For 894 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 0.2 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Boyhood
Lowest review score: 12 Creature
Score distribution:
894 movie reviews
    • 50 Metascore
    • 75 Roger Moore
    The pleasures of Welcome to the Rileys are in the simplest human message of all. Take an interest in somebody who needs help and the life you save may be your own.
    • 55 Metascore
    • 75 Roger Moore
    Two very good looking people play two offbeat and abrasively charming lovers in Love & Other Drugs. And when your screen romance is as sexual as this one, it helps if your stars are about as good looking with their clothes off as human beings get.
    • 69 Metascore
    • 75 Roger Moore
    this is a straight-ahead ticking clock thriller, with the usual Tony S. trademarks - punchy dialogue and men doing what needs to be done.
    • 51 Metascore
    • 75 Roger Moore
    Shockingly, it's funny. Often in shocking or at least wildly inappropriate ways.
    • 80 Metascore
    • 75 Roger Moore
    Matt Damon is an interesting, chatty choice to play Laboeuf.
    • 71 Metascore
    • 75 Roger Moore
    You'd better watch out. You'd better not swear. Have a gun handy, loaded for bear. Santa Claus is coming…to Finland.
    • 81 Metascore
    • 75 Roger Moore
    It's a gritty, almost ugly to look at film, and Cianfrance isn't shy about including a random blast of unwarranted shaky footage.
    • 68 Metascore
    • 75 Roger Moore
    Its chilling third act suggests that sooner or later, even these riders on the Islamic short bus are going to get one right. And that won't be funny at all.
    • 65 Metascore
    • 75 Roger Moore
    One of the most entertaining history lessons you could ever hope to sit through.
    • 80 Metascore
    • 75 Roger Moore
    A wonderful movie anyone who's ever experienced dog ownership at its most glorious, and most embarrassing.
    • 50 Metascore
    • 75 Roger Moore
    It's a movie benefiting from another sparkling, sexy and emotionally available performance by Natalie Portman.
    • 66 Metascore
    • 75 Roger Moore
    An entertaining old-fashioned prison escape movie with a touch of the epic about it.
    • 72 Metascore
    • 75 Roger Moore
    The lack of dramatic tension that knowing the ending before you being creates isn't a huge drawback.
    • 80 Metascore
    • 75 Roger Moore
    In Mary, Leigh has found the polar opposite of Sally Hawkin's giggle-through-the-pain heroine of "Happy-Go-Lucky."
    • 82 Metascore
    • 75 Roger Moore
    Like Tati himself, The Illusionist feels like a relic of a different time.
    • 40 Metascore
    • 75 Roger Moore
    Witty, warm, well-cast and often wickedly funny.
    • 70 Metascore
    • 75 Roger Moore
    It's a farce with sexual come-ons and actual sex - the Boy Scout Tim's first encounter with a hooker and a crack pipe - but Cedar Rapids never loses track of the humanity of its characters.
    • 63 Metascore
    • 75 Roger Moore
    Populated with a peerless supporting cast, actors who bring just the right history to their roles.
    • 45 Metascore
    • 75 Roger Moore
    Less mopey and downbeat than TV star Zach Braff's "Garden State." But it succeeds in many of the same sweet ways and is similar enough to warrant labeling Radnor "Zach Braff: The Next Generation."
    • 52 Metascore
    • 75 Roger Moore
    The spookiest and most entertaining horror flick since "Paranormal Activity."
    • 69 Metascore
    • 75 Roger Moore
    It's a vivid, blunt and candid look at their kill-or-be-killed existence, which Joubert writes and Irons narrates is "the eternal dance of Africa."
    • 74 Metascore
    • 75 Roger Moore
    Duncan Jones, director of the very fine and very paranoid "Moon," makes this seemingly silly situation work, building tension over 93 minutes.
    • 69 Metascore
    • 75 Roger Moore
    The Elephant in the Living Room is damning, but also very sad. These stories, as Harrison points out, never have a happy ending.
    • 66 Metascore
    • 75 Roger Moore
    Best taken as the perfect film to transition your kids from animation to live action fare – short, sweet, and educational.
    • 86 Metascore
    • 75 Roger Moore
    A quietly compelling if not particularly emotional and sober-minded treatment of an infamous incident.
    • 55 Metascore
    • 75 Roger Moore
    May not be as emotionally compelling as John Ford's work ("The Prisoner of Shark Island"), but it's every bit as meticulously crafted.
    • 87 Metascore
    • 75 Roger Moore
    13 Assassins is entirely too long and too talky. But the cat-and-mouse game of strategy, figuring out when and where to ambush the evil overlord's entourage, is fascinating.
    • 66 Metascore
    • 75 Roger Moore
    It's a sturdy World War II yarn, with harrowing and heart-breaking moments sprinkled throughout.
    • 57 Metascore
    • 75 Roger Moore
    Has a lot of that winking wit we've come to expect from our post-"Spider Man" Marvel movies. It has a hunky, self-mocking young star, solid support from a couple of Oscar winners and the slick sheen that state-of-the-art effects can give you.
    • 68 Metascore
    • 75 Roger Moore
    The daft feather-light French farce Potiche is a period piece designed to remind us of just how far and how fast women have come in the Western world.