For 1,255 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 1.1 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Magician: The Astonishing Life and Work of Orson Welles
Lowest review score: 12 Creature
Score distribution:
1,255 movie reviews
    • 74 Metascore
    • 88 Roger Moore
    Whatever its length and melodramatic third-act touches, Interstellar is a space opera truly deserving of that label, overreaching and thought-provoking, heart-tugging and pulse-pounding. It’s the sort of film that should send every other sci-fi filmmaker back to the drawing board, the way Stanley Kubrick did, a long time ago in a millennium far away.
    • 73 Metascore
    • 88 Roger Moore
    Hoffman is merely the first among equals in a stellar cast.
    • 65 Metascore
    • 88 Roger Moore
    It's a bleak yet optimistic film, and Ferrell perfectly underplays his Carver anti-hero and delivers a rich, layered and subtle performance. And a funny one.
    • 90 Metascore
    • 88 Roger Moore
    The disco decadence, the seedy era before Times Square became a theme park, the lowered expectations of an endless recession, everything that was then and is now makes up American Hustle. And that’s what makes this the best movie of this holiday season.
    • tbd Metascore
    • 88 Roger Moore
    It’s visually lovely, and the performances are subtle, sunny and sympathetic. Camara lends a playful touch to Antonio’s Beatle-mania.
    • 68 Metascore
    • 88 Roger Moore
    Audacious, violent and disquieting, Rise of the Planet of the Apes is a summer sequel that's better than it has any right to be.
    • 71 Metascore
    • 88 Roger Moore
    Cassel's performance...the best reason to see this, one of the best French (In French with English subtitles) crime thrillers of the new millennium.
    • 90 Metascore
    • 88 Roger Moore
    Strip away the French and Arabic subtitles, the French-prison setting and the Muslim-messianic title, and A Prophet, opening Friday at The Enzian, would still be the grittiest prison thriller in years.
    • 86 Metascore
    • 88 Roger Moore
    That humor is a the delicious underpinning to whatever melodrama happens as these five connect and clash. And that humor is what reassures us, even at its darkest moments, that no matter how things work out for the adults, these kids are going to be all right.
    • 77 Metascore
    • 88 Roger Moore
    Calvary is a compact and biting tale of a righteous man being tested by his faith, his peers and his predicament.
    • 74 Metascore
    • 88 Roger Moore
    It's the best heist picture since "Heat."
    • 92 Metascore
    • 88 Roger Moore
    Dazzling, scary and sentimental.
    • 75 Metascore
    • 88 Roger Moore
    A fine and fun film tribute to the milieu, the men, women and machines in a sport that was never deadlier or more glamorous than its Disco Decade incarnation.
    • 65 Metascore
    • 88 Roger Moore
    It was never going to be “Supercalifragilisticexpialidocious.” Reserve that honor for the film that inspired it. But Saving Mr. Banks is still one of the best pictures of the year.
    • 76 Metascore
    • 88 Roger Moore
    It’s an intimate, quiet and slow-paced romance, a simple, richly rewarding movie in the classic style of India’s greatest filmmaker, the late Satyajit Ray.
    • 81 Metascore
    • 88 Roger Moore
    A dialogue-free romp that is a shear delight, shear perfection, if not quite a master-fleece.
    • 81 Metascore
    • 75 Roger Moore
    Locke will hold your interest as it presents a side of the burly, bluff “Dark Knight” villain we have never seen before on screen.
    • 58 Metascore
    • 75 Roger Moore
    It’s engrossing, violent, frightening and funny in the ways it captures the way kids speak with no adults around, and the way kids act when society’s rules take a back seat in time of war.
    • 74 Metascore
    • 75 Roger Moore
    The combination of a flexible, funny cast, an amusing situation and a style of movie-making that embraces every happy, nasty accident make this if not the funniest, then certainly the most uncomfortable comedy of the summer.
    • 83 Metascore
    • 75 Roger Moore
    It’s still a welcome, entertaining and overdue delivery of credit where credit was and is due.
    • 73 Metascore
    • 75 Roger Moore
    Mark Jarrett’s amiable road picture has a morbid whimsy and a coming-of-age hook.
    • 65 Metascore
    • 75 Roger Moore
    X-Men: First Class still sings the praises of Marvel Studios' marvelous quality control of comic book movies. It's good, clean summer movie fun where the money they spend is up on the screen - with actors and effects - so that we won't mind spending our money on it.
    • 63 Metascore
    • 75 Roger Moore
    An engaging take on a drifting character at an age when we’re all adrift.
    • 79 Metascore
    • 75 Roger Moore
    “Cheerful” and “triumphant” aren’t words that come to mind when you think of Alzheimer’s, the debilitating illness that destroys memory, mind and body. But darned if country star Glen Campbell doesn’t manage that in Glen Campbell: I’ll Be Me.
    • 56 Metascore
    • 75 Roger Moore
    The situations are painstakingly set up and downright painful to sit through. So enjoy, or endure the appetizers, because with this Dinner, dessert is truly the topper.
    • 71 Metascore
    • 75 Roger Moore
    Yelchin doesn't generate the same warmth or passion that Jones does. That is partly by design, as this whole affair was her idea, after all.
    • 75 Metascore
    • 75 Roger Moore
    The musical comedy whimsically and often cleverly revisits the characters, their shtick and and the TV show and movies that made them most famous.
    • 82 Metascore
    • 75 Roger Moore
    Incendies is occasionally compelling, but also overlong and vexing in the ways it draws out a "shocking" conclusion that we unravel long before the characters do.
    • 84 Metascore
    • 75 Roger Moore
    The Descendants lets Payne show us the Other America and the Other Americans - little lives caught up in small but epic problems far away from the La La Land of Hollywood hype, sex and violence.
    • 67 Metascore
    • 75 Roger Moore
    Mr. Holmes is an elegiac, understated tale of The Detective in Winter, a rare thing in its own right.

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