For 1,194 reviews, this critic has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 0.8 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Magician: The Astonishing Life and Work of Orson Welles
Lowest review score: 12 Creature
Score distribution:
1,194 movie reviews
    • 64 Metascore
    • 100 Roger Moore
    Beautifully cast, touchingly played and handsomely mounted, Belle is as close to perfect as any costumed romance has a right to be.
    • 88 Metascore
    • 100 Roger Moore
    The script and Simmons, known for TV’s “The Closer” and as tantrum-tossing editor J. Jonah Jameson in “Spider-Man,” make Fletcher a monster, and then look for ways of explaining him.
    • 78 Metascore
    • 100 Roger Moore
    The Guard soars along on a script, like those by the other McDonagh (Martin wrote and directed "In Bruges" and the Oscar winning short "Six Shooter," both starring Gleeson) built out of verbal flourishes and Irish curses.
    • 95 Metascore
    • 100 Roger Moore
    The performances, direction and writing of one of the best pictures of 2010 make this Social Network every bit as addictive, and a little chilling as well.
    • 90 Metascore
    • 100 Roger Moore
    This unblinking look at America's Red State Crystal Meth Belt is an instant Southern Gothic classic.
    • 77 Metascore
    • 100 Roger Moore
    Duvall, an American Lear not going gently into that good night, reminds us that it will be a sad day indeed for movie fans when it's about time for him to Get Low.
    • 79 Metascore
    • 100 Roger Moore
    That rare film in which every performer in it leaves the viewer in awe.
    • 79 Metascore
    • 100 Roger Moore
    Artful, epic, operatic even, this thriller set in the world of ballet challenges the viewer with its intelligence and depth and wit.
    • 72 Metascore
    • 100 Roger Moore
    J.J. Abrams, with Steven Spielberg producing, has made one of those jaw-dropping out-of-body summer entertainments that kids old enough to swear and see PG-13 films will remember on into adulthood.
    • 88 Metascore
    • 100 Roger Moore
    Engrossing and moving story of a alternately warm and combative relationship.
    • 67 Metascore
    • 100 Roger Moore
    The dazzling thing in Magician is how Workman breezily covers the various periods in Welles’ career, periods worthy of entire books, from his childhood as “The Boy Wonder,” to his post-“Kane” “Gypsy” years, when Hollywood was sure it had plenty of reasons not to hire him as a director, on up to today, as Richard “Boyhood” Linklater dubs him “the patron saint of indie filmmakers.”
    • 84 Metascore
    • 100 Roger Moore
    Dallas Buyers Club is one of the best pictures of the year.
    • 88 Metascore
    • 100 Roger Moore
    Serious and silly, self-aware and ironic, it’s the movie that questions stardom, fame and celebrity, built around a role Michael Keaton had to become a has-been to play.
    • 83 Metascore
    • 100 Roger Moore
    56 Up feels like the most hopeful film of them all - amusing, entertaining, and touching.
    • 97 Metascore
    • 100 Roger Moore
    McQueen and his stellar cast take us on a difficult journey, an odyssey that will make you want to avert your eyes. It is to their great credit that we don’t.
    • 86 Metascore
    • 100 Roger Moore
    And Dern, a great character actor who made his mark opposite everyone from Redford and John Wayne to Jane Fonda, embraces the roll of a lifetime.
    • 100 Metascore
    • 100 Roger Moore
    Richard Linklater’s Boyhood is an amazing achievement in telling an unremarkably remarkable life story.
    • 76 Metascore
    • 88 Roger Moore
    A stop any literary-minded movie-goer will want to make.
    • 82 Metascore
    • 88 Roger Moore
    Haneke tells this tale a bit too patiently for my taste. But the metaphors are unmistakable, as is the power of the film’s message.
    • 62 Metascore
    • 88 Roger Moore
    Adams. From the first time we saw her on the screen, we knew what she was feeling and thinking, just from staring into those huge, hopeful and sometimes hurt eyes. Her big eyes make this Big Eyes one of the best pictures of the year.
    • 67 Metascore
    • 88 Roger Moore
    It isn't a great film. But it is a smart and high-minded one, wonderfully cast, with understated direction. Clooney is good enough in the lead to stir talk of a political future.
    • 79 Metascore
    • 88 Roger Moore
    Reeves has Americanized a very good foreign film without defanging it.
    • 81 Metascore
    • 88 Roger Moore
    Carell, though, is the real shock to the system here. He is quirky, queer in the old fashioned sense, and pathetically funny.
    • 66 Metascore
    • 88 Roger Moore
    Yes, it's pretty much a must to have seen the first film. Where Dragon Tattoo felt like fall, Played with Fire was shot in the Swedish summer, which suits the faster pace, ramped up violence and fresh collection of supporting players -- cops, a kickboxer, and a couple of borderline Bond villains.
    • 83 Metascore
    • 88 Roger Moore
    Here's a documentary so slick, novel, touching and outrageous that your first thought might be "This has to be fake."
    • 65 Metascore
    • 88 Roger Moore
    The first third is brisk and witty, the middle third gloomy and the finale of Part 1 not so much a cliffhanger as a grim, inspiring tease, a masterly build-up to put "I can't wait for part 2" on every Muggles' lips.
    • 53 Metascore
    • 88 Roger Moore
    The best faith-based film ever made, an uplifting, entertaining and wonderfully-acted account of surfer Bethany Hamilton's life before and after a shark bit her arm off in the waters off her favorite Hawaiian beach.
    • 68 Metascore
    • 88 Roger Moore
    Jones tells this story with care and a lack of hurry, a pace to fit an age when people traveled no faster than two mules pulling a wagon could carry them. It’s “True Grit” and “The African Queen” with a moment of “Lawrence of Arabia,” period-perfect and a total immersion in this world.
    • 65 Metascore
    • 88 Roger Moore
    Saoirse Ronan shines in the title role, a wily, physically-fit and lethal girl.
    • 51 Metascore
    • 88 Roger Moore
    Ford, in a performance as affecting as any he’s ever given, lifts this romance in ways we never see coming.

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