For 1,098 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.1 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Boyhood
Lowest review score: 12 Creature
Score distribution:
1,098 movie reviews
    • 72 Metascore
    • 75 Roger Moore
    The ghost of John Hughes smiles upon Easy A, a film that freely and giddily borrows from and pays tribute to Hughes' famous Holy Trinity of '80s teen angst comedies.
    • 83 Metascore
    • 75 Roger Moore
    It's rooting against grandma that drives this violent, hardhearted film, and waiting for the pride of lions she's created to devour her that gives Animal Kingdom its animal energy.
    • 54 Metascore
    • 75 Roger Moore
    It's a little racy for our "High School Musical" set. But Bran Nue Dae (say it out loud) will play anywhere fans like a musical so cute you want to pinch its cheeks.
    • 64 Metascore
    • 75 Roger Moore
    A low energy romance, a movie that rewards a filmgoer with the patience to let this affair play itself out. Sink or swim, Connie and Jack will come out of this changed. And so will we.
    • 65 Metascore
    • 75 Roger Moore
    You have to remind yourself to breathe.
    • 81 Metascore
    • 75 Roger Moore
    The film is more overwhelming than uplifting.
    • 58 Metascore
    • 75 Roger Moore
    There's a taste of Southern Gothic here, even though this story is set in Michigan. The incendiary mix of religion, sex and crime threatens to ignite every time Stone tries to turn the interogations back on Mabry.
    • 85 Metascore
    • 75 Roger Moore
    There's a soap opera going on inside that tin can with a cannon.
    • 67 Metascore
    • 75 Roger Moore
    We get little sense of his interior life, what was going on in his head as school, girlfriends and music were competing for his attention and music was winning out. His drive is suggested, but never really felt in the performance.
    • 57 Metascore
    • 75 Roger Moore
    It's not the smoothest thriller. But All Good Things is thoroughly engrossing, a roman a clef that chillingly ponders a puzzle and suggests solutions outlandish enough to be stranger than anything Hollywood, on its own, could make up.
    • 53 Metascore
    • 75 Roger Moore
    True to the intent of the Christian apologist Lewis' novels, there are lessons to be learned, many of them delivered by the chivalrous mouse, Reepicheep, voiced with a plummy verve by Simon Pegg.
    • 59 Metascore
    • 75 Roger Moore
    Sweet and sunny (Lots of English language pop tunes) and laugh-out-loud silly and well worth seeing before Hollywood remakes it with somebody like Matthew McConaughey in the title role.
    • 71 Metascore
    • 75 Roger Moore
    Animated musicals are only as good as their songs, and this one isn't on a par with "Beauty and the Beast" or even "The Princess and the Frog."
    • 60 Metascore
    • 75 Roger Moore
    This mismatched "couple" - have made, over the course of three long subtitled Swedish thrillers, the most dynamic duo of recent cinema history.
    • 69 Metascore
    • 75 Roger Moore
    As spy thrillers go, more chilling than thrilling. But that's what makes it easy to relate to.
    • 50 Metascore
    • 75 Roger Moore
    Perry's great gift to this unfilmable play is getting it on the screen, his sharp eye for casting and his evident affection and sympathy for black womanhood, even in movies in which he doesn't don a dress.
    • 52 Metascore
    • 75 Roger Moore
    A detail-oriented thriller that lets us keep up even as it races to a conclusion.
    • 50 Metascore
    • 75 Roger Moore
    The pleasures of Welcome to the Rileys are in the simplest human message of all. Take an interest in somebody who needs help and the life you save may be your own.
    • 55 Metascore
    • 75 Roger Moore
    Two very good looking people play two offbeat and abrasively charming lovers in Love & Other Drugs. And when your screen romance is as sexual as this one, it helps if your stars are about as good looking with their clothes off as human beings get.
    • 69 Metascore
    • 75 Roger Moore
    this is a straight-ahead ticking clock thriller, with the usual Tony S. trademarks - punchy dialogue and men doing what needs to be done.
    • 51 Metascore
    • 75 Roger Moore
    Shockingly, it's funny. Often in shocking or at least wildly inappropriate ways.
    • 80 Metascore
    • 75 Roger Moore
    Matt Damon is an interesting, chatty choice to play Laboeuf.
    • 71 Metascore
    • 75 Roger Moore
    You'd better watch out. You'd better not swear. Have a gun handy, loaded for bear. Santa Claus is coming…to Finland.
    • 81 Metascore
    • 75 Roger Moore
    It's a gritty, almost ugly to look at film, and Cianfrance isn't shy about including a random blast of unwarranted shaky footage.
    • 68 Metascore
    • 75 Roger Moore
    Its chilling third act suggests that sooner or later, even these riders on the Islamic short bus are going to get one right. And that won't be funny at all.
    • 65 Metascore
    • 75 Roger Moore
    One of the most entertaining history lessons you could ever hope to sit through.
    • 80 Metascore
    • 75 Roger Moore
    A wonderful movie anyone who's ever experienced dog ownership at its most glorious, and most embarrassing.
    • 50 Metascore
    • 75 Roger Moore
    It's a movie benefiting from another sparkling, sexy and emotionally available performance by Natalie Portman.
    • 66 Metascore
    • 75 Roger Moore
    An entertaining old-fashioned prison escape movie with a touch of the epic about it.
    • 72 Metascore
    • 75 Roger Moore
    The lack of dramatic tension that knowing the ending before you being creates isn't a huge drawback.

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