Robert Wilonsky
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For 394 reviews, this critic has graded:
  • 31% higher than the average critic
  • 2% same as the average critic
  • 67% lower than the average critic
On average, this critic grades 10.3 points lower than other critics. (0-100 point scale)

Robert Wilonsky's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 About Schmidt
Lowest review score: 0 Not Another Teen Movie
Score distribution:
394 movie reviews
    • 74 Metascore
    • 90 Robert Wilonsky
    That he (Hetfield), and his band, still lives is astonishing enough; that you get to see how and why in a movie so painfully intimate is nothing short of extraordinary.
    • 67 Metascore
    • 90 Robert Wilonsky
    The movie resonates precisely because it serves as documentary only pretending to be fiction: It's set in a real place recovering from real pain, which Lee makes tangible.
    • 90 Metascore
    • 90 Robert Wilonsky
    The first relevant film about rock and roll and the music industry, the first film that lets you in on the secret.
    • 70 Metascore
    • 90 Robert Wilonsky
    As surreal as it is obscene, as clever as it is crude. It plays like some raw offspring of underground comix and the comedies of the 1920s.
    • 90 Metascore
    • 90 Robert Wilonsky
    Yes, yes--The Incredibles is beautiful to look at, but even more lovely beneath the computer-generated surfaces.
    • 69 Metascore
    • 90 Robert Wilonsky
    As he did in "Shaun of the Dead" and "Hot Fuzz", Wright immerses his heroes in pop culture's detritus and diversions, but doesn't drown them in it. You don't have to be dazzled or tickled by the movie, or get every joke, to be touched by it, too.
    • 87 Metascore
    • 90 Robert Wilonsky
    It really happened, it's really corny, and it's really great.
    • 83 Metascore
    • 80 Robert Wilonsky
    If Steven Soderbergh taught Clooney how to act in "Out of Sight," then Reitman has taught him how to stop acting. This is the most vulnerable, the most playful, the most human performance of his career.
    • 50 Metascore
    • 80 Robert Wilonsky
    What Constantine offers is a deceptively thoughtful tale tricked up like an action movie; it's beautiful to look at but even more lovely to ruminate over.
    • 63 Metascore
    • 80 Robert Wilonsky
    If Allen owns The Upside of Anger, she is generous enough to loan it to Costner, who, despite the dim, glazed eyes, is more alive here than he's been in years.
    • 74 Metascore
    • 80 Robert Wilonsky
    Rodriguez clearly assumes Sin City to be his "Pulp Fiction," his rambling portmanteau--a blending of disparate tales to form a complete, overwhelming epic.
    • 57 Metascore
    • 80 Robert Wilonsky
    It's bright and spry, giggly and bouncy, but also cuddly with occasional touches of cruelty--a movie in which best friends, when let loose in the wild, suddenly realize one's a little higher on the food chain.
    • 73 Metascore
    • 80 Robert Wilonsky
    The filmmaker who once aimed to enchant his audiences with cheerful stories of beatific visitors from outer space now wants only to scare the hell out of us. E.T., as it turns out, is a mass murderer after all, and we are his Reese's Pieces.
    • 72 Metascore
    • 80 Robert Wilonsky
    A celebration of the naughty joke and the courage it takes to tell one.
    • 66 Metascore
    • 80 Robert Wilonsky
    Scott and Olds' is an essential movie, and one of the year's very best.
    • 74 Metascore
    • 80 Robert Wilonsky
    It's but a witty, engaging hodgepodge of archetypes and clichés; it retreads not only the TV show's story lines, but also those of every "Star Trek" and "Gunsmoke" episode. It needed the room of a big screen just to fit all of its influences into a single place.
    • 63 Metascore
    • 80 Robert Wilonsky
    What makes Silverman a truly gifted comic is her timing and delivery.
    • 74 Metascore
    • 80 Robert Wilonsky
    My Kid Could Paint That's about art—and it IS art, among the best documentaries ever made about that elusive process of manufacturing something out of nothing. But it's also a must-see for every single parent who believes their children are special, when all they want to be is your children.
    • 67 Metascore
    • 80 Robert Wilonsky
    Hard to watch, harder still to ignore.
    • 60 Metascore
    • 80 Robert Wilonsky
    The Guys is less a tearing open of old wounds than a balm to be applied over them. It doesn't wallow. It doesn't weep.
    • 76 Metascore
    • 80 Robert Wilonsky
    If there's a flaw with the film, it's that Justman doesn't trust his narrators enough; too often he'll stage a re-enactment while someone's talking, as if he's afraid the mere tales themselves won't hold our interest. But they will, as long as there's a kid slapping a bass, a sampler swiping a groove or some middle-aged couple slow dancing to Marvin Gaye or the Miracles.
    • 64 Metascore
    • 80 Robert Wilonsky
    Altman gladly admits there's not much of a story here; his movies are driven by characters.
    • 71 Metascore
    • 80 Robert Wilonsky
    It's not hard to see why actors love working with Penn, even in the smallest roles; he lets them speak monologues even when they're saying nothing at all.
    • 64 Metascore
    • 80 Robert Wilonsky
    Northfork may be doomed, but the Polish brothers and cinematographer M. David Mullen (who worked with the brothers on their previous features, "Twin Falls, Idaho" and "Jackpot") make the place feel like heaven on earth.
    • 75 Metascore
    • 80 Robert Wilonsky
    Perhaps the most remarkable aspect of About a Boy is how substantial it plays -- as a feel-good film with weight, a knowing comedy with dramatic depth.
    • New Times (L.A.)
    • 59 Metascore
    • 80 Robert Wilonsky
    Hoffman, though, is the real gas--the vet getting dopey and loopy and handsy because, hey, what the hell...The midnight cowboy rides again.
    • 77 Metascore
    • 80 Robert Wilonsky
    A remarkable movie, because, like "Crumb" or even "American Splendor," it adores the very people most of us might ignore if they passed us on the street. It's a love letter to someone who desperately needs one, even 10 years after his death.
    • 55 Metascore
    • 80 Robert Wilonsky
    As stirring as it is slight, as effective as it is familiar.
    • 78 Metascore
    • 80 Robert Wilonsky
    Anderson and Sandler were meant for each other, and their romance is, unbelievably, our reward.
    • 55 Metascore
    • 80 Robert Wilonsky
    Charlie doesn't have a point, doesn't give a damn about giving a damn. It is what it is: a beautiful goof, a drunken supermodel in search of one more party before the sun comes up.