For 1,538 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.3 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Dallas Buyers Club
Lowest review score: 12 Creature
Score distribution:
1538 movie reviews
    • 37 Metascore
    • 50 Roger Moore
    My Big Fat Greek Wedding 2 is a veritable feast of low-hanging fruit. The laughs are obvious, we see them coming a mile away.
    • 47 Metascore
    • 50 Roger Moore
    Hiddleston can’t pull off the folksiness that was Williams’ public persona.
    • 49 Metascore
    • 50 Roger Moore
    It’s an indulgent movie, drifting through grief on a sea of cliches.
    • 83 Metascore
    • 50 Roger Moore
    Everybody Wants Some!! is just Linklater showing he can still summon up the immaturity to do a film like the ones he did when he had no name, no polish and was just starting out...This is the sort of movie he’d have made had he never grown as a filmmaker, if he’d only been a one-trick indie cinema pony, like Kevin Smith. And the world has already decided one Kevin Smith is more than enough.
    • 39 Metascore
    • 50 Roger Moore
    A sometimes entertaining, dazzling-on-the-field biography built around an utterly colorless lead performance.
    • 72 Metascore
    • 50 Roger Moore
    The two sisters one is the cleverest, the two albinos one the most unfathomable and “The Flea” the least inscrutable. See it for the eye candy, the vivid recreation of an Italian “Once upon a time,” all of it done without computers and digital fakery.
    • 67 Metascore
    • 50 Roger Moore
    Kidman works up to a fine but somewhat under-motivated fury.
    • 75 Metascore
    • 50 Roger Moore
    There’s a “for fans only” feel to the latest “Avengers” movie, Captain America: Civil War, that won’t be to every taste. A talky, often ponderous exercise in comic book movie elephantiasis, it overdoses on characters, old and new, sometimes not even bothering to name them.
    • 52 Metascore
    • 50 Roger Moore
    The epic effects, titanic struggles and ever-evolving line-up of characters of "Apocalypse," coming hot on the heels of “Civil War” and “Batman v. Superman” and “Deadpool,” underline the exhausted ingredients of the formula these movies all use. The filmmakers strain to find something new to do with them, and watching them try too hard is wearying.
    • 53 Metascore
    • 50 Roger Moore
    If you want another lesson about why we should be going to Mars and what we’ll encounter and maybe find out about ourselves, “Unknown” will do until we have an actual liftoff.
    • 58 Metascore
    • 50 Roger Moore
    It’s got just about enough laughs, but there’s so much more that the Script by Committee wants to shoehorn in, like female empowerment, bad parenting passed off as “doing our best” just like our parents, gay marriage and the incredibly sexist college Greek system, a relic of the “Animal House” era that remains as “rapey” as ever.
    • 82 Metascore
    • 50 Roger Moore
    More a movie that you appreciate and ponder than one you embrace and enjoy. Whatever its intellectual pretensions, I am looking forward to never seeing it again.
    • 34 Metascore
    • 50 Roger Moore
    Alice Through the Looking Glass, which has precious little to do with the rhyming collection Lewis Carroll penned with that title, is a dreary, joyless affair.
    • tbd Metascore
    • 50 Roger Moore
    Five Nights gives us only about two nights worth of movie, and far less to chew on than the stingy-with-story director would have us believe.
    • 51 Metascore
    • 50 Roger Moore
    Me Before You is a goofy, giddy doomed romance and female wish-fulfillment fantasy.
    • 68 Metascore
    • 50 Roger Moore
    The whole movie...feels like an under-developed sketch that goes on for too long.
    • 56 Metascore
    • 40 Roger Moore
    In a lot of ways, Die Another Day is a return to Bond's bad-old-days, the early 1980s, when the plots were outlandish and haphazard, the stunts were fake and the whole enterprise was being treated as a cartoon.

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