For 560 reviews, this critic has graded:
  • 56% higher than the average critic
  • 5% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 1.4 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 64
Highest review score: 100 The Office (UK): Season 2
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 26 out of 560
560 tv reviews
    • 81 Metascore
    • 80 Robert Lloyd
    More a sketch than a thorough retelling--though still recommended as such--and as balanced as you can be about the scandal given the facts, the film begins at the end, or just before it, with the remarkable, once much-bootlegged footage of Nixon preparing to resign.
    • 80 Metascore
    • 80 Robert Lloyd
    It is a suitably complicated and pictorially engaging work of period suburban mystery, with a large cast of characters
    • 89 Metascore
    • 80 Robert Lloyd
    There is a current of delight that runs through the show different from other reality contestants, where the grown-ups may feel they have their lives on the line; there is disappointment here, but little bitterness.
    • 65 Metascore
    • 80 Robert Lloyd
    A smart, amiable, colorful new cartoon series.
    • 59 Metascore
    • 80 Robert Lloyd
    A "heightened reality" show, one might call it, but one which makes its subject palpable and which, because it is made with care, lets you care too. It's the more artful portrait, paradoxically, that paints the truer picture.
    • 66 Metascore
    • 80 Robert Lloyd
    Convincingly mounted and splendidly played, the show packs in a lot without seeming to, moving from one weird scene to another while maintaining a kind of emotional integrity.
    • 86 Metascore
    • 80 Robert Lloyd
    I'll say now, before I get down to picking its nits--it has a few, and most might be predicted from the Spielberg oeuvre--that it's a splendid production, absolutely worth watching in its 10-hour entirety.
    • 62 Metascore
    • 80 Robert Lloyd
    It's very funny, beautifully played, sometimes touching and, though its premise is familiar--rich family loses money--quite its own animal.
    • Los Angeles Times
    • 75 Metascore
    • 80 Robert Lloyd
    Costello (who has subbed for David Letterman) makes a fine host--a bit reverential at times, but never as pious as, say, James Lipton can become over at the similarly configured "Inside the Actors Studio."
    • 39 Metascore
    • 80 Robert Lloyd
    "Surface" is steeped in Spielberg, and is better Spielberg than Spielberg has managed in quite some time.
    • 89 Metascore
    • 80 Robert Lloyd
    It's not quite perfection. Nearly everything to do with the character of Piper's fiancé, Larry (Jason Biggs), somewhat based on Kerman's now-husband Larry Bloom, seems problematic to me. Similarly, in emphasizing the humanity of the inmates, their warders have been made to look, for the most part, pathetic, foolish or monstrous. That is remedied in part this season by a deeper look at the staff, even as some of the more difficult prisoners, like Uzo Aduba's Crazy Eyes, are brought into better focus.
    • 76 Metascore
    • 80 Robert Lloyd
    The two episodes I've seen are very good--engagingly twisted, more invested in ideas than jokes, often funny, usually admirable.
    • 71 Metascore
    • 80 Robert Lloyd
    The current episodes have more weight and intensity; they come off a shade darker and yet more sympathetic to its cast of co-dependent lost souls.
    • 69 Metascore
    • 80 Robert Lloyd
    The Fades works.
    • 68 Metascore
    • 80 Robert Lloyd
    "Rome" is smart, dirty fun.
    • 68 Metascore
    • 80 Robert Lloyd
    The glamour in Pan Am may indeed be manufactured--doubly manufactured, given the re-created places and planes--but it's not empty: The show says, yes, this is as good as it looks, and it looks very good
    • 72 Metascore
    • 80 Robert Lloyd
    Every performance here is good--the young actors are remarkable--and though the script sometimes goes just where you would expect it to, the characters seem authentically unpredictable.
    • 75 Metascore
    • 80 Robert Lloyd
    It does bear the compromises and conventions that routinely afflict biographical dramas.... But it's no worse in this respect than most such films and better than many — rarely cornball and, indeed, conceivably less melodramatic than the life it portrays. And it's always well played.
    • 73 Metascore
    • 80 Robert Lloyd
    Battle Creek may be a little low-boil compared to other network mysteries, which I don't account a fault; even when it runs to caricature, it stays convincing. And if it doesn't break any new ground, it nevertheless feels fresh and genuine.
    • 77 Metascore
    • 80 Robert Lloyd
    As a story about how the past became the present (which makes us, in relation to its characters, people of the future), it is very much in line with its subject, and has been made with much the same mix of enchantment and suspense.
    • 59 Metascore
    • 80 Robert Lloyd
    Samantha Who? is as perfectly realized a comedy as the fall has to offer.
    • 67 Metascore
    • 80 Robert Lloyd
    The already evident lesson is that a moldy premise need not stand in the way of a good time. [22 Sept 2003, p.E1]
    • Los Angeles Times
    • 55 Metascore
    • 80 Robert Lloyd
    The contest consists of family members answering questions about one another to win money and prizes, which is straightforward enough and entertaining on its own. But what makes it work so well, I am surprised to say, is the Big Gimmick: the fact that the show is staged on the contestants' front lawn.
    • 67 Metascore
    • 80 Robert Lloyd
    As directed by Peter Berg, this is smart, handsome TV, a witty, measured mix of sci-fi, soap and satire that offers new twists on old tropes.
    • 69 Metascore
    • 80 Robert Lloyd
    A considerably above-average Generation Y sitcom that manages to be both sharp and sentimental, like "Seinfeld" with feeling.
    • Los Angeles Times
    • 75 Metascore
    • 80 Robert Lloyd
    There are also familiar dialogues between the brain and the body (golden) and a bit of hand-in-the-Jello-bowl mugging (not so golden), but all in all, the special lives up to its name. Neither finished, nor diminished.
    • 75 Metascore
    • 80 Robert Lloyd
    There is plenty of irony in Silverman's presentations, but her title is sincere.
    • 78 Metascore
    • 80 Robert Lloyd
    Even with its problems--we'll get to those presently--it's one of the best shows of the fall season.
    • 77 Metascore
    • 80 Robert Lloyd
    Well made and never boring--the director is Julian Jarrold ("Becoming Jane")--Appropriate Adult is a first-class example of what British filmmakers do well when they are not trying to look like American filmmakers.
    • 88 Metascore
    • 80 Robert Lloyd
    The alien Doctor is something of a Sherlock Holmes, and Sherlock Holmes is something of an alien. This is played often for laughs, in the series' funniest, and goofiest, year yet.

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