For 514 reviews, this critic has graded:
  • 56% higher than the average critic
  • 5% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 1.5 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 63
Highest review score: 100 The Returned: Season 1
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 25 out of 514
514 tv reviews
    • 53 Metascore
    • 70 Robert Lloyd
    If nothing here screams New Dylan or Next Gaga, or bids in any way to rival the best of "Runway" or "Chef," the craft-under-pressure and problem-solving elements work as before. It's amazing what people can do in a day.
    • 58 Metascore
    • 70 Robert Lloyd
    [Jason Isaacs] is not the only reason to recommend it, but it is by itself sufficient; indeed, it overwhelms any small arguments in its disfavor.
    • 60 Metascore
    • 70 Robert Lloyd
    [USA Network's] shows are for the most part solidly constructed, but where holes exist or the structure is creaky, they are shored up by the charm of their always well-cast players. Two new series bowing this week and next exemplify the house style; both are impressive out of the gate.
    • 59 Metascore
    • 70 Robert Lloyd
    There's much here to suggest that, if everyone relaxes a little, good things will come.
    • 63 Metascore
    • 70 Robert Lloyd
    Pretty Little Liars managed to find an organic groove, and there's reason to think this close cousin can also find its feet and walk.
    • 42 Metascore
    • 70 Robert Lloyd
    I've watched the pilot possibly too many times not to notice how the parts have been glued together and the jokes teed up, but the performances are good.
    • 51 Metascore
    • 70 Robert Lloyd
    Free Agents has its moments and fine performances--and also make one wonder about the long run.
    • 49 Metascore
    • 70 Robert Lloyd
    Eventually the mood relaxes, even as the slapstick amps up, and what may prove to be a charming comedy begins to emerge.
    • 54 Metascore
    • 70 Robert Lloyd
    The show is aspirational and at times genuinely exciting.
    • 63 Metascore
    • 70 Robert Lloyd
    Well-crafted and a little--sometimes more than a little--unpleasant.
    • 65 Metascore
    • 70 Robert Lloyd
    Made with ingenuity and verve, it substitutes the half-glimpsed and suggestive for the in-your-face and explicit, and concentrates more on the buildup than the payoff, the fear more than the fright.
    • 57 Metascore
    • 70 Robert Lloyd
    While the broad strokes tend to remind you that you're watching a fiction, the finer details are well done - the bits and pieces are satisfying, even as you note the rivets and seams that join them.
    • 62 Metascore
    • 70 Robert Lloyd
    The Norwegians are the foreigners here, and Norway the foreign land. But that remoteness is part of the show's appeal.
    • 68 Metascore
    • 70 Robert Lloyd
    If the characters are not particularly original, neither do they come off as artificial. The dialogue is 75% banter, but it is crisp and tart, and the actors make even the ripostes you can predict sound spontaneous.
    • 70 Metascore
    • 70 Robert Lloyd
    Even the most concocted bits play out in a relaxed way, as when a drummer lay back behind the beat, putting new life into an old tune, making the corn convincing, the familiar unpredictable.
    • 68 Metascore
    • 70 Robert Lloyd
    It's not a perfect show, but to judge by its pilot, it has good bones and excellent prospects, with a cast that knows just how much fun it can have before it seems as if it is just having fun.
    • 62 Metascore
    • 70 Robert Lloyd
    As redeveloped by Cynthia Cidre (the 2007 CBS prime-time soap "Cane"), it is very much its [the original "Dallas"] heir, in spirit and execution.
    • 74 Metascore
    • 70 Robert Lloyd
    It's a sweet summer treat.
    • 66 Metascore
    • 70 Robert Lloyd
    The writing is decent, with flashes of sideways wit.
    • 66 Metascore
    • 70 Robert Lloyd
    Copper has come to entertain, not to educate, and it discharges that duty well.
    • 47 Metascore
    • 70 Robert Lloyd
    It is smartly written and well played.... This series is also going to be very much a matter of taste.
    • 43 Metascore
    • 70 Robert Lloyd
    As schematic and derivative as it is, as invested in piling on the feel-good moments past the point even of suspended disbelief, there is something quite likable about Made in Jersey.
    • 49 Metascore
    • 70 Robert Lloyd
    In a world without cable dramas, Chicago Fire would be considered television at its more compelling and realistic. As it is, it walks the line between shameless entertainment--hot guys, hot girls, the fires within, the fires without--and intelligent storytelling.
    • 77 Metascore
    • 70 Robert Lloyd
    It is, for all its two and a half hours, a streamlined retelling, organized more around energy and atmosphere than facts and figures.
    • 51 Metascore
    • 70 Robert Lloyd
    As these things go, The Job is rather mild-mannered and amiable--everyone is on their best behavior, because there is no advantage in being nasty.
    • 57 Metascore
    • 70 Robert Lloyd
    The situations are stock--John Hughes wrote this playbook pretty thoroughly--and the dialogue does not exactly crackle. But it is all well-staged and believably played and at times it becomes quite lyrical and, even, moving.
    • 69 Metascore
    • 70 Robert Lloyd
    Jefferies' comedy is by turn smart, obvious, thoughtful and irritating, and quite as much may be said of his series--though his stage demeanor (loud, brash and in control) is softened considerably here by dint of his being a character living among other characters.
    • 71 Metascore
    • 70 Robert Lloyd
    After a relatively overstated first episode (relative to what follows, that is, not to cartoons as a whole), it settles down into a gentler, more delicate, behind-the-beat groove.
    • 65 Metascore
    • 70 Robert Lloyd
    Director Coky Giedroyc leaves enough dramatic headroom that when forces draw together toward the end, with one last frontier to cross, he can deliver what feels like pulp-fiction thrills without getting loud or fancy.
    • 66 Metascore
    • 70 Robert Lloyd
    What Vice offers is not deep or thorough, but it is not without value. The news comes in pieces now; to get the full picture, you have to assemble it yourself.