For 622 reviews, this critic has graded:
  • 57% higher than the average critic
  • 5% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 1.8 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 64
Highest review score: 100 The Office (UK): Season 3
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 28 out of 622
622 tv reviews
    • 67 Metascore
    • 80 Robert Lloyd
    The already evident lesson is that a moldy premise need not stand in the way of a good time. [22 Sept 2003, p.E1]
    • Los Angeles Times
    • 55 Metascore
    • 80 Robert Lloyd
    The contest consists of family members answering questions about one another to win money and prizes, which is straightforward enough and entertaining on its own. But what makes it work so well, I am surprised to say, is the Big Gimmick: the fact that the show is staged on the contestants' front lawn.
    • 67 Metascore
    • 80 Robert Lloyd
    As directed by Peter Berg, this is smart, handsome TV, a witty, measured mix of sci-fi, soap and satire that offers new twists on old tropes.
    • 69 Metascore
    • 80 Robert Lloyd
    A considerably above-average Generation Y sitcom that manages to be both sharp and sentimental, like "Seinfeld" with feeling.
    • Los Angeles Times
    • 75 Metascore
    • 80 Robert Lloyd
    There are also familiar dialogues between the brain and the body (golden) and a bit of hand-in-the-Jello-bowl mugging (not so golden), but all in all, the special lives up to its name. Neither finished, nor diminished.
    • 75 Metascore
    • 80 Robert Lloyd
    There is plenty of irony in Silverman's presentations, but her title is sincere.
    • 78 Metascore
    • 80 Robert Lloyd
    Even with its problems--we'll get to those presently--it's one of the best shows of the fall season.
    • 77 Metascore
    • 80 Robert Lloyd
    Well made and never boring--the director is Julian Jarrold ("Becoming Jane")--Appropriate Adult is a first-class example of what British filmmakers do well when they are not trying to look like American filmmakers.
    • 88 Metascore
    • 80 Robert Lloyd
    The alien Doctor is something of a Sherlock Holmes, and Sherlock Holmes is something of an alien. This is played often for laughs, in the series' funniest, and goofiest, year yet.
    • 75 Metascore
    • 80 Robert Lloyd
    One of the season's best new shows.
    • 81 Metascore
    • 80 Robert Lloyd
    [Writer/director/voice of Cleric] Steve Purcell's comic timing is splendid, as is his staging of the action scenes.
    • 56 Metascore
    • 80 Robert Lloyd
    This air of familiarity notwithstanding, the pilot is splendidly rendered; effective in the expected ways in a way that makes you forget you expected them.
    • 76 Metascore
    • 80 Robert Lloyd
    It takes no time at all for the new team to establish its authority; the new "Who" feels at once traditional and fresh, and completely right.
    • 79 Metascore
    • 80 Robert Lloyd
    Even at its most obvious or ungainly, it's never less than interesting, and it's certainly not shy of conviction; no C.K. fan with an Internet connection and $5 to spare will want to pass it by.
    • 84 Metascore
    • 80 Robert Lloyd
    Despite its equivocal title, Almost the Truth beats any Python documentary yet made for comprehensiveness and depth.
    • 71 Metascore
    • 80 Robert Lloyd
    The dialogue has a nice snap, the jokes come from just to the left of where you expect them to, and the players are all first-rate.
    • 75 Metascore
    • 80 Robert Lloyd
    A few caricatures stick out among the characters, but the subtler conceptions, on the page and in performance, win out.
    • 75 Metascore
    • 80 Robert Lloyd
    A delightful, knockabout new sitcom.
    • tbd Metascore
    • 80 Robert Lloyd
    [An] immediately exciting new season.
    • 80 Metascore
    • 80 Robert Lloyd
    Artistically, it may be an unnecessary appendix, but I'm not complaining. More pie? I will make room somehow.
    • 78 Metascore
    • 80 Robert Lloyd
    Community continues to achieve a tricky balance of cynicism, sentiment and surreality.
    • 79 Metascore
    • 80 Robert Lloyd
    Though neither naive nor mum about its subject's destructive complications and contradictions, his brutal youth and abuse of women, Alex Gibney's film concentrates on Brown the performer--both as a musician and as a public political personage, the voice of black pride (say it loud!) and economic self-sufficiency.
    • 77 Metascore
    • 80 Robert Lloyd
    The heroine's fearless and clever character, the self-knowledge and self-possession her tormentors lack, and her gift for survival are fixed from first to last. She is sometimes thwarted but never altered. If this makes The Book of Negroes less psychologically complex than it otherwise might be, there are real pleasures and comforts to be had from it.
    • 74 Metascore
    • 80 Robert Lloyd
    In the wonderful Family Tree, hangdog Chris O'Dowd, finding his life stalled after losing a girlfriend and a job in short order, goes in search of his roots and relatives.
    • 76 Metascore
    • 80 Robert Lloyd
    It's possible that, barring a confession, you will come to the end of The Jinx unsatisfied, wondering how it was you spent six unreclaimable hours in the company of a person you have decided is a creep. Either way, it's fascinating as it gets there.
    • 86 Metascore
    • 80 Robert Lloyd
    Wolf Hall is both stately and fast-moving, exceedingly still yet highly suspenseful.... Though the series comes to a natural stopping place, it also feels, at the finish, incomplete.
    • 83 Metascore
    • 80 Robert Lloyd
    This year, by contrast [to last year], the drama flows more naturally; it cuts closer to home, and nearer the bone, allowing Smith and McGovern, particularly, deeper material than has previously been their portion
    • Los Angeles Times
    • 73 Metascore
    • 80 Robert Lloyd
    The series, which is confident from the start, its world fully formed and well-performed, isn't a retelling.
    • 65 Metascore
    • 80 Robert Lloyd
    As before there is a nice balance between social drama and personal business, the tragic and the comic, exaggeration and authenticity.
    • tbd Metascore
    • 80 Robert Lloyd
    It is a sweet, rather sad piece that--like the songs, by Whedon and his brother Jed, which are at once mock-heroic and actually heroic, mock-moving and moving in fact--works both as parody and as a drama. It also works as comedy, from line to line and moment to moment, but it is not, really, a comedy

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