For 558 reviews, this critic has graded:
  • 56% higher than the average critic
  • 5% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 1.5 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 64
Highest review score: 100 True Detective: Season 1
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 26 out of 558
558 tv reviews
    • 68 Metascore
    • 50 Robert Lloyd
    All of the wives are more interesting than their husband. Paxton's character remains a problem for me and, as the pole on which this tent depends, a crucial one.
    • 68 Metascore
    • 50 Robert Lloyd
    I suppose there are women in the world as empty as the instantly beddable Maxim babes the producers habitually drape around their boys, but it would help to give them even something stupid to say -- it strikes a wrong note, this neo-retro sexism, even if it accurately reflects the world view of the characters or, indeed, their actual world. It's a failing that even the presence of Debi Mazar (great, as always) as Vince's publicist and the intriguing Samaire Armstrong (from "The O.C.") as Eric's budding love interest does not redeem. [17 July 2004, p.E1]
    • Los Angeles Times
    • 66 Metascore
    • 50 Robert Lloyd
    Neither the script nor the production is substantial enough to make the story quite stand on its own.
    • 67 Metascore
    • 50 Robert Lloyd
    Some of it is very enjoyable, some of it is silly but still enjoyable, some of it is too silly to be enjoyable, some of it is not silly enough to be enjoyable, and some of it is neither here nor there.
    • 56 Metascore
    • 50 Robert Lloyd
    Polished and lively, it is also simplistic, melodramatic and half-baked — though it clips along nicely enough that you may not notice.
    • 59 Metascore
    • 50 Robert Lloyd
    Given the dark flavor of Shaun Cassidy's adult TV creations and his own experiences within the music machine, Ruby feels surprisingly ordinary and uninformed, put together out of scraps from the old sitcom drawer.
    • 61 Metascore
    • 50 Robert Lloyd
    he two episodes offered for review, "Food Revolutionaries" (including Auguste Escoffier, Julia Child and Clarence Birdseye) and "Carnivores," hop around within their subjects with no particular direction, but lots of anecdote and opinion; the tone is hopelessly antic, marked with animations and sound effects and never landing on any image for longer than it takes to take it in.
    • 36 Metascore
    • 50 Robert Lloyd
    Rays of charm do break through the haze of the ordinary and obvious, even if just for a line or a line reading.
    • 42 Metascore
    • 50 Robert Lloyd
    Like "Martha," in which she is required to appear interested in celebrities and to whip up the crowd, "The Apprentice" is not a perfect fit.
    • 44 Metascore
    • 50 Robert Lloyd
    It is not a train wreck; it's just a train--chugging along from A to B, carrying the people, delivering the freight.
    • 68 Metascore
    • 50 Robert Lloyd
    The film aims for a dry authenticity that only fractionally reflects the big, wild volume on which it's based, cutting away nearly all of its poetry and most of its madness.
    • 47 Metascore
    • 50 Robert Lloyd
    Once known, this fact [the series is based on the lives its creators] lends to the project an authenticity that might not otherwise be apparent, so steeped is it in the rhythms and conventions of the 20th century sitcom.
    • 44 Metascore
    • 50 Robert Lloyd
    [Slater's] new show also needs to find its voice. Still, if there is something in its premise that recalls the straining-for-effect, too-clever-to-start setups of series like USA's "Psych" and "Suits," the first of those managed to run eight seasons in the end, and the latter has already been renewed for a fourth.
    • 57 Metascore
    • 50 Robert Lloyd
    I didn't find much of it funny, but on a kind of purely analytical level I can see how the jokes are supposed to work, and might well work on some.
    • 39 Metascore
    • 50 Robert Lloyd
    Neither a disaster nor a triumph.
    • 61 Metascore
    • 50 Robert Lloyd
    The only experiment actually being done here is the ongoing one of determining just how long people will watch this sort of thing. That is an experiment with no end in sight.
    • 21 Metascore
    • 50 Robert Lloyd
    While there's nothing particularly wrong with Do Not Disturb, neither is there anything so inspired as to make you leap to your feet, crying, "Yes! This is what television needs! More workplace comedies! More hotels!"
    • 64 Metascore
    • 50 Robert Lloyd
    The historical documentaries are more successful than the cultural ones, for having a better story to tell, but all are made in a similar style, without written narration, driven by news clips and interviews (with scholars, participants and celebrity rememberers, Hanks naturally included).
    • 43 Metascore
    • 50 Robert Lloyd
    It is easy to buy [Heigl] in these more casual moments, especially given quiet, excellent support by Sheila Vand, Cliff Chamberlain and Tommy Savas as her fellow (though hierarchically inferior) co-analysts.... [But] The more amped-up the action and the more tangled the weave of its web is revealed to be, the more hilarious State of Affairs becomes.
    • 51 Metascore
    • 50 Robert Lloyd
    That the story... snakes around a lot, tossing supernatural red herrings in its wake, keeps it oddly compelling, even as it grows increasingly preposterous, not only as regards the supernatural but as to how people really act.
    • 81 Metascore
    • 50 Robert Lloyd
    The film as a whole is a strange case of mostly excellent parts that make an overlong and tedious whole.
    • 64 Metascore
    • 50 Robert Lloyd
    As a professionally discerning adult, I could not help but notice that the characters are fairly stock, the situations familiar and, some nifty digital backgrounds notwithstanding, the production continually felt more like an elaborate game of let's pretend than it did a window into some real other world. I didn't buy a second of it.
    • 41 Metascore
    • 50 Robert Lloyd
    The deal you make with a series like this is, if it doesn't ask too much of you, you won't ask too much of it.
    • 48 Metascore
    • 50 Robert Lloyd
    Every so often the production does wake up, with a sudden brawl or assassination attempt--these scenes at least have energy and sometimes emotion--before settling back into a state of mildly agitated, interwoven intrigue.
    • 45 Metascore
    • 50 Robert Lloyd
    There is a professional, even a grim efficiency to the jokes.... There are breast jokes, genital jokes, a long oral sex joke, an alcoholic-sorority-girl-defecating-in-a-closet joke. A few hit, many miss.
    • 38 Metascore
    • 50 Robert Lloyd
    It's a somber, often leaden affair, beset with stiff dialogue.
    • tbd Metascore
    • 50 Robert Lloyd
    It is not the show for which Lucas and Walliams will be remembered; it is more amusing than hilarious, and at times not funny at all. But fans should be fitfully rewarded.
    • 48 Metascore
    • 50 Robert Lloyd
    Sadly, these factors [Kevin Nealon, Catherine O'Hara and puppet animation] only amplify my disappointment in what, on the basis of one episode and a handful of clips, looks to be a weak and wheezy show.
    • 74 Metascore
    • 50 Robert Lloyd
    As an attempt to tell the truth about an attempt to tell the truth about the state of domestic relations in a time of changing values, Cinema Verite fails--it cannot help but fail--as anything but a platform for some interesting performances and a few explicitly, loudly and briefly argued ideas about where one should draw the line when you point a camera into innocent people's lives.
    • 58 Metascore
    • 50 Robert Lloyd
    If for the most part this Treasure Island does not shiver my timbers, at a running time of three hours (four with ads), some things are bound to work, if only by the law of averages.

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