For 1,292 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 1.3 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Black Swan
Lowest review score: 12 Creature
Score distribution:
1,292 movie reviews
    • 65 Metascore
    • 88 Roger Moore
    Saoirse Ronan shines in the title role, a wily, physically-fit and lethal girl.
    • 51 Metascore
    • 88 Roger Moore
    Ford, in a performance as affecting as any he’s ever given, lifts this romance in ways we never see coming.
    • 86 Metascore
    • 88 Roger Moore
    If you're looking for a filmmaker to document, for all of humanity, "one of the greatest discoveries in the history of human culture," the great Werner Herzog is your guy.
    • 75 Metascore
    • 88 Roger Moore
    With Win Win, McCarthy has found his emotional sweet spot, a sweet and complex story to set it in and the perfect title for it.
    • 74 Metascore
    • 88 Roger Moore
    Me and Earl and the Dying Girl isn’t deep. But this sure-to-be-a-crowd-pleasing laugher/weeper reminds us that there’s nothing wrong with a romantic comedy that reaches for inspiring and cathartic between the laughs.
    • 65 Metascore
    • 88 Roger Moore
    It is Carrey, turning his patented rubber-faced, rubber-voiced shtick loose on a role with heart, substance and entertainment value, who makes this romantic farce a movie too good to sit on any studio's shelf.
    • 83 Metascore
    • 88 Roger Moore
    The performances and Greengrass’s way with action immerse us and make Captain Phillips a tight, taut,edge of your seat thriller even if you remember the ending.
    • 81 Metascore
    • 88 Roger Moore
    There are people, powerful people, who don't want old cases dug up. It's a tribute to the story's construction that the mystery only deepens, the more Benjamin digs.
    • 59 Metascore
    • 88 Roger Moore
    That makes Sarah's Key that rare Holocaust tale that punches through the cobwebs of history and its dry, inhuman statistics, and brings that terrible past to life.
    • 76 Metascore
    • 88 Roger Moore
    That message, this script and these actors make Rabbit Hole one of the best films of 2010.
    • 74 Metascore
    • 88 Roger Moore
    Joe
    Joe is the movie that will make you remember how good Nicolas Cage once was and can be again.
    • 60 Metascore
    • 88 Roger Moore
    The dialogue is hard-bitten and Mamet-sharp.
    • 86 Metascore
    • 88 Roger Moore
    Every scene is magical, every image a work of art in Song of the Sea.
    • 88 Metascore
    • 88 Roger Moore
    We should all be so lucky as to live in a world designed, peopled and manipulated by Wes Anderson. His latest film, The Grand Budapest Hotel, is a dark, daft and deft triumph of design details.
    • 87 Metascore
    • 88 Roger Moore
    Moneyball is a thinking person's baseball movie, and a baseball fan's thinking movie.
    • 77 Metascore
    • 88 Roger Moore
    An exquisite character study in grief.
    • 62 Metascore
    • 88 Roger Moore
    Davis and Spencer give faces and fully-fleshed out lives to women who must have been more than what they did for a living as The Help.
    • 83 Metascore
    • 88 Roger Moore
    This is as thorough a take-down of a business and its practices as you’re likely to ever see.
    • 65 Metascore
    • 88 Roger Moore
    Thanks to Banderas and his Corinthian leather purr and writers who know how to use it, "Puss" is the best animated film of 2011.
    • 61 Metascore
    • 88 Roger Moore
    The magic in the film is in the actors. Only somebody who has stripped himself emotionally bare for the camera could achieve the level of performance that Goldwyn gets from every single SAG member on this set.
    • 47 Metascore
    • 88 Roger Moore
    Ptacek, as she was in the short, makes a great foil. And the addition of Rossum and Perlman to the cast adds pathos and paranoia, guilt and menace.
    • 65 Metascore
    • 88 Roger Moore
    In a cinema recently overrun with combat documentaries, Marshall Curry’s Point and Shoot manages a first. Here’s a film that captures the romance of war amongst today’s young and testosterone-fueled. Want to know why young men from all over the world have flocked to fight for ISIS? Point and Shoot explains it.
    • 84 Metascore
    • 88 Roger Moore
    It’s more an instant cult film than a picture with any prayer of reaching millions.
    • 75 Metascore
    • 88 Roger Moore
    A leg up on the first “Trip,” an altogether more delightful vacation with two blokes who might wear us and each other out along the way. But then, that’s half the fun.
    • 76 Metascore
    • 88 Roger Moore
    Most credit goes to Coogan for the success of this odd coupling.
    • 64 Metascore
    • 88 Roger Moore
    We’re taken back to a naive era, when the boundaries of “smut” were narrower, when even the images of an unlikely “adult” star (she never did sex films or “real” porn) seem now like good, clean fun.
    • 77 Metascore
    • 88 Roger Moore
    And the viewer is left with one inescapable conclusion. Conservatives further to the right than Buckley could ever have dreamed control Congress. And gays, like Vidal, can get married. They both won.
    • 90 Metascore
    • 88 Roger Moore
    Her
    Is it better to have loved and lost than never to have logged on at all?
    • 66 Metascore
    • 88 Roger Moore
    As with her best films, Coppola is utterly at ease in this milieu and it shows.
    • 79 Metascore
    • 88 Roger Moore
    I Am Love is a cinematic orgy, a sensual Italian feast of food, sex, guilt and grief. An intimate, quiet and even slow movie, its subtle shadings veil turbulent emotions.

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