Rodrigo Perez

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For 232 reviews, this critic has graded:
  • 46% higher than the average critic
  • 4% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 1.7 points higher than other critics. (0-100 point scale)

Rodrigo Perez's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 (T)error
Lowest review score: 0 Fifty Shades of Grey
Score distribution:
  1. Negative: 34 out of 232
232 movie reviews
    • 52 Metascore
    • 33 Rodrigo Perez
    Da Sweet Blood Of Jesus is, without question, bold, distinct, and idiosyncratic filmmaking with its own voice. Unfortunately, that doesn’t necessarily mean it’s good or in any kind of reasoned key.
    • 48 Metascore
    • 33 Rodrigo Perez
    Forgettable and only mildly entertaining, 300: Rise of An Empire seals its own fate at the initial story level by being so deeply invested in its own mythmaking and playing super safe.
    • 37 Metascore
    • 33 Rodrigo Perez
    Largely inert and undramatic, what you're left with is a tedious sentiment: “by the grace of god” this horrible crisis ended without violence, explosives, or spark. Congratulations?
    • 28 Metascore
    • 33 Rodrigo Perez
    A Good Day To Die Hard isn’t dead on arrival because that would suggest it has a pulse.
    • 48 Metascore
    • 33 Rodrigo Perez
    Acerbic and purposefully vile, LaBute’s story is clearly self-aware of its various cruel manipulations of character and audience, but the formula itself -- taken from his early modus operandi -- is simply becoming more and more rote.
    • 76 Metascore
    • 33 Rodrigo Perez
    Ill-defined, overlong and wandering with unlikable leads (even Alan is too feeble and useless to sympathize with), The Mend would be a disaster if it weren't for the fact that the lack of vision is marginally absorbing in a kind train wreck, “will this movie ever reveal what the hell it’s about?”-like manner.
    • 35 Metascore
    • 25 Rodrigo Perez
    Paradise is neither a good film nor is there any evidence it was a good script.
    • 34 Metascore
    • 25 Rodrigo Perez
    The Dark Tower is a tepid non-starter from minute one.
    • 36 Metascore
    • 25 Rodrigo Perez
    The cavernous emptiness of The Canyons cannot sustain itself, and it makes for a mostly flat, strained and uninvolving experience (not helped by the pace which makes 90 minutes, feels like a sluggish two hours).
    • 39 Metascore
    • 25 Rodrigo Perez
    Need For Speed possesses eye-rolling, tone deaf dialogue, passable performances (unless you’re Dominic Cooper or Kid Cudi) and plotting so conventional, there’s not even one surprise U-turn anywhere.
    • 56 Metascore
    • 25 Rodrigo Perez
    With no plot to speak of, a baggy tangent across Europe in the mid-section, and no forward momentum, War Machine soon descends into the quicksand of its own design and never recovers. From there it’s an enervating slog of two hours that invites sleep.
    • 31 Metascore
    • 25 Rodrigo Perez
    Get A Job is such a baffling endeavor the callow movie could conceivably come with its own milk carton campaign asking: “Where is Dylan Kidd and what have you done with him?”
    • 58 Metascore
    • 16 Rodrigo Perez
    The risible Stoker is a brutally empty, deeply unfortunate movie, and Park Chan-wook's jackhammer of a tool he calls a brush is, on this evidence, something that should be locked away.
    • 28 Metascore
    • 16 Rodrigo Perez
    The Last Knight is like a Red Bull-charged Bay yelling “I regret nothing!” as he jumps out of a plane backwards with no chute, detonating a megaton nuclear explosive while firing Uzis at his skydiving pals above him because hell, dude, that sounds like a wicked fond farewell. [
    • 46 Metascore
    • 16 Rodrigo Perez
    When Horns thankfully concludes, relief sets in; this hellishly misguided effort concludes with an inferno and sequels are never sprung from the equivalent of a mouthful of ash.
    • 52 Metascore
    • 16 Rodrigo Perez
    Much more of an adolescent male fantasy than a relatable, genuine film about love or relationships, “5 To 7” is deeply naïve and has very few, if any real insights to the heart or human condition.
    • 37 Metascore
    • 16 Rodrigo Perez
    Tiresomely told, uninteresting, and turgid, Electric Slide is as insipid as it gets — a meaningless movie about almost nothing at all.
    • 34 Metascore
    • 16 Rodrigo Perez
    The Mummy is a dated, empirically dismal, laughable excuse to kick off a franchise, and it should have remained entombed.
    • tbd Metascore
    • 16 Rodrigo Perez
    Bafflingly witless, “The Clapper” is an oblivious non-starter with myriad deficiencies. Artless and clueless at every turn, writer/director Dito Montiel’s inane movie is a one-note half-gag somehow stretched into a painful 90-minute movie.
    • 50 Metascore
    • 16 Rodrigo Perez
    American Ultra hopes to leave you both shellshocked and blissfully stoned, but as perfect storm of aggressively repulsive choices, it’s a queasy bad trip worth avoiding at all costs.
    • 50 Metascore
    • 16 Rodrigo Perez
    Elusively told to the point of irritation, joyless and shot in chilly incarcerating rooms, War Story has the look and feel of an exhausted ashtray and borders on the pretentiously unclear.
    • 46 Metascore
    • 0 Rodrigo Perez
    Ultimately, Fifty Shades Of Grey is embarrassing and depressing, especially when considering the picture as a reflection of the quality of mainstream modern romance today.

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