For 957 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Boyhood
Lowest review score: 12 Creature
Score distribution:
957 movie reviews
    • 67 Metascore
    • 75 Roger Moore
    An often hilarious/generally irreverent comedy.
    • 54 Metascore
    • 75 Roger Moore
    It’s a charming, whimsical and ever-so-slight film, a bit of an over-reach but pleasant enough, even when it falls short.
    • 74 Metascore
    • 75 Roger Moore
    Days of Future Past is most everything we’d hoped the summer’s earlier popcorn pictures would be, most of all — fun.
    • 79 Metascore
    • 75 Roger Moore
    An action-packed epic, a moving sci-fi allegory rendered in broad, lush strokes by the latest state of the computer animator’s art.
    • 49 Metascore
    • 75 Roger Moore
    It’s a smidge too cute and a bit too long, but Huard and Scott make this comical journey (in French and “Franglish” with English subtitles), a trip from indifference to kindness, incompetence to responsibility, a most rewarding reinvention of what “family” can mean.
    • 76 Metascore
    • 75 Roger Moore
    Laugh-out-loud funny and production-designed to death, Guardians of the Galaxy pops off the screen.
    • 81 Metascore
    • 75 Roger Moore
    This is a movie that floats by on dazzlingly silly banter and well-slung slang.
    • 58 Metascore
    • 75 Roger Moore
    The Hollywood debut of Korean filmmaker Chan-Wook Park (“Oldboy”) is a vivid, short exercise in tone, a movie lacking shocks and huge surprises, but one that makes up for that by creeping us out, from start to finish.
    • 42 Metascore
    • 75 Roger Moore
    Interns Wilson and Vaughn swap lines like veteran jazz musicians who still have a sense of play about them — an endless supply of nicknames, high-and-low fives, dated slang and goodwill — theirs for each other, and ours for them.
    • 57 Metascore
    • 75 Roger Moore
    Horror is all about that short-circuit the screen's technical manipulations cause in our brain, so this isn't high art. But Mama is easily the most moving, most chilling ghost story since "Insidious," an emotional tale efficiently and affectingly told.
    • 55 Metascore
    • 75 Roger Moore
    A most romantic way to spend your time at the movies this fall, a “date picture” about do over dates that works, this time around.
    • 73 Metascore
    • 75 Roger Moore
    A Royal Affair...is a lovely history lesson, but a film without the spark of invention that makes this modern parable feel modern.
    • 80 Metascore
    • 75 Roger Moore
    It's a fine summation of this complicated story, one that focuses heavily on Echols and his sweeping declarations about the state of justice in Arkansas and America.
    • 64 Metascore
    • 75 Roger Moore
    It's a celebration of great old actors set in a world of once-great singers, and Hoffman's affection for them and the material shows in every frame.
    • 61 Metascore
    • 75 Roger Moore
    So many “lose my virginity over the summer” comedies, from “American Pie” to “Superbad,” “Can’t Hardly Wait” to “Girl Next Door.” But aside from the hilarious “Twilight Saga,” how many have told that torrid tale from the girl’s point of view? The To Do List is a summer romantic comedy dedicated to rectifying that imbalance in a single stroke.
    • 74 Metascore
    • 75 Roger Moore
    Prisoners is never less than engrossing. It’ll keep you guessing. It’s just too bad that the last thirty minutes make us feel like the prisoners, here.
    • 68 Metascore
    • 75 Roger Moore
    It’s gorgeous, intimate and beautifully photographed. And it’s cute and kid-friendly, with just enough jokes to balance the drama that comes from any film that flirts with how dangerous and unforgiving The Wild actually is.
    • 78 Metascore
    • 75 Roger Moore
    Take that sign at the entrance to his Tulbagh, South Africa compound seriously – "Beware of Mr. Baker."
    • 82 Metascore
    • 75 Roger Moore
    Frances Ha turns melancholy and almost painful to watch in its last act as she and we see the dead end dead ahead. And the film doesn’t seem to earn the finale the two of them cooked up for us.
    • 78 Metascore
    • 75 Roger Moore
    A winking comedy with dark underpinnings and some of Shakespeare’s most wicked wordplay.
    • 76 Metascore
    • 75 Roger Moore
    Mud
    It doesn’t trivialize Mud to label it Tennessee Williams lite — at least in its romantic notions. Nichols gets good performances out of one and all, but lets himself get so caught up in his sense of place that this potboiler hangs around more than a few minutes after that pot has come to a boil.
    • 68 Metascore
    • 75 Roger Moore
    It’s a beautifully shot and reasonably balanced film, but one that struggles to find a hopeful note to end on.
    • 60 Metascore
    • 75 Roger Moore
    Beneath all the melodrama, beyond the fine performances, what sets At Any Price apart is the depiction of farming as it is today, the salesmanship, the traditions and ideals abandoned for greater profits and easier work and the ruthless world these patented “high yield” seeds have made.
    • 76 Metascore
    • 75 Roger Moore
    It’s still a passion project, in all the best ways, a jaunty, juicy ramble through music history from Johnny Cash to Nine Inch Nails, Neil Young to the Red Hot Chili Peppers.
    • 49 Metascore
    • 75 Roger Moore
    The aloof, guarded Cumberbatch plays Assange as a mixture of brilliance, hucksterism, ego and naivete. He carries the baggage of an actor who plays “smart,” with a menacing edge.
    • 80 Metascore
    • 75 Roger Moore
    The documentary Room 237 is an ostensibly thoughtful deep reading, a deconstruction of Stanley Kubrick’s film of Stephen King’s 1980 novel “The Shining.” What it really is, is a bunch of obsessives obsessing about an obsessive movie maker’s obsessive movie.
    • 71 Metascore
    • 75 Roger Moore
    The film reminds us that as amusing as he could be, he wasn’t the dazzling wit history packaged him as. “Relevant” is how he wanted to be remembered. And before he died, he got a filmmaker to remind us of exactly that.
    • 61 Metascore
    • 75 Roger Moore
    For all its plot trickery, mind science and relationship square dancing, Trance doesn’t have the emotional tug or technical pizzaz of Boyle’s best films – “Slumdog Millionaire,” “Trainspotting” or “127 Hours.”
    • 61 Metascore
    • 75 Roger Moore
    Funnier than the last Muppets movie, with far better songs (by Bret McKenzie), punnier puns and all manner of geo-political gags, cultural wisecracks and star cameos.
    • 81 Metascore
    • 75 Roger Moore
    No
    Here’s a fascinating piece of history that escaped much of the world’s notice, when it happened back in 1988.