For 453 reviews, this critic has graded:
  • 60% higher than the average critic
  • 2% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 0.9 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
Average review score: 60
Highest review score: 100 Boyhood
Lowest review score: 25 I, Frankenstein
Score distribution:
  1. Negative: 72 out of 453
453 movie reviews
    • 99 Metascore
    • 100 Roger Moore
    Richard Linklater’s Boyhood is an amazing achievement in telling an unremarkably remarkable life story.
    • 97 Metascore
    • 100 Roger Moore
    McQueen and his stellar cast take us on a difficult journey, an odyssey that will make you want to avert your eyes. It is to their great credit that we don’t.
    • 96 Metascore
    • 88 Roger Moore
    Bullock and Clooney make their peril our peril in this absolutely gorgeous, moving and sometimes exultant reminder that the real terrors of space are scary enough, without invented bug-eyed monsters thrown in.
    • 92 Metascore
    • 63 Roger Moore
    The movie is so “interior,” it so zeroes in on Isaac and his baleful stare, that we’re relieved any time something overtly funny happens.
    • 91 Metascore
    • 75 Roger Moore
    It goes on too long, but this is personal essay filmmaking at its best, one that passes that ultimate test of such self-involved projects. It has a story worth telling.
    • 91 Metascore
    • 88 Roger Moore
    Using archival footage, inventive animated recreations of incidents and chilling aerial smart-bomb views of air strikes as they happen, Moreh creates a simple yet elegantly damning film.
    • 90 Metascore
    • 88 Roger Moore
    Her
    Is it better to have loved and lost than never to have logged on at all?
    • 90 Metascore
    • 88 Roger Moore
    The disco decadence, the seedy era before Times Square became a theme park, the lowered expectations of an endless recession, everything that was then and is now makes up American Hustle. And that’s what makes this the best movie of this holiday season.
    • 88 Metascore
    • 75 Roger Moore
    Exarchopoulos is a revelation, wearing her neediness, vulnerability and arousal with every muscle in her face, her posture, even her hair. It’s an utterly naked performance, literally and figuratively.
    • 88 Metascore
    • 88 Roger Moore
    We should all be so lucky as to live in a world designed, peopled and manipulated by Wes Anderson. His latest film, The Grand Budapest Hotel, is a dark, daft and deft triumph of design details.
    • 87 Metascore
    • 88 Roger Moore
    This solo ordeal won’t be to every taste, but All Is Lost is a grand vehicle for the actor and for that viewer ready to consider his or her own mortality, the problems, conflicts, strengths and shortcomings you’re sure you leave behind when you just sail away.
    • 87 Metascore
    • 75 Roger Moore
    A scruffy, anarchic picture that gets better as it stumbles along.
    • 86 Metascore
    • 100 Roger Moore
    And Dern, a great character actor who made his mark opposite everyone from Redford and John Wayne to Jane Fonda, embraces the roll of a lifetime.
    • 85 Metascore
    • 75 Roger Moore
    Like the characters in this inter-connected world, you may feel the need to let go of The Past, only to realize, after the credits, the hold it still has on you.
    • 85 Metascore
    • 88 Roger Moore
    Michael B. Jordan (“Red Tails”) is never less than riveting as Oscar, and he has to be.
    • 84 Metascore
    • 100 Roger Moore
    Dallas Buyers Club is one of the best pictures of the year.
    • 84 Metascore
    • 88 Roger Moore
    It’s more an instant cult film than a picture with any prayer of reaching millions.
    • 83 Metascore
    • 88 Roger Moore
    This is as thorough a take-down of a business and its practices as you’re likely to ever see.
    • 83 Metascore
    • 75 Roger Moore
    The Wind Rises was a dream project for the great Japanese animator Hayao Miyazaki, and this gorgeous film makes a fine capstone for his career.
    • 83 Metascore
    • 75 Roger Moore
    It’s still a welcome, entertaining and overdue delivery of credit where credit was and is due.
    • 83 Metascore
    • 88 Roger Moore
    The performances and Greengrass’s way with action immerse us and make Captain Phillips a tight, taut,edge of your seat thriller even if you remember the ending.
    • 83 Metascore
    • 75 Roger Moore
    Gloria has a palpable loneliness about it, and Garcia makes us feel that and fear the emptiness that is staring Gloria in the face. Not a lot happens in this closely-observed character study, but few recent movies have dared to show this stage of life, the creeping solitude that memories of your disco past cannot fend off.
    • 83 Metascore
    • 100 Roger Moore
    56 Up feels like the most hopeful film of them all - amusing, entertaining, and touching.
    • 82 Metascore
    • 75 Roger Moore
    Frances Ha turns melancholy and almost painful to watch in its last act as she and we see the dead end dead ahead. And the film doesn’t seem to earn the finale the two of them cooked up for us.
    • 82 Metascore
    • 63 Roger Moore
    What we have here is a gripping story rather dryly told, a somewhat frustrating essay on Scandinavian passivity without the pathos of the similarly themed Oscar winning Danish film “In a Better World.” It’s the helplessness that gets to you.
    • 82 Metascore
    • 88 Roger Moore
    Witty, warm and wistful and in just the right proportions, Spectacular is the best-acted film of the summer.
    • 82 Metascore
    • 75 Roger Moore
    The Lego Movie amuses and never fails to leave the viewer –especially adults — a little dazzled at the demented audacity of it all.
    • 81 Metascore
    • 75 Roger Moore
    Locke will hold your interest as it presents a side of the burly, bluff “Dark Knight” villain we have never seen before on screen.
    • 81 Metascore
    • 75 Roger Moore
    No
    Here’s a fascinating piece of history that escaped much of the world’s notice, when it happened back in 1988.
    • 81 Metascore
    • 75 Roger Moore
    This is a movie that floats by on dazzlingly silly banter and well-slung slang.