For 922 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.1 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 56 Up
Lowest review score: 12 Creature
Score distribution:
922 movie reviews
    • 74 Metascore
    • 75 Roger Moore
    Farmiga directs and plays this as a woman with questions. Thus, the tone is a bit all over the place - frank discussion and depictions of sex, but with an equally frank embrace of Christianity, talking the talk and walking the walk.
    • 65 Metascore
    • 75 Roger Moore
    Whatever the grownups say, Manyaka's Chanda is the one person in this village who understands how simple things really are, that it really does come down to Life, Above All.
    • 82 Metascore
    • 75 Roger Moore
    The riffing, the one-upsmanship, the off-the-cuff zingers and the singing (ABBA, a great favorite of Coogan's most famous creation, the dizzy talk show host Alan Partridge) make The Trip an easy-going trek down a road well-traveled by these two.
    • 68 Metascore
    • 75 Roger Moore
    Zeroing in on Carr as the movie's "hero" was a smart move. He comes off as smart, confrontational and unconventional.
    • 66 Metascore
    • 75 Roger Moore
    The wildly improbable set-up is merely the jumping off point for an exploration of grief, guilt and redemption.
    • 71 Metascore
    • 75 Roger Moore
    Yelchin doesn't generate the same warmth or passion that Jones does. That is partly by design, as this whole affair was her idea, after all.
    • 74 Metascore
    • 75 Roger Moore
    "It was a perfect tabloid story," the Brit Peter Tory, who covered it, remembers. "Kinky sex, religion, kidnapping, a beauty queen."
    • 59 Metascore
    • 75 Roger Moore
    A first-rate one-woman-against-the-system drama.
    • 61 Metascore
    • 75 Roger Moore
    Appreciate Elysium for what it is, sci-fi that’s smarter, more topical and more invigorating than most of what passes through that genre these days, and another sign that its director is the most promising chap to enter the field since the inception of Christopher Nolan.
    • 44 Metascore
    • 75 Roger Moore
    The cast, plainly packed with second or third choices, lets it down. Is there anything in James Franco’s past that suggests larger-than-life, a fast-talking, womanizing con-man? And the three witches – Theodora, Evanora and Glinda – are Bland, Blander and Blond Bland.
    • 66 Metascore
    • 75 Roger Moore
    Look for Jackson’s cameo in the opening, which sets the tone. Call it another visual triumph for New Zealand’s vision of Middle Earth.
    • 62 Metascore
    • 75 Roger Moore
    The leads are charmingly mismatched, but adorable enough to root for, as a couple. Forestier is a wildly uninhibited actress, sexy as all get out. She makes this girl dangerous, seemingly capable of anything.
    • 75 Metascore
    • 75 Roger Moore
    A brisk blast of bloody good fun, sci-fi with a little social commentary as subtext. Attack the Block is the movie that "Battle: Los Angeles" was not - thrilling, nerve-wracking and fun.
    • 79 Metascore
    • 75 Roger Moore
    Senna himself gives it its heart. I just wish I'd gotten a better handle on who he was before the film's checkered flag falls.
    • 59 Metascore
    • 75 Roger Moore
    Things drag, here and there. But kids will dig the slapstick, the talking dog and giggle at what flies out of the Sphinx’s butt, or drops from the rear-end of the Trojan Horse. Adults will be tickled at the usual Dreamworks parade of one-liners, running gags and puns, and feel a little sentimental.
    • 63 Metascore
    • 75 Roger Moore
    The first 25 minutes or so of this “Contagion” meets “28 Days Later” thriller will leave you breathless. And the rest of it serves up novel and often entertaining solutions to the various “zombie problems” that this over-exposed genre presents.
    • 64 Metascore
    • 75 Roger Moore
    It's a plucky film that covers a lot of ground and uncovers this wonderful, ancient ritual that people of many faiths and from all walks of life take on.
    • 72 Metascore
    • 75 Roger Moore
    Rarely has a movie been so sexual without being remotely sexy. Rarely has a guy who might be admired in a sex comedy as a "playa" seemed more pathetic with each fresh conquest.
    • 40 Metascore
    • 75 Roger Moore
    Gangster Squad is a gang war drama built on Western conventions, a rootin' tootin', Camel-smokin', whiskey swillin' shoot'em up.
    • 55 Metascore
    • 75 Roger Moore
    This movie hangs utterly on performance, and DiCaprio’s Gatsby is mesmerizing.
    • 56 Metascore
    • 75 Roger Moore
    A daft pitch-black dark comedy about family dysfunction that plays out over painfully ugly family Christmas celebration.
    • 52 Metascore
    • 75 Roger Moore
    There’s something so delicious when Brits such as Thompson and Irons sink their fangs – sorry – into Deep South dialect. Thompson devours scenery, supporting players and dialogue with every “Bless your heart, shooo-gah” in the script, and Irons curls his non-existent mustache with every syrupy zinger.
    • 68 Metascore
    • 75 Roger Moore
    It isn’t “The Ten Commandments” and Crowe is no Charlton Heston. But Noah makes Biblical myth grand in scope and intimate in appeal. The purists can always go argue over “God Isn’t Dead.” The rest of creation can appreciate this rousing good yarn, told with blood and guts and brawn and beauty, with just a hint of madness to the whole enterprise.
    • 62 Metascore
    • 75 Roger Moore
    42
    Earnest, righteous, historically accurate and often entertaining.
    • 82 Metascore
    • 75 Roger Moore
    The Lego Movie amuses and never fails to leave the viewer –especially adults — a little dazzled at the demented audacity of it all.
    • 75 Metascore
    • 75 Roger Moore
    Steven Soderbergh, rightly considered one of Hollywood’s smartest movie makers, is at his cleverest in Side Effects, a canny, cunning big idea thriller in a minor key, an engrossing zeitgeist whodunit about Wall Street, Big Pharma, prescription drugs and the power we give psychiatry and psychologists.
    • 67 Metascore
    • 75 Roger Moore
    An often hilarious/generally irreverent comedy.
    • 54 Metascore
    • 75 Roger Moore
    It’s a charming, whimsical and ever-so-slight film, a bit of an over-reach but pleasant enough, even when it falls short.
    • 74 Metascore
    • 75 Roger Moore
    Days of Future Past is most everything we’d hoped the summer’s earlier popcorn pictures would be, most of all — fun.
    • 79 Metascore
    • 75 Roger Moore
    An action-packed epic, a moving sci-fi allegory rendered in broad, lush strokes by the latest state of the computer animator’s art.