For 1,053 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Nebraska
Lowest review score: 12 Creature
Score distribution:
1,053 movie reviews
    • 55 Metascore
    • 75 Roger Moore
    This movie hangs utterly on performance, and DiCaprio’s Gatsby is mesmerizing.
    • 70 Metascore
    • 75 Roger Moore
    It’s a fanciful conceit and a well-animated parable about prejudice, standards of beauty and the shifting sands of the painters’ art.
    • 82 Metascore
    • 75 Roger Moore
    Frances Ha turns melancholy and almost painful to watch in its last act as she and we see the dead end dead ahead. And the film doesn’t seem to earn the finale the two of them cooked up for us.
    • 68 Metascore
    • 75 Roger Moore
    It’s too much a movie of “types,” and loses track of story elements that would seem important enough to warrant further exploration. The whole Christian conservative law-and-order mantle feels like a fuzzy afterthought on Jane, forgotten far too soon.
    • 61 Metascore
    • 75 Roger Moore
    A summer movie that staggers down that fine line between sentimental and snarky, a tale of nature and nurture and first love that manages to charm more than any R-rated movie about horny teens has a right to.
    • 78 Metascore
    • 75 Roger Moore
    A winking comedy with dark underpinnings and some of Shakespeare’s most wicked wordplay.
    • 42 Metascore
    • 75 Roger Moore
    Interns Wilson and Vaughn swap lines like veteran jazz musicians who still have a sense of play about them — an endless supply of nicknames, high-and-low fives, dated slang and goodwill — theirs for each other, and ours for them.
    • 83 Metascore
    • 75 Roger Moore
    It’s still a welcome, entertaining and overdue delivery of credit where credit was and is due.
    • 67 Metascore
    • 75 Roger Moore
    An often hilarious/generally irreverent comedy.
    • 63 Metascore
    • 75 Roger Moore
    The first 25 minutes or so of this “Contagion” meets “28 Days Later” thriller will leave you breathless. And the rest of it serves up novel and often entertaining solutions to the various “zombie problems” that this over-exposed genre presents.
    • 79 Metascore
    • 75 Roger Moore
    Fill the Void’s greatest virtue is in the ways her characters take us beyond stereotypes even as she herself questions the value system of a culture that is so focused on religion, marriage and procreation that it holds few attractions to those not born into it.
    • 68 Metascore
    • 75 Roger Moore
    The performances and the ready supply of one-liners make this an amusing look at a new generation getting lost down memory lane.
    • 69 Metascore
    • 75 Roger Moore
    It’s a fascinating period in music and an equally fascinating story of promise, talent, expectations and failure. But you can’t help but feel that Big Star: Nothing Can Hurt Me won’t settle the most important argument of all to the unconverted — Were they as good as the hype?
    • 62 Metascore
    • 75 Roger Moore
    There is absolutely nothing new in this variation on the time-honored creature-feature tropes. But the fun just builds and builds as our heroes and our Irish island come to a solution that seems — on the surface — awfully Irish in its logic.
    • 61 Metascore
    • 75 Roger Moore
    So many “lose my virginity over the summer” comedies, from “American Pie” to “Superbad,” “Can’t Hardly Wait” to “Girl Next Door.” But aside from the hilarious “Twilight Saga,” how many have told that torrid tale from the girl’s point of view? The To Do List is a summer romantic comedy dedicated to rectifying that imbalance in a single stroke.
    • 58 Metascore
    • 75 Roger Moore
    It’s engrossing, violent, frightening and funny in the ways it captures the way kids speak with no adults around, and the way kids act when society’s rules take a back seat in time of war.
    • 36 Metascore
    • 75 Roger Moore
    You’d have to go back to the ’80s to find a film with this jaded a view of Hollywood, a town where every aspiring actor knows every yoga instructor who knows every producer and they all swap partners and dance. Constantly.
    • 71 Metascore
    • 75 Roger Moore
    We knew Livingston, Kendrick and Johnson (“Safety Not Guaranteed”) would work in this setting. But Wilde adds to the growing repertoire she showed off in “Deadfall” and “Butter,” films no one saw but which revealed that she’s a lot more than a pretty face.
    • 73 Metascore
    • 75 Roger Moore
    It’s a “Waiting for Godot” set in the solitary work and lives of two highway line-painters.
    • 61 Metascore
    • 75 Roger Moore
    Appreciate Elysium for what it is, sci-fi that’s smarter, more topical and more invigorating than most of what passes through that genre these days, and another sign that its director is the most promising chap to enter the field since the inception of Christopher Nolan.
    • 68 Metascore
    • 75 Roger Moore
    In Spanish with English subtitles, has a lovely, big budget sheen (Shlomo Godder was the cinematographer) and a cast that plays this as documentary real.
    • 81 Metascore
    • 75 Roger Moore
    This is a movie that floats by on dazzlingly silly banter and well-slung slang.
    • 76 Metascore
    • 75 Roger Moore
    Blue Caprice is a chilling portrait of motive, manipulation and mass murder.
    • 78 Metascore
    • 75 Roger Moore
    Apparently at Holofcener’s urging, Dreyfus just tends to overwhelm the movie with her regular, if charming, bag of tricks, as if that’s enough. And it isn’t.
    • 74 Metascore
    • 75 Roger Moore
    Prisoners is never less than engrossing. It’ll keep you guessing. It’s just too bad that the last thirty minutes make us feel like the prisoners, here.
    • 66 Metascore
    • 75 Roger Moore
    In Don Jon Gordon-Levitt hasn’t made a great movie. But he has made a fun one, short and sweet, with a third act punch that is so to-the-point it’ll take your breath away.
    • 51 Metascore
    • 75 Roger Moore
    Parkland is a fascinating insider’s view of those fateful two days in November of 1963, when a president was murdered, his assassin was gunned down in custody and generations of conspiracies were born.
    • 49 Metascore
    • 75 Roger Moore
    The aloof, guarded Cumberbatch plays Assange as a mixture of brilliance, hucksterism, ego and naivete. He carries the baggage of an actor who plays “smart,” with a menacing edge.
    • 73 Metascore
    • 75 Roger Moore
    Mark Jarrett’s amiable road picture has a morbid whimsy and a coming-of-age hook.
    • 88 Metascore
    • 75 Roger Moore
    Exarchopoulos is a revelation, wearing her neediness, vulnerability and arousal with every muscle in her face, her posture, even her hair. It’s an utterly naked performance, literally and figuratively.

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