For 465 reviews, this critic has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 1 point higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
Average review score: 60
Highest review score: 100 56 Up
Lowest review score: 25 Sabotage
Score distribution:
  1. Negative: 75 out of 465
465 movie reviews
    • 55 Metascore
    • 75 Roger Moore
    Writer-director Richard Shepard did “”The Matador” and “The Hunting Party”, and he surrounds Law’s lunatic Dom with assorted underworld figures who have mellowed where Dom did not.
    • 73 Metascore
    • 75 Roger Moore
    Berninger is hero and villain of this comic essay in ineptitude masquerading as a rock band on tour doc.
    • 78 Metascore
    • 75 Roger Moore
    Under the Skin isn’t conventional, thrilling or particularly satisfying in a sci-fi aliens-are-hunting-us sense. But it manages something far more sinister and fascinating. It gets under your skin and imprints on your memory.
    • 68 Metascore
    • 75 Roger Moore
    It’s gorgeous, intimate and beautifully photographed. And it’s cute and kid-friendly, with just enough jokes to balance the drama that comes from any film that flirts with how dangerous and unforgiving The Wild actually is.
    • 77 Metascore
    • 75 Roger Moore
    Blue Ruin joins “Shotgun Stories” and “Joe” as vivid reminders that however homogenized American culture seems, there are still pockets that are distinct, with people who live by their own rules and their own bloody code.
    • 66 Metascore
    • 75 Roger Moore
    Director Omid Nooshin gives this story harrowing touches largely through arresting camera angles and aggressive editing. He ensures that “Last Passenger” features a couple of jaw-dropping moments even as it traverse familiar ground.
    • 62 Metascore
    • 75 Roger Moore
    Writer-director Lucia Puenzo, adapting her own historical novel, concocts a disquieting and chilling thriller out of what might be a lost chapter in the infamous career of Nazi Doctor Joseph Mengele.
    • 81 Metascore
    • 75 Roger Moore
    Locke will hold your interest as it presents a side of the burly, bluff “Dark Knight” villain we have never seen before on screen.
    • 56 Metascore
    • 75 Roger Moore
    The film tells Annie Parker’s story with heart and wit, and finds a few funny insights into the stubborn, brusque woman, Dr. Mary-Claire King, whose lonely quest to find proof would bear fruit.
    • 77 Metascore
    • 75 Roger Moore
    The lack of urgency may bore those unused to Jarmusch’s style and pacing. But his languor is his calling card. The deliberate pacing makes the offhand jokes and dry observations seem funnier than they are, at least in this case. This borders on being “cute.” And dull.
    • 56 Metascore
    • 75 Roger Moore
    James McAvoy wallows in it in his new film, Filth. He embraces the sexual depravity, the drug and alcohol abuse, the bullying, vile language, racism and rank sexism of being a Scottish cop on the loose.
    • 68 Metascore
    • 75 Roger Moore
    Chef is Favreau’s most personal film since “Swingers,” an overlong comedy full of his food, his taste in music, his favorite places and a boatload of his favorite actors.
    • 45 Metascore
    • 75 Roger Moore
    Robert Duvall may be 83, but he’s still up to playing a real Texas hell raiser on the screen. He can hold his own with bad hombres.
    • 74 Metascore
    • 75 Roger Moore
    Days of Future Past is most everything we’d hoped the summer’s earlier popcorn pictures would be, most of all — fun.
    • 87 Metascore
    • 75 Roger Moore
    A scruffy, anarchic picture that gets better as it stumbles along.
    • 72 Metascore
    • 75 Roger Moore
    It’s almost a hagiography, and Vidal would have demanded no less.
    • 66 Metascore
    • 75 Roger Moore
    Borgman is a chilling, cryptic film that commands your attention even as its writer-director devotes much of his attention to keeping you from figuring it out.
    • 73 Metascore
    • 75 Roger Moore
    It’s the best Almodovar movie Almodovar never made, a riotous, gory farce that might be the funniest movie of the summer, and surely is the coolest.
    • 63 Metascore
    • 75 Roger Moore
    An engaging take on a drifting character at an age when we’re all adrift.
    • 71 Metascore
    • 75 Roger Moore
    This comedy produces the biggest, loudest laughs of any movie this summer.
    • 64 Metascore
    • 75 Roger Moore
    As violent and primal as “Animal Kingdom,” but not as brisk. The film grinds to a halt in between confrontations. And those shoot-outs are simple, direct and bloody, not “staged” in the Hollywood sense.
    • 70 Metascore
    • 75 Roger Moore
    As slight as Venus feels, it’s just titillating enough to matter, just twisted enough — Really, casting your wife and a guy who looks like you? — to suggest that even in his 70s, even with virtually no budget, Polanski can deliver a compelling walk on the kinky side.
    • 74 Metascore
    • 75 Roger Moore
    The fact that Bulger, at long last, is rotting in jail, is little consolation. Perhaps only a Hollywood version of this story, one starring Johnny Depp, can give it a satisfying conclusion.
    • 79 Metascore
    • 75 Roger Moore
    An action-packed epic, a moving sci-fi allegory rendered in broad, lush strokes by the latest state of the computer animator’s art.
    • 70 Metascore
    • 75 Roger Moore
    Happy Christmas, which is set around Christmas, shares several plot and thematic points with “Neighbors,” but without the aggression or belly laughs.
    • 76 Metascore
    • 75 Roger Moore
    There are moments when you wonder if this CNN-produced documentary is telling the whole story, if there was cherry picking in points of view chosen.
    • 76 Metascore
    • 75 Roger Moore
    McGarry, with this slick, invigorating film, whose action is set to a pulsating James Lavino musical score, has broadened a national debate that anti-healthcare reform folks have narrowed via the courts and political demonization.
    • 77 Metascore
    • 75 Roger Moore
    Laugh-out-loud funny and production-designed to death, Guardians of the Galaxy pops off the screen.
    • 59 Metascore
    • 63 Roger Moore
    Jonathan "50/50" Levine has turned Isaac Marion's teen romance novel into an often amusing tongue-in-cheek romantic comedy - tongue in cheek, and brains in teeth. Chewy, tasty brains.
    • 53 Metascore
    • 63 Roger Moore
    Before it trips over its own overly complex plot, before the comic leads have exhausted their modestly amusing repertoires, this odd stoner/sci fi creature feature blows out of the gate and threatens - for about thirty minutes - to blow your mind. Then it doesn't.