For 995 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 56 Up
Lowest review score: 12 Creature
Score distribution:
995 movie reviews
    • 79 Metascore
    • 88 Roger Moore
    Reeves has Americanized a very good foreign film without defanging it.
    • 61 Metascore
    • 88 Roger Moore
    The magic in the film is in the actors. Only somebody who has stripped himself emotionally bare for the camera could achieve the level of performance that Goldwyn gets from every single SAG member on this set.
    • 65 Metascore
    • 88 Roger Moore
    The first third is brisk and witty, the middle third gloomy and the finale of Part 1 not so much a cliffhanger as a grim, inspiring tease, a masterly build-up to put "I can't wait for part 2" on every Muggles' lips.
    • 65 Metascore
    • 88 Roger Moore
    It is Carrey, turning his patented rubber-faced, rubber-voiced shtick loose on a role with heart, substance and entertainment value, who makes this romantic farce a movie too good to sit on any studio's shelf.
    • 76 Metascore
    • 88 Roger Moore
    That message, this script and these actors make Rabbit Hole one of the best films of 2010.
    • 71 Metascore
    • 88 Roger Moore
    Cassel's performance...the best reason to see this, one of the best French (In French with English subtitles) crime thrillers of the new millennium.
    • 53 Metascore
    • 88 Roger Moore
    The best faith-based film ever made, an uplifting, entertaining and wonderfully-acted account of surfer Bethany Hamilton's life before and after a shark bit her arm off in the waters off her favorite Hawaiian beach.
    • 65 Metascore
    • 88 Roger Moore
    Saoirse Ronan shines in the title role, a wily, physically-fit and lethal girl.
    • 75 Metascore
    • 88 Roger Moore
    With Win Win, McCarthy has found his emotional sweet spot, a sweet and complex story to set it in and the perfect title for it.
    • 63 Metascore
    • 88 Roger Moore
    Rio
    Comical, colorful, wonderfully cast and beautifully animated.
    • 61 Metascore
    • 88 Roger Moore
    Almost every shot is a postcard-perfect African vista, and every animal shown in majestic close-up.
    • 65 Metascore
    • 88 Roger Moore
    A most deserving Oscar winner and a film that could provoke discussion anywhere it is shown, anywhere people of any age are being bullied.
    • 65 Metascore
    • 88 Roger Moore
    It's a bleak yet optimistic film, and Ferrell perfectly underplays his Carver anti-hero and delivers a rich, layered and subtle performance. And a funny one.
    • 86 Metascore
    • 88 Roger Moore
    If you're looking for a filmmaker to document, for all of humanity, "one of the greatest discoveries in the history of human culture," the great Werner Herzog is your guy.
    • 83 Metascore
    • 88 Roger Moore
    Here's a documentary so slick, novel, touching and outrageous that your first thought might be "This has to be fake."
    • 63 Metascore
    • 88 Roger Moore
    Chemistry is king. It's one reason the rom-com has long seemed like the toughest code for Hollywood to crack. But never underestimate the power of snappy, rapid-fire banter, the paving stones of the Hollywood road to romance.
    • 68 Metascore
    • 88 Roger Moore
    Audacious, violent and disquieting, Rise of the Planet of the Apes is a summer sequel that's better than it has any right to be.
    • 62 Metascore
    • 88 Roger Moore
    Davis and Spencer give faces and fully-fleshed out lives to women who must have been more than what they did for a living as The Help.
    • 64 Metascore
    • 88 Roger Moore
    The sweet, the comic and the tragic blend together most agreeably in the winsome French romance The Hedgehog.
    • 59 Metascore
    • 88 Roger Moore
    That makes Sarah's Key that rare Holocaust tale that punches through the cobwebs of history and its dry, inhuman statistics, and brings that terrible past to life.
    • 87 Metascore
    • 88 Roger Moore
    Moneyball is a thinking person's baseball movie, and a baseball fan's thinking movie.
    • 67 Metascore
    • 88 Roger Moore
    It isn't a great film. But it is a smart and high-minded one, wonderfully cast, with understated direction. Clooney is good enough in the lead to stir talk of a political future.
    • 65 Metascore
    • 88 Roger Moore
    Thanks to Banderas and his Corinthian leather purr and writers who know how to use it, "Puss" is the best animated film of 2011.
    • 76 Metascore
    • 88 Roger Moore
    The rawboned Hawkes manages both charm and menace in the same look, and Dancy gives his character a testy, fearful edge that doesn't make him scary, but rather someone we fear for.
    • 91 Metascore
    • 88 Roger Moore
    Using archival footage, inventive animated recreations of incidents and chilling aerial smart-bomb views of air strikes as they happen, Moreh creates a simple yet elegantly damning film.
    • 60 Metascore
    • 88 Roger Moore
    The dialogue is hard-bitten and Mamet-sharp.
    • 74 Metascore
    • 88 Roger Moore
    Young Onata Aprile makes Maisie a passive wonder, a sweetly poker-faced, nonjudgmental and hopeful child, even as she’s being ditched at bars, forgotten at school or passed back and forth like a prize, or a bad penny.
    • 66 Metascore
    • 88 Roger Moore
    As with her best films, Coppola is utterly at ease in this milieu and it shows.
    • 74 Metascore
    • 88 Roger Moore
    Doueiri has brilliantly and simply put a compassionate human face on a part of the world where ethnicity still trumps education, class and achievement, where even the successful face, at best, second-class citizenship in their own country.
    • 62 Metascore
    • 88 Roger Moore
    The funniest kids’ cartoon of the summer.

Top Trailers