a song down to its components--some of whom were behind the scenes, some of whom were then just kids buying the records--Lee keeps his celebration smart and not soppy.
    • 79 Metascore
    • 70 Robert Lloyd
    The show's attitudinal mix of the jaded and amazed, the shocked and amused, is supported by the production itself.
    • 79 Metascore
    • 80 Robert Lloyd
    [Sontag's] personal magnetism is very much part of the story.... This alone makes for a highly watchable film, though Kates also dresses the screen with poetical visual interludes.
    • 79 Metascore
    • 80 Robert Lloyd
    Cop show, fantasy, mystery, comedy, romance, puzzle -- there are a lot of ways to approach "Life on Mars," which begins its second and final season tonight on BBC America, and they all pay off.
    • 79 Metascore
    • 80 Robert Lloyd
    The real miracle here is how deftly the show avoids the soggy cliches of redemption so many of its forerunners have embraced. [26 Sept 2003, p.E1]
    • Los Angeles Times
    • 53 Metascore
    • 70 Robert Lloyd
    It is, basically, good-looking fun, and if I say that much of this might have been written by a 12-year-old, you must understand that I mean that as a good thing.
    • 78 Metascore
    • 70 Robert Lloyd
    It's perhaps appropriate to the subject matter that the show's main appeal is sensual rather than cerebral, grounded in a host of superb performances.
    • 71 Metascore
    • 70 Robert Lloyd
    The new series, to judge by the two opening hours, is better balanced and plays more to the players' strengths.
    • 78 Metascore
    • 70 Robert Lloyd
    The script can seem both a little precious and a little obvious at times, dropping references to Pandora's box, the golem, Einstein's definition of insanity and Schrödinger's cat. But all in all, it works.
    • 39 Metascore
    • 50 Robert Lloyd
    Neither a disaster nor a triumph.
    • 78 Metascore
    • 80 Robert Lloyd
    Community continues to achieve a tricky balance of cynicism, sentiment and surreality.
    • 78 Metascore
    • 80 Robert Lloyd
    It matters less whether UnREAL is accurate than whether it is just true enough to provide a foundation for credible drama--and it very much does.
    • 78 Metascore
    • 70 Robert Lloyd
    You can either let this annoy you, or you can try to work out the meaning, or you can just enjoy the flow in a noncommittal way that does not preclude your being stimulated, shocked or held in suspense--like a fun-house ride. I am of the third disposition, and have also been of the first.
    • 78 Metascore
    • 80 Robert Lloyd
    Smart and delightful.
    • 78 Metascore
    • 80 Robert Lloyd
    Even with its problems--we'll get to those presently--it's one of the best shows of the fall season.
    • 78 Metascore
    • 60 Robert Lloyd
    There are enough interesting ideas inherent in the material to warrant giving The Americans a chance, and interesting enough ideas that one wishes a little more attention were being paid to them, and a little less to the usual spy-jinks.
    • 78 Metascore
    • 80 Robert Lloyd
    The leads are all marvelous, with a complementary elemental division of attitudes: Kemper, air; Burrell, fire; Kane, earth; and Krakowski, water, as I reckon it. They rise to the occasion and make it an event.
    • 78 Metascore
    • 80 Robert Lloyd
    Even at its most obvious or ungainly, it's never less than interesting, and it's certainly not shy of conviction; no C.K. fan with an Internet connection and $5 to spare will want to pass it by.
    • 78 Metascore
    • 80 Robert Lloyd
    It's a little movie that feels big, without being self-consciously cinematic.
    • 78 Metascore
    • 70 Robert Lloyd
    The personal circus, while given much play, remains secondary to the cooking contest. And as usual, the crop of contestants is claimed to be the most talented yet, and they do seem well-credentialed (James Beard nominees, Michelin-star-winner), competitive and more than usually tattooed.
    • 78 Metascore
    • 80 Robert Lloyd
    Though firmly in the Lucas tradition, this is also a Disney cartoon, for a Disney crowd and a Disney corporation--watching, you can almost feel the plastic and the plush--and whatever the characters are up to, however cute or sentimental the business, it is smartly designed and cinematically staged, and not hard to enjoy.
    • 77 Metascore
    • 80 Robert Lloyd
    Well made and never boring--the director is Julian Jarrold ("Becoming Jane")--Appropriate Adult is a first-class example of what British filmmakers do well when they are not trying to look like American filmmakers.
    • 57 Metascore
    • 60 Robert Lloyd
    Notwithstanding the novelty of the setting, the nice Latin music and good individual work by the cast--Walker is especially notable in a role made to notice--Smits is the engine that drives the ship; he gives Cane at least an illusion of speed and substance and soul.

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