Robert Wilonsky, Dallas Observer
Select another critic »
For 301 reviews, this critic has graded:
-
33% higher than the average critic
-
2% same as the average critic
-
65% lower than the average critic
On average, this critic grades 8.6 points lower than other critics.
(0-100 point scale)
Robert Wilonsky's Scores
- Movies
| Average review score: | 51 |
|---|---|
| Highest review score: |
Critic Score
100
|
| Lowest review score: |
Critic Score
0
|
Score distribution:
-
Positive: 103 out of 301
-
Mixed: 116 out of 301
-
Negative: 82 out of 301
301
movie reviews
-
-
Robert Wilonsky 90
Yes, yes--The Incredibles is beautiful to look at, but even more lovely beneath the computer-generated surfaces. -
-
-
Robert Wilonsky 90
The first relevant film about rock and roll and the music industry, the first film that lets you in on the secret. -
-
-
Robert Wilonsky 90
A gentle, frank, and often hysterical love story about two people destined, and occasionally doomed, to be together forever. Some of us should be as lucky, as blessed, as Harvey Pekar. -
-
-
Robert Wilonsky 100
May be the most wrenching, profound and perfectly made movie nobody wants to see. -
-
-
-
Robert Wilonsky 100
Feels like something entirely brand-new; such are the gifts of Kaufman and Gondry, inventors and magicians. -
-
-
-
Robert Wilonsky 90
One of the most remarkable things about Murderball, which is easily among the year's best movies, is how little of its time is filled with the playing of the game. -
-
-
Robert Wilonsky 100
It is a remarkable achievement in filmmaking, a beautiful and brutal work. -
-
-
Robert Wilonsky 100
What makes About Schmidt so extraordinary is how ordinary its tale is; it's a gray picture about gray people looking for some kind of meaning in their gray lives. -
-
-
-
Robert Wilonsky 90
The film, from its deadpan start to its languorous finish, provides the most joyous moviegoing experience in years. -
-
-
Robert Wilonsky 100
Where Peter was yee-ha giddy with the discovery of his newfound powers in the first film, he's crushed by the weight of responsibility that comes with them in its far superior successor. -
-
-
Robert Wilonsky 90
There's something more REAL about this version, more human, more lived-in; though their words may have been penned 200 years ago, when Austen was a young woman writing about her idealized self, this cast and crew nudge the material into the now. -
-
-
-
Robert Wilonsky 90
That's what directors do when they have nothing new to say: They go back and rewrite the past, if only to avoid facing the future -
-
-
Robert Wilonsky 90
Engaging and revelatory, turning forgotten footnotes and discarded minutiae into the stuff of riveting drama and poignant laughs. -
-
-
Robert Wilonsky 90
It's vibrant and verdant and heartbreakingly inviting, begging you to escape into a lovely tale in which children, through a simple act of faith, find their own heaven on earth. -
-
-
Robert Wilonsky 90
That he (Hetfield), and his band, still lives is astonishing enough; that you get to see how and why in a movie so painfully intimate is nothing short of extraordinary. -
-
-
Robert Wilonsky 90
Virgin is astoundingly astute but also wondrously clever, written with more care and joy than any hundred comedies to come out of Hollywood in years. -
-
-
Robert Wilonsky 90
As surreal as it is obscene, as clever as it is crude. It plays like some raw offspring of underground comix and the comedies of the 1920s. -
-
-
Robert Wilonsky 90
What makes Crash so gripping--so terrifying in spots, so moving in others, and even a little funny at times--is how nothing happens as we think it will.- Posted Feb 15, 2011
- Read full review
-
-
-
Robert Wilonsky 100
At last, his (Howard's) first great (and filling) movie--inspirational, yes, but far from hokey; moving, absolutely, but never saccharine; and gripping, despite its being a fixed fight. -
-
-
Robert Wilonsky 90
Clooney has become a movie star, and the Coens have given him his very own "It Happened One Night." The man, and the movie, are downright bona fide. -
-
-
Robert Wilonsky 90
The movie resonates precisely because it serves as documentary only pretending to be fiction: It's set in a real place recovering from real pain, which Lee makes tangible. -
-
-
Robert Wilonsky 90
An ethereal, creepy, almost breathtaking meditation on the life of a mind snapped in two. -
-
