For 4,035 reviews, this critic has graded:
  • 75% higher than the average critic
  • 2% same as the average critic
  • 23% lower than the average critic
On average, this critic grades 12.2 points higher than other critics. (0-100 point scale)

Roger Ebert's Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 100 The Beaches of Agnès
Lowest review score: 0 The Texas Chainsaw Massacre
Score distribution:
4,035 movie reviews
    • 83 Metascore
    • 100 Roger Ebert
    Put the two parts together, and Tarantino has made a masterful saga that celebrates the martial arts genre while kidding it, loving it, and transcending it.
    • 82 Metascore
    • 100 Roger Ebert
    Seibei's story is told by director Yoji Yamada in muted tones and colors, beautifully re-creating a feudal village that still retains its architecture, its customs, its ancient values, even as the economy is making its way of life obsolete.
    • 93 Metascore
    • 100 Roger Ebert
    The movie is made with boundless energy. Fellini stood here at the dividing point between the neorealism of his earlier films (like "La Strada") and the carnival visuals of his extravagant later ones ("Juliet of the Spirits," "Amarcord'').
    • 100 Metascore
    • 100 Roger Ebert
    The movie is astonishingly beautiful. The cinematography is by Bergman's longtime collaborator Sven Nykvist.
    • 94 Metascore
    • 100 Roger Ebert
    Here is a movie that was made more than 25 years ago, and it feels as if it were made yesterday. Not a moment of The Manchurian Candidate lacks edge and tension and a cynical spin. [Re-release]
    • 75 Metascore
    • 100 Roger Ebert
    What's fascinating is the way Mario, working from his father's autobiography and his own memories, has somehow used his first-hand experience without being cornered by it.
    • 78 Metascore
    • 100 Roger Ebert
    The best of three Star Wars films, and the most thought-provoking. After the space opera cheerfulness of the original film, this one plunges into darkness and even despair, and surrenders more completely to the underlying mystery of the story. It is because of the emotions stirred in Empire that the entire series takes on a mythic quality that resonates back to the first and ahead to the third. This is the heart.
    • 65 Metascore
    • 100 Roger Ebert
    The film is astonishing in the amount of material it contains. It isn't thin or superficial; there is an abundance of observation and invention here.
    • 79 Metascore
    • 100 Roger Ebert
    One of the most effective thrillers ever made.
    • 83 Metascore
    • 100 Roger Ebert
    It's a real movie, full-blooded and smart, with qualities even for those who have no idea who Stan Lee is. It's a superhero movie for people who don't go to superhero movies, and for those who do, it's the one they've been yearning for.
    • 78 Metascore
    • 100 Roger Ebert
    This film is a wonder - the best work yet by one of our most original and independent filmmakers - and after it is over, and you begin to think about it, its meanings begin to flower.
    • 67 Metascore
    • 100 Roger Ebert
    Watching The American President, I felt respect for the craft that went into it: the flawless re-creation of the physical world of the White House, the smart and accurate dialogue, the manipulation of the love story to tug our heartstrings.
    • 100 Metascore
    • 100 Roger Ebert
    The Leopard was written by the only man who could have written it, directed by the only man who could have directed it, and stars the only man who could have played its title character.
    • 53 Metascore
    • 100 Roger Ebert
    The peculiar quality of Vanity Fair, which sets it aside from the Austen adaptations such as "Sense and Sensibility" and "Pride and Prejudice," is that it's not about very nice people. That makes them much more interesting.
    • 52 Metascore
    • 100 Roger Ebert
    'Return of the Jedi' is fun, magnificent fun. The movie is a complete entertainment, a feast for the eyes and a delight for the fancy. It's a little amazing how Lucas and his associates keep topping themselves.
    • 39 Metascore
    • 100 Roger Ebert
    Campbell's performance is carnal, verbally facile, physically uninhibited and charged with intelligence.
    • 64 Metascore
    • 100 Roger Ebert
    In its heedless energy and joy, it reminded me of how I felt the first time I saw "Raiders of the Lost Ark." It's like a film that escaped from the imagination directly onto the screen, without having to pass through reality along the way.
    • 72 Metascore
    • 100 Roger Ebert
    What we sense after the film is that the natural sources of pleasure have been replaced with higher-octane substitutes, which have burnt out the ability to feel joy.
    • 87 Metascore
    • 100 Roger Ebert
    It is a remarkable film, immediate, urgent, angry, poetic and stubbornly hopeful.
    • 83 Metascore
    • 100 Roger Ebert
    The strength of Leigh's film is that it is not a message picture, but a deep and true portrait of these lives.
    • 91 Metascore
    • 100 Roger Ebert
    This was for me the best film at Cannes 2004, a story vibrating with urgency and life. It makes a powerful statement and at the same time contains humor, charm and astonishing visual beauty.
    • 94 Metascore
    • 100 Roger Ebert
    The characters are played not by the first actors you would think of casting, but by actors who will prevent you from ever being able to imagine anyone else in their roles.
    • 63 Metascore
    • 100 Roger Ebert
    Green takes us to that place where we keep feelings that we treasure, but are a little afraid of.
    • 73 Metascore
    • 100 Roger Ebert
    Ray
    The movie would be worth seeing simply for the sound of the music and the sight of Jamie Foxx performing it. That it looks deeper and gives us a sense of the man himself is what makes it special.
    • 73 Metascore
    • 100 Roger Ebert
    The movie is a satire that contains just enough realistic ballast to be teasingly plausible; like "Dr. Strangelove," it makes you laugh, and then it makes you wonder.
    • 61 Metascore
    • 100 Roger Ebert
    A movie for more than one season; it will become a perennial, shared by the generations. It has a haunting, magical quality because it has imagined its world freshly and played true to it,
    • 88 Metascore
    • 100 Roger Ebert
    The acting and the best dialogue passages have an impact that has not dimmed; it is still possible to feel the power of the film and of Brando and Kazan, who changed American movie acting forever.
    • 79 Metascore
    • 100 Roger Ebert
    The strength of Kinsey is finally in the clarity it brings to its title character. It is fascinating to meet a complete original, a person of intelligence and extremes.
    • 65 Metascore
    • 100 Roger Ebert
    They are all so very articulate, which is refreshing in a time when literate and evocative speech has been devalued in the movies.
    • 89 Metascore
    • 100 Roger Ebert
    Forget about the plot, the characters, the intrigue, which are all splendid in House of Flying Daggers, and focus just on the visuals.