For 1,558 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 2.3 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The Guard
Lowest review score: 12 Creature
Score distribution:
1558 movie reviews
    • 60 Metascore
    • 75 Roger Moore
    We’re reminded not just of sacrifice, but of those to whom service is a genuine calling and what that bandied-about word “hero” really means.
    • 57 Metascore
    • 75 Roger Moore
    It's not the smoothest thriller. But All Good Things is thoroughly engrossing, a roman a clef that chillingly ponders a puzzle and suggests solutions outlandish enough to be stranger than anything Hollywood, on its own, could make up.
    • 79 Metascore
    • 75 Roger Moore
    A mesmerizing movie, a history lesson about the pre-blockbuster era in science fiction movies.
    • 85 Metascore
    • 75 Roger Moore
    Amy
    Amy does its greatest service by holding up a mirror to this sad icon who lived her life in imitation of “The Rose.”
    • 55 Metascore
    • 75 Roger Moore
    Writer-director Richard Shepard did “”The Matador” and “The Hunting Party”, and he surrounds Law’s lunatic Dom with assorted underworld figures who have mellowed where Dom did not.
    • 59 Metascore
    • 75 Roger Moore
    Roberta Grossman’s cute documentary gives weight to the tune, tracing its lineage to a town – Sadagora, in the Ukraine – and the 19th century. It bubbled to life as a “Nigun,” a wordless hymn or prayer, more hummed than sung.
    • 70 Metascore
    • 75 Roger Moore
    The Walk is the movie that takes us up there, gives us the jitters and makes us titter along the way.
    • 76 Metascore
    • 75 Roger Moore
    Blue Caprice is a chilling portrait of motive, manipulation and mass murder.
    • 76 Metascore
    • 75 Roger Moore
    It’s still a passion project, in all the best ways, a jaunty, juicy ramble through music history from Johnny Cash to Nine Inch Nails, Neil Young to the Red Hot Chili Peppers.
    • 71 Metascore
    • 75 Roger Moore
    You'd better watch out. You'd better not swear. Have a gun handy, loaded for bear. Santa Claus is coming…to Finland.
    • 80 Metascore
    • 75 Roger Moore
    The coolest sequences in the film are its first third, with Watney’s communication cut off and NASA unaware he’s there.
    • 94 Metascore
    • 75 Roger Moore
    And as long as it is, it would be a pity to cut one moment of Spall’s immersive, utterly convincing portrait of this common man with an uncommon gift.
    • 70 Metascore
    • 75 Roger Moore
    It’s a fanciful conceit and a well-animated parable about prejudice, standards of beauty and the shifting sands of the painters’ art.
    • 72 Metascore
    • 75 Roger Moore
    Moore makes us root for Alice, not for a cure, which still seems a reach, but for a completion of her life’s goals, a chance to control her fate as long as she has the wherewithal to do it.
    • 86 Metascore
    • 75 Roger Moore
    A quietly compelling if not particularly emotional and sober-minded treatment of an infamous incident.
    • 91 Metascore
    • 75 Roger Moore
    It goes on too long, but this is personal essay filmmaking at its best, one that passes that ultimate test of such self-involved projects. It has a story worth telling.
    • 49 Metascore
    • 75 Roger Moore
    The result is wintry and melancholy, “A Child’s Christmas in Wales” or “Do Not Go Gentle Into that Good Night” in tone. And because of that, it’s a trifle duller than the man himself surely must have been.
    • 47 Metascore
    • 75 Roger Moore
    An engaging Israeli film about the days when the people throwing rocks, assassinating soldiers and setting off bombs were Jews out to carve a state for themselves out of the British "mandate" in Palestine.
    • 73 Metascore
    • 75 Roger Moore
    It’s a “Waiting for Godot” set in the solitary work and lives of two highway line-painters.
    • 79 Metascore
    • 75 Roger Moore
    A deadpan, darkly funny Korean murder mystery.
    • 61 Metascore
    • 75 Roger Moore
    Crisp, compact and cryptic, The American is a standard-issue hit-man thriller tailor made for George Clooney.
    • 67 Metascore
    • 75 Roger Moore
    It’s a fascinating slice of rock and pop archeology and well worth your time.
    • 82 Metascore
    • 75 Roger Moore
    Frances Ha turns melancholy and almost painful to watch in its last act as she and we see the dead end dead ahead. And the film doesn’t seem to earn the finale the two of them cooked up for us.
    • 68 Metascore
    • 75 Roger Moore
    Radice has delivered an engaging portrait of a loose cannon back when professional sports still produced such unfiltered creatures, a man who lived by his own rules, said what he thought and wore curlers to practice when he felt like it.
    • 56 Metascore
    • 75 Roger Moore
    A daft pitch-black dark comedy about family dysfunction that plays out over painfully ugly family Christmas celebration.
    • 55 Metascore
    • 75 Roger Moore
    Two very good looking people play two offbeat and abrasively charming lovers in Love & Other Drugs. And when your screen romance is as sexual as this one, it helps if your stars are about as good looking with their clothes off as human beings get.
    • 36 Metascore
    • 75 Roger Moore
    Paris-Manhattan is an amusing little nothing of a movie built around the wit and wisdom of Woody Allen.
    • 66 Metascore
    • 75 Roger Moore
    Borgman is a chilling, cryptic film that commands your attention even as its writer-director devotes much of his attention to keeping you from figuring it out.
    • 72 Metascore
    • 75 Roger Moore
    For all its pleasures, as Germaine nudges Claude toward that “ideal” ending that will make the reader say “I never saw that coming” and “It could not have ended any other way” at the same time, one only wishes this absorbing but melodramatic film had taken that advice.
    • 66 Metascore
    • 75 Roger Moore
    The wildly improbable set-up is merely the jumping off point for an exploration of grief, guilt and redemption.

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