For 727 reviews, this critic has graded:
  • 58% higher than the average critic
  • 5% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 65
Highest review score: 100 The Office (UK): Season 2
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 30 out of 727
727 tv reviews
    • 71 Metascore
    • 70 Robert Lloyd
    A relatively quiet, at times almost meditative comedy with a talking animal at its center.
    • 41 Metascore
    • 70 Robert Lloyd
    I've watched the pilot possibly too many times not to notice how the parts have been glued together and the jokes teed up, but the performances are good.
    • 42 Metascore
    • 70 Robert Lloyd
    As schematic and derivative as it is, as invested in piling on the feel-good moments past the point even of suspended disbelief, there is something quite likable about Made in Jersey.
    • 77 Metascore
    • 70 Robert Lloyd
    The personal business is interesting enough, if here and there inexplicable--like life, I hear you sigh--and does help make sense of why the characters act so needy around the office. But what Southland does best is to portray police work as a job--boring, trying, exciting by turns.
    • tbd Metascore
    • 70 Robert Lloyd
    Nothing in Jeff & Some Aliens looks particularly radical or ground-breaking. Still, the three episodes I’ve seen are well plotted and performed.
    • 78 Metascore
    • 70 Robert Lloyd
    You can either let this annoy you, or you can try to work out the meaning, or you can just enjoy the flow in a noncommittal way that does not preclude your being stimulated, shocked or held in suspense--like a fun-house ride. I am of the third disposition, and have also been of the first.
    • 59 Metascore
    • 60 Robert Lloyd
    As drama, it's uneven, often cliched, even silly, but, like the store in which it's set--and whose ground floor, mezzanine and facade have been splendidly re-created--so variously stocked that you will likely find something here to take home.
    • 64 Metascore
    • 60 Robert Lloyd
    Lucas could spend the rest of his life filling that hiatus with adventures whose outcomes are basically irrelevant to the larger story he has already finished telling. Many battles make up a war, after all, and each is an episode waiting to be animated. The two I've seen are bagatelles--brief and insubstantial but colorful and fluid.
    • 50 Metascore
    • 60 Robert Lloyd
    Everything in the pilot, written by executive producer Claudia Lonow, is a hair or three too strenuous; Billie has been knocked down to a few easy-to-grasp impulses, and almost all the other roles are filled by stereotypes--Jensen's most wastefully--in stereotypical relationships. Nevertheless, the premise is full of interesting possibilities about love and age and unconventional parenting.
    • 48 Metascore
    • 60 Robert Lloyd
    The show's shifts in tone can seem ungainly; the comedy, of which there is more than usual in such shows, sometimes rubs uncomfortably against the premise.... Yet the show is best when it's funniest.
    • 62 Metascore
    • 60 Robert Lloyd
    It's an uneven show that lacks the finely crafted eccentricity of a "Northern Exposure" and "Twin Peaks" or "Picket Fences" (other strange-small-town shows featuring police officers), but when I say "uneven," I do mean that sometimes it's good.
    • 67 Metascore
    • 60 Robert Lloyd
    It does get a little pretentious at times, especially during the opening and closing narrations, but its pretensions are very much comic-book pretensions, and therefore allowable in what is, fundamentally, a comic book.
    • 52 Metascore
    • 60 Robert Lloyd
    The series keeps generally on the right side of things by virtue of the excellence and exuberance of the performances, which add flesh where needed; by moving fast enough to keep ahead of your second thoughts; and by spreading the ridiculousness around.
    • tbd Metascore
    • 60 Robert Lloyd
    World Without End is, to use a Python word, silly much of the time. But in a piece this big and busy, individual elements can stand out as enjoyable even when the whole is less than the sum of those parts.
    • 57 Metascore
    • 60 Robert Lloyd
    Their TV show, which might make the band more famous than its music, is lightweight, sometimes flat and sometimes embarrassing, with none of the deadpan brilliance of "Flight of the Conchords" or the sophisticated sitcomedy of the late “The Chris Isaak Show.”
    • 53 Metascore
    • 60 Robert Lloyd
    Old-chestnut premise notwithstanding, the show wants to be modern, and the humor occasionally pushes further than one might expect from a family comedy.
    • 57 Metascore
    • 60 Robert Lloyd
    Notwithstanding the novelty of the setting, the nice Latin music and good individual work by the cast--Walker is especially notable in a role made to notice--Smits is the engine that drives the ship; he gives Cane at least an illusion of speed and substance and soul.
    • 61 Metascore
    • 60 Robert Lloyd
    An expectation of failure is built into the comedy, so that at times the contestants are funny only in the attempt to be funny. At other times, given the circumstances, it may seem miraculous that they can be funny at all.
    • 63 Metascore
    • 60 Robert Lloyd
    Still, for all the unlikely things the Gaytons make happen in order to get their characters into place, and the dogged refusal of a couple of those characters to become interesting at all, the show gathers steam as it goes on.
    • 44 Metascore
    • 60 Robert Lloyd
    As with most things Wolf, it is superbly cast, almost too well... But every small role is well cast too -- the judges, the defendants, the policemen. They help create a lively world that's more believable than it sometimes deserves to be, and it is almost always engaging.
    • 67 Metascore
    • 60 Robert Lloyd
    State of Mind is the weaker (and the more strenuous and sour) of the two [new shows on Lifetime], and all the more disappointing for the presence of the reliably interesting Taylor.
    • 33 Metascore
    • 60 Robert Lloyd
    It's an amiable show whose main purpose is to give Prinze a place to be amiable in, and it does that well enough, when it isn't straining for laughs or wandering too far from the path of probability.
    • 57 Metascore
    • 60 Robert Lloyd
    The show starts out annoying and then gets less annoying. ... I don't have great hopes for this, but I had expected it to burn the eyes from my head, and that is not at all the case.
    • 50 Metascore
    • 60 Robert Lloyd
    It's funny in its own way, smarter than most TV comedies and has a terrific cast -- all of which makes me wonder why I'm not more moved by it.
    • 77 Metascore
    • 60 Robert Lloyd
    It has its good points and its less good points, but there's enough of the former to merit a look.
    • 67 Metascore
    • 60 Robert Lloyd
    Too Big to Fail is pretty consistent low-key entertainment if not exactly enlightening (because it is an impersonation of the truth) or gripping (because we already know how it sort of ends).
    • 61 Metascore
    • 60 Robert Lloyd
    This is news that never quite rises to the level of an event: "David Mamet Came to Television and All We Got Was a Better 'E-Ring.' "
    • 64 Metascore
    • 60 Robert Lloyd
    With a couple of minor changes--new graphics, new desk--Noah's first show kept everything in place. The theme song, the correspondents, the Moment of Zen. The bent remains political.... As with every new host since the beginning of hosts, he was the least comfortable in the interview segment--with "comedic rock star" Kevin Hart. It made him seem young in a way the rest of the show did not.
    • 51 Metascore
    • 60 Robert Lloyd
    As it goes on, the show becomes less of a bro-fest, a bro-stock, a bro-achella and more of a balanced coed ensemble comedy. ... It is all more charming after the fourth episode than after the first.
    • 58 Metascore
    • 60 Robert Lloyd
    If it plays havoc with the realities of medical practice, well, so did "House." And to glamorize, sanitize and romanticize illness is, after all, an old Hollywood tradition; and this is a show with a target audience for whom even death, in soft enough focus, can constitute a sort of wish fulfillment.

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