For 1,156 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.4 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Super 8
Lowest review score: 12 Creature
Score distribution:
1,156 movie reviews
    • 58 Metascore
    • 75 Roger Moore
    There's a taste of Southern Gothic here, even though this story is set in Michigan. The incendiary mix of religion, sex and crime threatens to ignite every time Stone tries to turn the interogations back on Mabry.
    • 87 Metascore
    • 75 Roger Moore
    Chilling, cruel and funny — in an icy, Swedish way.
    • 75 Metascore
    • 75 Roger Moore
    Fiennes holds it all together by force of what he does show us about the man, his kindness tempered with cruelty, the charity he practiced and preached, the morality he could never live up to. It’s the visible great man who makes The Invisible Woman worth watching.
    • 85 Metascore
    • 75 Roger Moore
    There's a soap opera going on inside that tin can with a cannon.
    • 59 Metascore
    • 75 Roger Moore
    Things drag, here and there. But kids will dig the slapstick, the talking dog and giggle at what flies out of the Sphinx’s butt, or drops from the rear-end of the Trojan Horse. Adults will be tickled at the usual Dreamworks parade of one-liners, running gags and puns, and feel a little sentimental.
    • 55 Metascore
    • 75 Roger Moore
    May not be as emotionally compelling as John Ford's work ("The Prisoner of Shark Island"), but it's every bit as meticulously crafted.
    • 69 Metascore
    • 75 Roger Moore
    As slight as Venus feels, it’s just titillating enough to matter, just twisted enough — Really, casting your wife and a guy who looks like you? — to suggest that even in his 70s, even with virtually no budget, Polanski can deliver a compelling walk on the kinky side.
    • 64 Metascore
    • 75 Roger Moore
    It’s good, not great, and it’s not Ayer’s fault that the rarer these B-movies become, the more we expect from them.
    • 68 Metascore
    • 75 Roger Moore
    It’s gorgeous, intimate and beautifully photographed. And it’s cute and kid-friendly, with just enough jokes to balance the drama that comes from any film that flirts with how dangerous and unforgiving The Wild actually is.
    • 76 Metascore
    • 75 Roger Moore
    Laugh-out-loud funny and production-designed to death, Guardians of the Galaxy pops off the screen.
    • 52 Metascore
    • 75 Roger Moore
    Aniston's work opposite the screen's premiere mild-mannered funnyman shows her at her most engaged and pitch perfect.
    • 52 Metascore
    • 75 Roger Moore
    Sweet, sentimental, silly and star-studded, Nanny McPhee Returns is one of the best children's movies of the year.
    • 78 Metascore
    • 75 Roger Moore
    A winking comedy with dark underpinnings and some of Shakespeare’s most wicked wordplay.
    • 74 Metascore
    • 75 Roger Moore
    Inception is an elegant, portentous ride, though I’m not sure Nolan is any closer to visualizing the real (dream) deal than Hitchcock was.
    • 51 Metascore
    • 75 Roger Moore
    Like "42," Cesar Chavez lacks the budget to feel truly epic in scope. The violence is scattered, shocking and personal, the struggles within the union muted but the outrage — is palpable.
    • 74 Metascore
    • 75 Roger Moore
    It’s manipulative and overlong, too loud and “Incredibles” action-packed for the very young. But the manipulation errs on the side of mercy, compassion, sacrifice and humanity.
    • 71 Metascore
    • 75 Roger Moore
    Run & Jump is an uncommonly offbeat and charmingly unconventional romance, an Irish comedy that lets itself get very serious, now and again, and is all the richer for it.
    • 81 Metascore
    • 75 Roger Moore
    Souffle-light and long on charm.
    • 81 Metascore
    • 75 Roger Moore
    No
    Here’s a fascinating piece of history that escaped much of the world’s notice, when it happened back in 1988.
    • 64 Metascore
    • 75 Roger Moore
    It's a celebration of great old actors set in a world of once-great singers, and Hoffman's affection for them and the material shows in every frame.
    • 88 Metascore
    • 75 Roger Moore
    Exarchopoulos is a revelation, wearing her neediness, vulnerability and arousal with every muscle in her face, her posture, even her hair. It’s an utterly naked performance, literally and figuratively.
    • 69 Metascore
    • 75 Roger Moore
    As spy thrillers go, more chilling than thrilling. But that's what makes it easy to relate to.
    • 57 Metascore
    • 75 Roger Moore
    A movie franchise can only take us by surprise once, and by that measure, Iron Man 2 is a preordained letdown. But so much of what gave the first film its gas — is still here.
    • 41 Metascore
    • 75 Roger Moore
    Whatever twists this puzzle tosses at us, the film reminds us that a great actor, in close-up, telling a story with just her or his eyes, is still the greatest special effect the movies have to offer. This cast telling this story ensures us that nobody will be dozing off Before I Go to Sleep.
    • 57 Metascore
    • 75 Roger Moore
    Horror is all about that short-circuit the screen's technical manipulations cause in our brain, so this isn't high art. But Mama is easily the most moving, most chilling ghost story since "Insidious," an emotional tale efficiently and affectingly told.
    • 68 Metascore
    • 75 Roger Moore
    It’s too much a movie of “types,” and loses track of story elements that would seem important enough to warrant further exploration. The whole Christian conservative law-and-order mantle feels like a fuzzy afterthought on Jane, forgotten far too soon.
    • 52 Metascore
    • 75 Roger Moore
    There’s something so delicious when Brits such as Thompson and Irons sink their fangs – sorry – into Deep South dialect. Thompson devours scenery, supporting players and dialogue with every “Bless your heart, shooo-gah” in the script, and Irons curls his non-existent mustache with every syrupy zinger.
    • 80 Metascore
    • 75 Roger Moore
    The documentary Room 237 is an ostensibly thoughtful deep reading, a deconstruction of Stanley Kubrick’s film of Stephen King’s 1980 novel “The Shining.” What it really is, is a bunch of obsessives obsessing about an obsessive movie maker’s obsessive movie.
    • 74 Metascore
    • 75 Roger Moore
    The fact that Bulger, at long last, is rotting in jail, is little consolation. Perhaps only a Hollywood version of this story, one starring Johnny Depp, can give it a satisfying conclusion.
    • 66 Metascore
    • 75 Roger Moore
    The fourth comic book movie of the summer is the best comic book movie of the summer. Johnston has delivered a light, clever and deftly balanced adventure picture with real lump in the throat nostalgia.

Top Trailers