For 934 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.1 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Super 8
Lowest review score: 12 Creature
Score distribution:
934 movie reviews
    • 57 Metascore
    • 38 Roger Moore
    Daybreakers is a stylish but unavoidably silly sci-fi vampire thriller.
    • 19 Metascore
    • 38 Roger Moore
    Overlong and entirely too ambitious in the number of “issues” it tries to cover, To Save a Life wanders all over the place before reaching its very predictable conclusions.
    • 36 Metascore
    • 38 Roger Moore
    That Disney touch (which even Disney has trouble replicating) is missing. Even the hockey is unconvincing.
    • 25 Metascore
    • 38 Roger Moore
    Bell, a petite, pretty blonde, may or may not have the Meg Ryan-Julia Roberts-Sandra Bullock goods. When in Rome, a leaden variation on that rom-com recipe, fails utterly to make her case.
    • 43 Metascore
    • 38 Roger Moore
    Hallstrom and his low-heat stars can’t find the pulse of this corpse.
    • 34 Metascore
    • 38 Roger Moore
    It’s an American "Love Actually" without the warmth that writer-director Richard Curtis stuffs into his all-star confections, without the wit, without much love, actually.
    • 31 Metascore
    • 38 Roger Moore
    Cop Out is still funnier than the dreadful later Eddie Murphy cop pictures. But it feels like an homage to a period best forgotten.
    • 50 Metascore
    • 38 Roger Moore
    The polished production sometimes touches and amuses despite its naïve “love conquers all” script.
    • 22 Metascore
    • 38 Roger Moore
    Aniston doesn’t bring her old A-game to this. But at least she’s not quiet and reserved and no-energy, her approach to too many roles of late. Butler makes the most of his Neanderthal rut.
    • 43 Metascore
    • 38 Roger Moore
    A crowded cast of some of the finest actors in the cinema act the hell out of a gimmicky, episodic, hit-or-miss script in Brooklyn’s Finest, Antoine Fuqua’s latest attempt to relive the glories of "Training Day."
    • 38 Metascore
    • 38 Roger Moore
    A broad and formulaic culture-clash comedy built on fill-in-the-blank wedding comedy clichés.
    • 32 Metascore
    • 38 Roger Moore
    This is not a bad cast, but whatever wit the script aims for is lost in the queasy details director Miguel Sapochnik found more fascinating.
    • 31 Metascore
    • 38 Roger Moore
    Good looking (it was filmed in Winter Garden) but slow and bland, this faith-based tear-jerker is a depressingly unemotional affair, with writing and some of the acting so flat that even its emotionally loaded situations can’t inspire waterworks.
    • 42 Metascore
    • 38 Roger Moore
    The characters in The Perfect Game speak old school “Hollywood Mexican.” In other words, they speak English with accents that we haven’t heard since the golden Age of Speedy Gonzalez.
    • 23 Metascore
    • 38 Roger Moore
    On the sliding critter-comedy scale, Furry Vengeance falls somewhere between the Chipmunks and the Chihuahua (the one from Beverly Hills).
    • 51 Metascore
    • 38 Roger Moore
    It's light in tone, feather-weight. But there aren't many laughs in it.
    • 30 Metascore
    • 38 Roger Moore
    These guys set out to make a movie where they could crack each other up. At this late date, they can't even manage that.
    • 30 Metascore
    • 38 Roger Moore
    A dull but harmless big-screen comedy aimed at the youngest movie goers.
    • 21 Metascore
    • 38 Roger Moore
    There’s nobody delivering the laughs in this arid action comedy.
    • 46 Metascore
    • 38 Roger Moore
    A generally joyless pastiche of sorcery history, imitation Potter "chosen one" Messianics and mirthless silliness, it's another in a string of recent black marks against Cage's Oscar-owning reputation.
    • 22 Metascore
    • 38 Roger Moore
    Off the wall? Friend, you don’t know off the wall until you’ve seen five twelve-year-old girl singer-dancers cover the Tina Turner/Phil Spector epic “River Deep, Mountain High” in the screwball kiddie dance comedy, Standing Ovation.
    • 30 Metascore
    • 38 Roger Moore
    Tedious time-killer of a kiddie comedy.
    • 45 Metascore
    • 38 Roger Moore
    It's the same movie as the earlier "gotta dance" over-choreographed crunk-and-breakdance epics. Exactly the same.
    • 53 Metascore
    • 38 Roger Moore
    It's not as scary as it needs to be or as clever as it thinks it is, but the new 3D version of "Piranha" is at least as gimmicky as those fabled 3D films of yore. With all the pointless 3D cartoons and joyless 3D ""Clash of the Titans" conversions, at last here's a picture that tosses its cookies, its coffee cups and its D-cups right in your lap.
    • 39 Metascore
    • 38 Roger Moore
    The script, by actor turned writer John Posey, has structural problems and motivational issues in between the cliches. And Cena, a few movies into his career, is still all presence and no acting.
    • 36 Metascore
    • 38 Roger Moore
    As with any movie, this kids' film is only as good as its writing - the jokes, the cute bits, the heart. And that's where Alpha and Omega comes up short.
    • 28 Metascore
    • 38 Roger Moore
    Disney's effort to turn Kristen Bell into America's Sweetheart reaches its tipping point with You Again, a flat romantic comedy that packages her in a funny setup and surrounds her with funny people.
    • 25 Metascore
    • 38 Roger Moore
    It's only a movie, and not a remotely effective one. And for Zellweger, whose "Miss Potter" and "Appaloosa" were barely seen, with "Leatherheads" and "New in Town" further deflating her A-list clout, that's the real shame here.
    • 51 Metascore
    • 38 Roger Moore
    A mirthless, joyless comedy with nary a hint of romance, mystery or justification for its existence.
    • 56 Metascore
    • 38 Roger Moore
    Those Jackasses from "Jackass" aren't getting better, they're getting older.