For 1,087 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.1 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Magician: The Astonishing Life and Work of Orson Welles
Lowest review score: 12 Creature
Score distribution:
1,087 movie reviews
    • 75 Metascore
    • 75 Roger Moore
    A brisk blast of bloody good fun, sci-fi with a little social commentary as subtext. Attack the Block is the movie that "Battle: Los Angeles" was not - thrilling, nerve-wracking and fun.
    • 68 Metascore
    • 75 Roger Moore
    As a Steve Carell comedy, it works. He plays the victim well, the guy romantically in over his head ever better. Surrounding him with people this funny - Ryan Gosling, who knew?
    • 52 Metascore
    • 75 Roger Moore
    The ending smacks of Hollywood rewriting of history. But The Devil's Double shows the political consequences of Uday's misdeeds, the delicate negotiations that keep the people with grievances in line. And Dominic Cooper delivers a career-making performance.
    • 66 Metascore
    • 75 Roger Moore
    The wildly improbable set-up is merely the jumping off point for an exploration of grief, guilt and redemption.
    • 64 Metascore
    • 75 Roger Moore
    Fright Night can also boast of having the best vampire-villain in ages. The bushy-browed Colin Farrell was BORN to wear fangs.
    • 65 Metascore
    • 75 Roger Moore
    "The Debt," a very good 2007 Israeli thriller with Cold War and Holocaust connections, earns a nerve-wracking and entertaining Hollywood remake.
    • 71 Metascore
    • 75 Roger Moore
    Warrior is a straight genre picture, a fight movie of the old school. But it's a mixed martial arts tale, and as such, it's the best MMA movie ever.
    • 74 Metascore
    • 75 Roger Moore
    Farmiga directs and plays this as a woman with questions. Thus, the tone is a bit all over the place - frank discussion and depictions of sex, but with an equally frank embrace of Christianity, talking the talk and walking the walk.
    • 78 Metascore
    • 75 Roger Moore
    They (Refn and Gosling) have collaborated on a car picture that unnerves us with its idling quiet, and then pins our ears back when they stomp the accelerator.
    • 74 Metascore
    • 75 Roger Moore
    "It was a perfect tabloid story," the Brit Peter Tory, who covered it, remembers. "Kinky sex, religion, kidnapping, a beauty queen."
    • 79 Metascore
    • 75 Roger Moore
    Senna himself gives it its heart. I just wish I'd gotten a better handle on who he was before the film's checkered flag falls.
    • 65 Metascore
    • 75 Roger Moore
    Whatever the grownups say, Manyaka's Chanda is the one person in this village who understands how simple things really are, that it really does come down to Life, Above All.
    • 81 Metascore
    • 75 Roger Moore
    One serious omission in the film - identifying what these seemingly prosperous alumni of the band do for a living and did with their lives.
    • 72 Metascore
    • 75 Roger Moore
    Odds are you'll find something of substance, a few life lessons in between the laughs in 50/50.
    • 64 Metascore
    • 75 Roger Moore
    It's a plucky film that covers a lot of ground and uncovers this wonderful, ancient ritual that people of many faiths and from all walks of life take on.
    • 47 Metascore
    • 75 Roger Moore
    Restless is far more precious than profound. But that takes little away from this soulful teenage exploration of love, life and death.
    • 62 Metascore
    • 75 Roger Moore
    The leads are charmingly mismatched, but adorable enough to root for, as a couple. Forestier is a wildly uninhibited actress, sexy as all get out. She makes this girl dangerous, seemingly capable of anything.
    • 59 Metascore
    • 75 Roger Moore
    A first-rate one-woman-against-the-system drama.
    • 76 Metascore
    • 75 Roger Moore
    This compelling-acted film explains, better than any soundbite, why people have taken to the streets, "occupying" centers of finance. If their rage is unfocused, Margin Call suggests, that's with good reason. There are no real heroes or villains here, just human beings with human failings making BIG human mistakes.
    • 50 Metascore
    • 75 Roger Moore
    Even lacking the laughs and romance, he (Emmerich) has delivered an entertaining eye-roller of alternative history.
    • 59 Metascore
    • 75 Roger Moore
    A winning "Robin Hood and his Merry Doormen" comedy about getting even. A cast of comedy specialists each deliver their comic specialties to perfection, delivering double-takes and one liners so well that you don't notice how clunky the actual caper in this caper comedy is.
    • 71 Metascore
    • 75 Roger Moore
    Yelchin doesn't generate the same warmth or passion that Jones does. That is partly by design, as this whole affair was her idea, after all.
    • 83 Metascore
    • 75 Roger Moore
    A stunning exercise in 3D and a delightful celebration of Scorsese's lifelong love of the movies, something he, like Hugo, developed on childhood.
    • 75 Metascore
    • 75 Roger Moore
    The musical comedy whimsically and often cleverly revisits the characters, their shtick and and the TV show and movies that made them most famous.
    • 84 Metascore
    • 75 Roger Moore
    The Descendants lets Payne show us the Other America and the Other Americans - little lives caught up in small but epic problems far away from the La La Land of Hollywood hype, sex and violence.
    • 69 Metascore
    • 75 Roger Moore
    In a genre - the animated holiday film - already overflowing with the sentimental, the silly Arthur Christmas is a most welcome treat to find stuffed into the cinema's stockings this holiday season.
    • 65 Metascore
    • 75 Roger Moore
    Branagh and Williams are worth the price of admission, the former "wunderkind" of British stage and screen having a go at the pretentious, plummy Olivier.
    • 72 Metascore
    • 75 Roger Moore
    Rarely has a movie been so sexual without being remotely sexy. Rarely has a guy who might be admired in a sex comedy as a "playa" seemed more pathetic with each fresh conquest.
    • 56 Metascore
    • 75 Roger Moore
    A daft pitch-black dark comedy about family dysfunction that plays out over painfully ugly family Christmas celebration.
    • 64 Metascore
    • 75 Roger Moore
    It's a celebration of great old actors set in a world of once-great singers, and Hoffman's affection for them and the material shows in every frame.

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