For 1,558 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 2.3 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 12 Years a Slave
Lowest review score: 12 Creature
Score distribution:
1558 movie reviews
    • 76 Metascore
    • 88 Roger Moore
    It’s an intimate, quiet and slow-paced romance, a simple, richly rewarding movie in the classic style of India’s greatest filmmaker, the late Satyajit Ray.
    • 81 Metascore
    • 88 Roger Moore
    A dialogue-free romp that is a shear delight, shear perfection, if not quite a master-fleece.
    • 76 Metascore
    • 88 Roger Moore
    Of all the scary guys Michael Shannon has ever played — sociopaths, murderers, hell, even General Zod in a Superman movie — none is more frightening that his character in 99 Homes.
    • 52 Metascore
    • 80 Roger Moore
    300
    A newfangled old-fashioned movie about glory, honor, sacrifice and a martial code that crosses into fascism, homoerotism and homophobia at the same time -- there are plenty of turn-off buttons in this one. But by Zeus, this is a ripping yarn, told with limb-rending gusto, an iconic ancient battle as seen by an iconic comic-book creator, Frank Miller.
    • 66 Metascore
    • 80 Roger Moore
    This Mission unfolds at a near dead-sprint -- frenetic editing, whiplash camera pans, all hiding an intentionally under-explained plot and generic action beats that will be familiar to anyone who has ever seen a ticking-clock thriller. But if Mission: Impossible 3 is the first pitch of the popcorn-movie season, just two words come to mind -- butter up. [5 May 2006, p.8]
    • Orlando Sentinel
    • 58 Metascore
    • 80 Roger Moore
    The direction, by Marc Forster (Monster's Ball, Finding Neverland), is breathless, with lovely grace notes — he uses silences to end his action beats. And if this incarnation of Bond still doesn't inspire affection, he does command respect, awe, a sense that a real man is risking life and limb for queen and crown.
    • 81 Metascore
    • 75 Roger Moore
    Locke will hold your interest as it presents a side of the burly, bluff “Dark Knight” villain we have never seen before on screen.
    • 58 Metascore
    • 75 Roger Moore
    It’s engrossing, violent, frightening and funny in the ways it captures the way kids speak with no adults around, and the way kids act when society’s rules take a back seat in time of war.
    • 74 Metascore
    • 75 Roger Moore
    Satire, parody, racist skewerings of racism, sacred cows slaughtered, silly slides down the slippery slope into Anti-Semitism. And breasts. Lots and lots of breasts!
    • 74 Metascore
    • 75 Roger Moore
    The combination of a flexible, funny cast, an amusing situation and a style of movie-making that embraces every happy, nasty accident make this if not the funniest, then certainly the most uncomfortable comedy of the summer.
    • 83 Metascore
    • 75 Roger Moore
    It’s still a welcome, entertaining and overdue delivery of credit where credit was and is due.
    • 73 Metascore
    • 75 Roger Moore
    Mark Jarrett’s amiable road picture has a morbid whimsy and a coming-of-age hook.
    • 65 Metascore
    • 75 Roger Moore
    X-Men: First Class still sings the praises of Marvel Studios' marvelous quality control of comic book movies. It's good, clean summer movie fun where the money they spend is up on the screen - with actors and effects - so that we won't mind spending our money on it.
    • 63 Metascore
    • 75 Roger Moore
    An engaging take on a drifting character at an age when we’re all adrift.
    • 79 Metascore
    • 75 Roger Moore
    “Cheerful” and “triumphant” aren’t words that come to mind when you think of Alzheimer’s, the debilitating illness that destroys memory, mind and body. But darned if country star Glen Campbell doesn’t manage that in Glen Campbell: I’ll Be Me.
    • 56 Metascore
    • 75 Roger Moore
    The situations are painstakingly set up and downright painful to sit through. So enjoy, or endure the appetizers, because with this Dinner, dessert is truly the topper.
    • 71 Metascore
    • 75 Roger Moore
    Yelchin doesn't generate the same warmth or passion that Jones does. That is partly by design, as this whole affair was her idea, after all.
    • 75 Metascore
    • 75 Roger Moore
    The musical comedy whimsically and often cleverly revisits the characters, their shtick and and the TV show and movies that made them most famous.
    • 82 Metascore
    • 75 Roger Moore
    Incendies is occasionally compelling, but also overlong and vexing in the ways it draws out a "shocking" conclusion that we unravel long before the characters do.
    • 84 Metascore
    • 75 Roger Moore
    The Descendants lets Payne show us the Other America and the Other Americans - little lives caught up in small but epic problems far away from the La La Land of Hollywood hype, sex and violence.
    • 67 Metascore
    • 75 Roger Moore
    Mr. Holmes is an elegiac, understated tale of The Detective in Winter, a rare thing in its own right.
    • 68 Metascore
    • 75 Roger Moore
    Zeroing in on Carr as the movie's "hero" was a smart move. He comes off as smart, confrontational and unconventional.
    • 69 Metascore
    • 75 Roger Moore
    In a genre - the animated holiday film - already overflowing with the sentimental, the silly Arthur Christmas is a most welcome treat to find stuffed into the cinema's stockings this holiday season.
    • 64 Metascore
    • 75 Roger Moore
    A low energy romance, a movie that rewards a filmgoer with the patience to let this affair play itself out. Sink or swim, Connie and Jack will come out of this changed. And so will we.
    • 64 Metascore
    • 75 Roger Moore
    Many moments will make you avert your eyes.
    • 68 Metascore
    • 75 Roger Moore
    In Spanish with English subtitles, has a lovely, big budget sheen (Shlomo Godder was the cinematographer) and a cast that plays this as documentary real.
    • 74 Metascore
    • 75 Roger Moore
    Prisoners is never less than engrossing. It’ll keep you guessing. It’s just too bad that the last thirty minutes make us feel like the prisoners, here.
    • 80 Metascore
    • 75 Roger Moore
    In Mary, Leigh has found the polar opposite of Sally Hawkin's giggle-through-the-pain heroine of "Happy-Go-Lucky."
    • 63 Metascore
    • 75 Roger Moore
    The first 25 minutes or so of this “Contagion” meets “28 Days Later” thriller will leave you breathless. And the rest of it serves up novel and often entertaining solutions to the various “zombie problems” that this over-exposed genre presents.
    • 76 Metascore
    • 75 Roger Moore
    This compelling-acted film explains, better than any soundbite, why people have taken to the streets, "occupying" centers of finance. If their rage is unfocused, Margin Call suggests, that's with good reason. There are no real heroes or villains here, just human beings with human failings making BIG human mistakes.

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